© 2012. State University of New York at Buffalo. All rights reserved.
[Specified item], Livingston Gearhart Collection of Scores, 1930-1996, Music Library, The State University of New York at Buffalo.
Acquisition InformationGift of Livingston, Pamela, and Fritz Gearhart.
Terms of AccessMaterials can be examined by qualified researchers in the Music Library during hours of operation during which Music Librarians are present. In order to insure access, researchers are advised to contact the Music Library in advance of visits.
CopyrightCopyright for the materials in the collection does not reside with the Music Library. Therefore, patrons wishing to publish any item, or part of an item from this collection for any purpose, are responsible for securing requisite permissions.
Processing InformationProcessed by Kathryn M. Blough, 1999; re-processed by Jared Rex, 2011-2012.
Accruals and AdditionsNo further accruals are expected to this collection.
Livingston Gearhart was born in Buffalo, New York December 31, 1916. His mother was Lillian Hawley Gearhart, a pianist who had studied for a year under Theodor Leschetizky in Vienna. As a child Gearhart studied piano, oboe, violoncello, and sang in church choirs in Buffalo and New York City. He graduated from high school in East Orange, New Jersey in 1935. He entered Curtis Institute of Music in Philadelphia in 1935 as an oboe student of Marcel Tabuteau. In his second year he switched his major to study composition with Rosario Scalero and piano with Nadia Reisenberg.
Gearhart sailed to Paris aboard the Normandie in 1937. With generous support from a wealthy American expatriate, he was able to enroll at the Conservatoire Américain de Fontainebleau where he studied music theory and composition with Nadia Boulanger. He was awarded the school's 2nd prize (no first prize was awarded that year) in the Prix Stovall composition competition in 1937. While in Paris he also met Igor Stravinsky, Darius Milhaud, Robert Casadesus, pianist Isidore Philipp, and his future wife and duo-piano partner, Virginia Clotfelter. He and Virginia performed their debut in Paris February 1, 1939 at the Salle Chopin. They received good reviews and were then able to give concerts in other French and Swiss locations until the conditions of World War II caused them to return to the United States.
Virginia Clotfelter adopted the professional name Morley and married Gearhart February 28, 1940 in New York City. They worked at numerous venues, including the Hotel Brevoort and the club, Ruban Bleu, both operated by Herbert Jacoby. The pair spent the summers of 1942 and 1943 as Artists-in-Residence at Morley's alma mater, Mills College in Oakland, California. While there Gearhart was able to study composition with Darius Milhaud. The Budapest String Quartet was also in residence at Mills College during those years and Gearhart and Morley formed friendships with quartet members Alexander and Mischa Schneider. The Morley Gearhart duo was very successful, performing works by Milhaud, Norman Dello Joio, David Diamond, and Stravinsky's Concerto per due pianoforte soli.
The duo received contracts with Columbia Concerts and the Fred Waring Show that extended from 1943-1954. During 1941 to 1954, the two-piano team of Morley and Gearhart performed over 2000 concerts throughout the US and Canada in addition to recording for Columbia Masterworks and Decca Records. Included among the many concert dates was a performance by the duo at the White House for President Dwight D. Eisenhower in 1953. During this period Gearhart also worked as a staff arranger for the Fred Waring Show.
A two-CD retrospective released in 2001, Morley and Gearhart Rediscovered by Ivory Classics, features 22 of Gearhart's two-piano arrangements. Some of these arrangements survive at Penn State in their collection, Fred Waring's America. In many cases Gearhart never fully wrote out his part of a duo so no written arrangement survives.
Livingston Gearhart's output contains several collections written for pedagogical purposes. The first of Gearhart's these works to be published was Clarinet Sessions in 1945. That was followed by similar collections for trumpet, violin, flute, and duos. Gearhart's entire compositional and arranging output includes 400-500 works (counting individual works within the collections).
Gearhart returned to Buffalo in 1955 and was appointed to the faculty of the music department at the University of Buffalo. After a divorce from Virginia Morley, he married violinist and conductor Pamela Gerhart (not a misspelling) in 1955. He taught various courses in keyboard, theory, and orchestration until his retirement in 1985.
Livingston Gearhart had four children: Paul, born to Virginia Morley Gearhart; Kim, Martha, and Fritz, born to Pamela Gearhart. Livingston Gearhart died in Buffalo at the age of 79 on July 14, 1996.
The collection contains 507 folders. There are 257 folders containing manuscript and published scores of Livingston Gearhart’s compositions and arrangements, 79 folders containing published scores by other composers annotated for performance by Gearhart, and 5 folders containing sketchbooks or workbooks with various musical exercises, sketches, and other works. Excluding the annotated scores, there are approximately 178 folders containing manuscript materials and 84 folders containing printed materials. Of the printed works, approximately 69 were published by Shawnee Press. Gearhart composed his works between 1930 and 1996 but five of his compositions in the collection were published after his death in 1997. His son Fritz Gearhart edited three of these publications.
The manuscript scores document Gearhart’s work from sketches through different versions to the finished, final version of a work. Most of these are in Gearhart’s hand with a small percentage being copied by other people. Many of the scores are accompanied by instrumental parts and explanatory notes of varying lengths by either Livingston or Pamela Gearhart. These notes often provide details about the background and history of works.
A major component of Gearhart’s output consists of his approximately 119 arrangements. These include arrangements chiefly made for didactic purposes for various instrumental combinations, arrangements for two pianos, many of which were used by Gearhart in his performances with Virginia Morley during their years as a piano-duo, choral arrangements, and arrangements for band or orchestra. There are other works by Gearhart that are difficult to classify strictly as arrangements due to the extent of Gearhart’s compositional reworking of the material. The titles identified as arrangements draw from a wide range of sources, including works by composers such as Arlen, Bach, Berlioz, Boccherini, Brahms, Brubeck, Debussy, Delius, Fauré, Johann Fischer, Haydn, Holst, J. Rosamond Johnson, Joplin, Lyadov, Macdowell, Mendelssohn, Mozart, Cole Porter, Serge Prokofiev, Purcell, Rachmaninoff, Ravel, Rimsky-Korsakov, Schubert, Stravinsky, and Wolf-Ferrari in addition to traditional and popular tunes such as We wish you a merry Christmas, Star spangled banner, Non nobis, Domine, and Au clair de la lune.
Gearhart’s pedagogical works include several compilations that consist of both original and arranged works. Most of these are in a series he titled Sessions: Bass Clef Sessions, Clarinet Sessions, Duet Sessions, Fiddle Sessions, Flute Sessions, Rhythm Sessions, Sax Sessions, Treble Clef Sessions, and Trumpet Sessions. Six of these titles were published by Shawnee Press. Many of the pieces within the compilations were written to provide practice in specific rhythmic and technical elements. Gearhart also devised sets of trick pieces and canons to assist with teaching. Another aspect of Gearhart’s pedagogical work is evident in the many pieces he arranged for use by his wife, Pamela Gearhart, in her work as conductor of the orchestra of the Community Music School of Buffalo and numerous string workshops and musical clinics. Gearhart also composed a set of nine pieces titled Extraits de mon cahier for pedagogical use by his teacher at Curtis Institute of Music, Marcel Tabuteau.
In addition to separate musical sketches, the collection also contains twelve sketchbooks or workbooks containing original compositions and arrangements as well as studies in harmony and counterpoint written while Gearhart was studying in Paris with Nadia Boulanger. An item of interest is a workbook titled Quodlibets research. It includes a comparative table containing chord structures of various pieces from the folk song, popular, and classical music repertoire. Another item of special interest is a sketchbook containing a two-piano arrangement of Mozart's Quintet in E-flat major K. 614. According to a note by Gearhart the arrangement is by pianist Robert Casadesus and was copied by Virginia Morley.
The collection is arranged in four series:
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I Compositions,
1930-2005 Folder 1-114 |
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Arranged alphabetically by main entry (composer or title). Compositions by Gearhart are under his name alphabetically in the list and then arranged alphabetically by uniform title. Folk song arrangements are listed by the uniform title for the specific song. There are two other composers stated in the list, Philip Klein and Virginia (Morley) Waring. Gearhart was co-composer of both pieces. Those works are stated under the respective composer's name: Klein and Waring. Sketches of untitled or unidentified works are listed under Gearhart's name and then under titles beginning with the word unidentified or untitled. |
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The series includes arrangements of works such as folksongs and spirituals not attributed to a single composer. It also includes musical sketches of both complete and incomplete works, with and without titles. |
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| Box | Folder | Contents |
| 1 | 001 |
Uniform title: Au clair de la lune (Song); arr. Au clair de la lune 1947 1 ms. score ([5] p.) ; 32 cm. |
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Arranged for voice and piano. Cover title. Music formerly
attributed to Jean-Baptiste Lully. "For Jacques [Bastard?], 1947"--Cover.
Holograph (Pencil).
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French words.
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| 1 | 002 |
Can I go : spiritual, for two-part male
voices with piano accompaniment 1960 1 score (8 p.) ; 27 cm. |
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Alternate title: First line of text: Lord, if I got my
ticket.
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Alternate title: Can I ride.
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Caption title. Also known by the title, Can I ride. Includes
tone syllables to be used as a choral enunciation aid. Duration: 2:45.
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Delaware Water Gap, Pennsylvania :
Shawnee Press
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English words.
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| 1 | 003 |
Chicka hanka [between 1950 and 1970] 2 ms. scores ; 32 cm. |
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Alternate title: First line of text: Capt'n, go sidetrack yore
train.
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Alternate title: Captain, go sidetrack yore train.
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Folk song arranged for tenor or baritone solo, TB chorus, and
piano accompaniment. Caption title. The two scores differ in rhythmic setting
and text. Verso of p. 2 in score B contains notes about harmonics on the string
bass. Holograph (Pencil).
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| 1 | 004 |
Christmas carols : arranged for piano,
4 hands [194-?] 1 ms. score ([8] p.) ; 32 cm. |
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Title supplied by cataloger. Holograph (Pencil).
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Contents: O come all ye faithful -- Silent night -- Hark the herald angels sing -- Bring a torch Jeanette, Isabella. |
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| 1 | 005 |
Gearhart,
Livingston Uniform title: Alabama fanfare A la fanfare : trpt, horn, strgs [1973 or 1974] 1 ms. score (8 p.) + 18 ms. parts ; 32 cm. |
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Alternate title: Ala fanfare.
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Alternate title: Title on accompanying note by Pamela
Gearhart: Alabama fanfare.
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For trumpet, horn, and string orchestra. Cover title.
"Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).
Accompanied by note from Pamela Gearhart about the history of the composition
(1 leaf ; 28 cm) ; Fanfare (end revised) score for mm. 39-42 ([4 p.] ; 32 cm) ;
photocopy of the score and revised ending (6 leaves ; 28 cm).
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| 1 | 006 |
Gearhart,
Livingston Uniform title: Adventures of a theme (Sketches) Adventures of a theme [between 1976 and 1996] 1 ms. score ([1] leaf) ; 28 x 31 cm. |
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Sketch, possibly for string quartet. Caption title. Based on
London bridge. Holograph (Pencil).
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| 1 | 007 |
Gearhart,
Livingston Uniform title: Air, oboe, English horn Air : Bachianas Buffalorus #2 : for ob + c.a. [between 1976 and 1996] 2 ms. scores ; 30 x 38-31 cm. |
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Alternate title: Bachianas Buffalorus #2.
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Alternate title: Ricercare.
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For oboes and English horn. Title from accompanying leaf by
Pamela Gearhart. Originally received in a folder with Ricercare for 2 oboes and
English horn. "Livingston Gearhart 1996"--Copyright stamp on every page.
Holograph (Pencil); Holograph (Photocopy). Accompanied by 1 photocopied note
from Pamela Gearhart (1 leaf).
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| 1 | 008 |
Gearhart,
Livingston Uniform title: Alligator Alligator (see you later?) [between 1940 and 1960?] 1 ms. score ([2] p.) ; 32 cm. |
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Alternate title: First line of text: To see an alligator.
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For three solo voices (SSA) or women's choir with piano
accompaniment. Caption title. Holograph (Pencil).
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| 1 | 009 |
Gearhart,
Livingston American hymn [between 1955 and 1958] 1 ms. score (14 leaves) ; 32 cm. |
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Alternate title: First line of text: America my native
land.
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For mixed chorus and piano or possibly organ. Caption title.
Holograph (Pencil). Accompanied by: typescript poem titled "American Hymn" by
Wihla Hutson with annotations in an unknown hand (1 leaf; 28 cm) ; typescript
poem titled "Patriotic Theme" crossed out in pen and retitled "More American
Hymn" with annotations in an unknown hand (1 leaf ; 28 cm) ; typescript letter
titled "American Hymn" presumably from Livingston Gearhart explaining the
composition with a response in an unknown hand dated "3/30/58" and "April 1
1958." (1 leaf ; 28 cm). Duration: ca. 3:30.
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English words presumably by Livingston Gearhart; text setting
incomplete.
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| 1 | 010 |
Gearhart,
Livingston Bar'chu [196-?] 1 ms. score ([2] p.) ; 32 cm. |
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Alternate title: First line of text: Bar'chu et adonay
hamvorach.
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For cantor, mixed chorus (SATB), and organ. Caption title.
Holograph (Pencil).
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Hebrew words.
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| 1 | 011 |
Gearhart,
Livingston Bayom hahu [196-?] 1 ms. score ([2] p.) ; 32 cm. |
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Alternate title: First line of text: Bayom hahu yih'yeh
adonay.
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For mixed chorus (SATB) and organ. Caption title. Holograph
(Pencil).
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Hebrew words.
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| 1 | 012 |
Gearhart,
Livingston Brigg fair : folk song [between 1940 and 1960?] 1 ms. score (3 leaves) ; 33 cm. + 1 ms. part ([1] leaf) ; 28 cm. |
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Alternate title: First line of text on score: It was on the
fifth of August.
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Alternate title: First line of text on vocal part: Gray the
sullen sea beneath.
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For STB chorus with piano accompaniment. Caption title. Part
for solo voice signed by Wihla Hutson. Score and part have different texts.
Text of part presumably by Wihla Hutson. Holograph (Pencil).
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| 1 | 013 |
Gearhart,
Livingston Canon at major 3rd [between 1976 and 1996] 1 ms. score (1 leaf) ; 30 x 38 cm. + 1 ms. part (1 leaf) ; 28 cm. |
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Alternate title: Canon at major third.
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Instrumentation not specified on score. Suggested
instrumentation at bottom of part: oboe d'amore or clarinet in A with English
horn. Caption title from part. "Livingston Gearhart 1996"--Copyright stamp on
every page. Holograph score (Pencil); holograph part (Photocopy). Accompanied
by: list written by Pamela Gearhart of canons by Livingston Gearhart (1 leaf).
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| 1 | 014 |
Gearhart,
Livingston Canon at major 6th [between 1976 and 1996] 1 ms. score (1 leaf) ; 31 x 46 cm. + 2 ms. parts ; 28 cm. |
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Alternate title: Canon at major sixth.
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Instrumentation suggested at bottom of score: oboe and alto
saxophone or English horn, or alto flute and tenor saxophone, or clarinet in A
or oboe d'amore and viola. Title from lower margin of score. "Livingston
Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil) ;
holograph part (Photocopy). Accompanied by: 2 photocopies of untransposed part
(1 leaf each) ; list written by Pamela Gearhart of canons by Livingston
Gearhart (1 leaf).
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| 1 | 015 |
Gearhart,
Livingston Canon at minor 3rd [between 1976 and 1996] 1 ms. score ([1] leaf) ; 30 x 38 cm. + 2 ms. parts ; 28 cm. |
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Alternate title: Canon at minor third.
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Instrumentation not specified on score. Suggested
instrumentation from caption: for oboe d'amore or A clarinet and oboe or oboe
and E♭ clarinet. Caption title from part (Photocopy). "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil); titled part consists
of 1 leaf pencil ms. and 1 leaf photocopy of ms. Accompanied by: list written
by Pamela Gearhart of canons by Livingston Gearhart (1 leaf ; 30 cm.).
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| 1 | 016 |
Gearhart,
Livingston Canon in augmentation on the King's theme [1988] 2 ms. scores ; 35 cm. + 1 ms. part ; 32 cm. |
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Alternate title: Caption title from part: Canon on King's
theme.
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Instrumentation not specified on score; suggested
instrumentation from caption: for 2 violins or 2 clarinets. Title from caption
on score. Based on the theme from The musical offering by J. S. Bach. Two
scores include the theme written out on a single staff followed by a version on
two staves with the rhythmically augmented line written out. The two scores are
written using different rhythmic values. "J.Z. Bach"--Caption of part. "LG
1988"--At bottom of score. "Livingston Gearhart 1996"--Copyright stamp on every
page. Includes photocopies of both scores and the part. Holograph (Pencil).
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| 1 | 017 |
Gearhart,
Livingston Uniform title: Canons, clarinets (2) Canon for B♭ + A clarinets [1988] [2] p. of ms. music ; 32 cm. |
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Title from caption on part. "Livingston Gearhart
1996"--Copyright stamp on every page. "Revision 11/88"--Caption. Holograph
(Pencil). Accompanied by: 4 photocopied parts (2 p. each) ; list written by
Pamela Gearhart of canons by Livingston Gearhart (1 p.).
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| 1 | 018 |
Gearhart,
Livingston Uniform title: Canons, woodwinds (2) Misc. canons for two winds [between 1976 and 1996] 1 folder (3 ms. scores) ; 25 x 31, 28-34 cm. |
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Alternate title: Miscellaneous canons for two winds.
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Alternate title: Rondo.
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Title from accompanying leaf. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil).
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Contents: Rondo for alto and tenor sax -- Untitled canon for oboe d'amore or clarinet in A and oboe or flute, or oboe or flute and E♭ clarinet -- Untitled canon with instrumentation not specified. |
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| 1 | 019 |
Gearhart,
Livingston Dese bones gwine to rise again : a story of Adam and Eve ; cantata jazza : S.A.T.B. with narrator and soloists 1946 1 score (24 p.) ; 27 cm. |
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For SATB chorus with narrator and various soloists with piano
accompaniment. Performance notes precede score.
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East Stroudsburg, Penna. :
Shawnee Press
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| 1 | 020 |
Gearhart,
Livingston Diogenes : for mixed voices (S.A.T.B.) 1971 1 score (8 p.) ; 27 cm. |
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For mixed voices (SATB) and optional solos with piano and
optional guitar accompaniment. Cover title. Includes chord symbols. Duration:
ca. 3:00.
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Delaware Water Gap, Pennsylvania :
Shawnee Press
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| 1 | 021 |
Gearhart,
Livingston English dance [1930?] 1 ms. score ([1] leaf) ; 28 cm. |
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Instrumentation not specified on score; possibly a treble C
instrument with keyboard accompaniment. Caption title. "1930?"--Lower margin.
Holograph (Pencil).
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| 1 | 022 |
Gearhart,
Livingston Extraits de mon cahier : (1937 à 1941) [between 1937 and 1941] 1 folder (8 ms. scores) ; 32 cm. |
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Folder contains 9 pieces (solos, duets, trios, and a quintet)
for various woodwind combinations. Title from additional cover leaf. "From
Tabuteau"--Folder. Holograph (Ink); Holograph (Photocopy). Includes a photocopy
of Over a fragment of Franck for 2 unspecified treble instruments (1 leaf ; 43
cm.).
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Contents: Mild delirium (for 2 clarinets) -- Dialogue (for 2 oboes) -- Sad improvisation (for 2 oboes) -- Invention (for two oboes) -- Lament (for 3 oboes) -- Tune (for oboe) -- Dance (for two flutes) -- Song without words (II) (for English horn, 2 clarinets and 2 bassoons). |
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| 1 | 023 |
Gearhart,
Livingston Fanfare in stilo Milhaud [1975] 1 ms. score ([4] p.) ; 48 cm. + 8 ms. parts ; 32 cm. |
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Alternate title: Caption title from last page of score:
Fanfare 7.1.
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For 3 trumpets, 3 trombones, optional French horn, and
percussion. Caption title.* "L Gearhart 1975"--Caption. "Livingston Gearhart
1996"--Copyright stamp on every page. Accompanied by: letter from Livingston
Gearhart to Jim (1 leaf) ; 1 note from Livingston Gearhart about the piece (1
leaf) ; 1 note presumably from Pamela Gearhart (1 leaf). Holograph (Pencil).
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| 1 | 024 |
Gearhart,
Livingston Uniform title: Fanfares, pianos (2), 8 hands, percussion Fanfare [1938] 2 ms. scores + 9 ms. parts ; 35 cm. |
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Alternate title: Gigue.
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Alternate title: Prelude.
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For 2 pianos (8 hands) and percussion. Title from cover of 1st
piano part. One score includes piano parts and percussion; second score
contains percussion parts only. Note from Pamela Gearhart indicates this could
be performed as part of a suite. The other works, Gigue and Prelude, are for
similar instrumentations. "To Annette Dieudonné, 1938 Paris"--Note from Pamela
Gearhart. "Some of the parts copied by Annette Dieudonné, [Nadia] Boulanger's
life long assistant"--Note from Pamela Gearhart. Attached to the tambourine
part is Marche du Roi William by Jeremiah Clarke, arranged for piano.
Manuscript (Ink) and (Pencil) with annotations in red pencil. Accompanied by
one note (1 leaf) from Pamela Gearhart.
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| 1 | 025 |
Gearhart,
Livingston Uniform title: Fanfares, unspecified instruments (4) Fanfare : concert pitches [between 1976 and 1996] 2 ms. scores ; 28-32 cm. + 4 ms. parts ; 29-35 cm. |
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Alternate title: Title on trumpet part: Fanfare : canon
4-in-2.
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Alternate title: Habañera de Honolulu.
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Alternate title: Sicilienne.
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Instrumentation not specified on score. Suggested
instrumentation from captions of parts: for pairs of: flutes and alto flutes,
alto and tenor saxophones, or trumpets and horns. Caption title from smaller
score. Parts written on double staves. Note from Pamela Gearhart, filed with
Sicilienne, indicates this could be performed as part of a suite. The other
works include Habañera de Honolulu and Sicilienne, both of which are for
similar suggested instrumentations. "Livingston Gearhart 1996"--Copyright stamp
on every page. "1995 revision. LG"--At bottom of score. Holograph (Pencil), one
part with no instrumentation designated is a photocopy. Accompanied by: 2 notes
from Pamela Gearhart (1 leaf each ; 30 cm).
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| 1 | 026 |
Gearhart,
Livingston For the birds : 2 picc [1988] 1 ms. score ([2] leaves) ; 30 x 38 cm. |
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Caption title. "LG 7/88"--At bottom of leaf [2] of score.
"Livingston Gearhart 1996"--Copyright stamp on every page. Accompanied by: 1
ms. score ([4] leaves ; 31 cm.) copied in another hand ; 5 leaves of ms.
sketches (30 x 38 - 31 x 46 cm) ; note from Pamela Gearhart (1 leaf). Holograph
(Pencil).
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| 1 | 027 |
Gearhart,
Livingston Fuga subverta : trio [between 1940 and 1960?] 1 ms. score ([2] p.) ; 32 cm. |
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Instrumentation not specified on score. Caption title.
"Palestrina"--Inscription in caption but a source in Palestrina's works cannot
be identified. "For 3 #2"--Caption. "Livingston Gearhart 1996"--Copyright stamp
on every page. Holograph (Pencil).
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| 1 | 028 |
Gearhart,
Livingston Uniform title: Gigue, pianos (2), 8 hands, percussion Gigue [1938] 1 ms. score (5 p.) + 3 ms. parts ; 35 cm. |
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Alternate title: Fanfare.
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Alternate title: Prelude.
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For 2 pianos (8 hands) and percussion. Title from cover of 1st
piano part. Note filed with Fanfare from Pamela Gearhart indicates this could
be performed as part of a suite. The other works, Fanfare and Prelude, are for
similar instrumentations. "For Annette Dieudonnè, Paris, June 1938"--Colophon
of score. Holograph score (Ink); Manuscript parts (Ink). Accompanied by 7 p. of
ms. sketches (35 cm.) ; 1 photocopied note from Pamela Gearhart (1 leaf).
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| 1 | 029 |
Gearhart,
Livingston The goat : (Butt me no butts) [between 1950 and 1970?] 1 ms. score ([2] p.) ; 32 cm. |
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Alternate title: First line of text: Goat has methods
devious.
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Instrumentation not specified on score. Possibly for 3-part
women's choir with piano accompaniment. Caption title. Holograph (Pencil).
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| 1 | 030 |
Gearhart,
Livingston Gospel train : based on a Negro spiritual : for three-part men's voices (T.B.B.) 1959 1 score (8 p.) ; 27 cm. |
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Accompaniment for piano, or for piano, 4 hands. Cover title.
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Delaware Water Gap, Pennsylvania :
Shawnee Press
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| 2 | 031 |
Gearhart,
Livingston Habañera de Honolulu : score [between 1976 and 1996] 5 ms. scores ; 35, 30 x 38-31 x 46 cm. + 3 ms. parts ; 32-35 cm. |
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Alternate title: Caption title on flute part: Habanera de
Honolulu : canon 4-in-2.
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Alternate title: Fanfare.
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Alternate title: Sicilienne.
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Instrumentation not specified on score. Suggested
instrumentation from captions of parts: for pairs of: flutes and alto flutes,
alto and tenor saxophones. Caption title from score. Parts written on double
staves. Note from Pamela Gearhart, filed with Sicilienne, indicates this could
be performed as part of a suite. The other works include Fanfare and
Sicilienne, both of which are for similar suggested instrumentations.
"Livingston Gearhart 1996"--Copyright stamp on every page. "Revision
91"--Caption title of incomplete score. "LG Final: 1995"--At bottom of flute
part. Holograph (Pencil). Accompanied by: 2 notes from Pamela Gearhart (1 leaf
each ; 28-38 cm.).
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| 2 | 032 |
Gearhart,
Livingston Hommage à A. C. [between 1960 and 1977] 3 ms. scores ; 32, 31 x 46 cm. + 6 ms. parts ([1] leaf) ; 11 x 23 - 21 x 23 cm. |
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Alternate title: Hommage à Aaron Copland.
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For flute, clarinet, English horn, bassoon or cello, violin
and viola. Caption title from score. "Livingston Gearhart 1996"--Copyright
stamp on every page. Composed for the 60th birthday of Aaron Copland. Three
holograph scores in pencil 1960, 2/77, and undated ms. The 1977 score includes
an incomplete keyboard reduction in addition to the full score. Also includes 1
typescript leaf note about the score dated 9/15/80 from Gearhart to James
Coover and Carol Bradley, two typescript index cards with notes by Gearhart,
and one handwritten note from Pamela Gearhart (1 leaf).
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| 2 | 033 |
Gearhart,
Livingston Hommage a Suzuki [197-?] 1 ms. score ([15] leaves) ; 30 x 38 cm. |
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Alternate title: Caption title on violin 1 part: Suzuki
variations.
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Instrumentation varies by movement. For string orchestra.
Title from typescript note from Livingston Gearhart. Based on Twinkle, twinkle,
little star as performed in the Suzuki method. "Livingston Gearhart
1996"--Copyright stamp on every page. Score markings indicate revisions in 6/87
and 1993. Also includes three typescript leaves (some ms. annotations) of
explanatory notes. Holograph (Ink). Accompanied by five additional ms. scores
in pencil for revised version of 1993 for Praeludium (photocopy with new bass
part added in pencil), Minuet, Air, Scherzo, and Nocturne, for which 5 ms.
string parts are also included. Includes handwritten note from Pamela Gearhart
(1 leaf).
|
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|
Contents: Praeludium (Variation I) -- Minuet (Variation II) -- Air (Variation III) -- Scherzo (Variation IV) -- Nocturne (Variation V) -- Marche Quelconque (Variation VI) -- Lullaby of Matsumoto (VII) -- Epilogue (Variation VIII). |
||
| 2 | 034 |
Gearhart,
Livingston I'll never try this again :canon in double-augmentation [between 1976 and 1996] 1 ms. score ([1] leaf) ; 35 cm. |
|
Alternate title: Canon in double-augmentation.
|
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|
For flute or oboe, violin and viola. Caption title. Complete
melody line followed by score setting. "Livingston Gearhart 1996"--Copyright
stamp. Holograph (Pencil).
|
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| 2 | 035 |
Gearhart,
Livingston Uniform title: In memorium M.L.K. In memorium M[artin] L[uther] K[ing, Jr.] : We shall overcome [1968] 1 ms. score (3 p.) ; 30 cm. |
|
Alternate title: We shall overcome.
|
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|
Arranged for string orchestra.. Cover title. Holograph score
(Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
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| 2 | 036 |
Gearhart,
Livingston A jingle-bell travelogue 1962 1 score (11 p.) ; 27 cm. |
|
For S.A.T.B. with piano accompaniment. Cover title. Based on
the well-known song by J. Pierpont.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 2 | 037 |
Gearhart,
Livingston Uniform title: Kyrie for strings Larghetto [196-] 1 ms. score ([7] p.) ; 32 cm. |
|
Alternate title: Caption title: Kyrie for strings.
|
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|
For string orchestra. Cover title. "Originally title
Larghetto; later changed to Kyrie for strings"--Accompanying note from Pamela
Gearhart. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph
(Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf); 1 newspaper
clipping with photocopy of Buffalo Courier Express April 6, 1969 regarding a
performance of the piece (1 leaf each); 1 photocopy ms. score (6 p.) dated 1976
of the next-to-last revision of the work with Livingston Gearhart's
annotations.
|
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| 2 | 038 |
Gearhart,
Livingston Uniform title: Lament, soprano, oboe, violoncello Lament : canon at the diminished 5 1938 1 ms. score ([2] p.) ; 35 cm. |
|
Alternate title: Canon at the diminished 5.
|
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|
Alternate title: First line of text: Alas, alas, no words can
tell.
|
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|
For soprano, oboe, and cello. Caption title. Holograph (Ink).
"Gargenville January 1938"--Colophon.
|
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|
English words.
|
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| 2 | 039 |
Gearhart,
Livingston Uniform title: Lament, wind quintet Lament [1937] 1 ms. score (5 p.) ; 32 cm. |
|
For flute, oboe, clarinet, horn, and bassoon. Caption title.
Manuscript (Ink). "Gargenville. unrevised version"--At end of score in pencil.
Accompanied by 1 note from Livingston Gearhart about the piece (1 leaf ; 28
cm.) and 1 additional note with the text "Boulanger clef" in blue ink (1 leaf ;
13 cm.).
|
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| 2 | 040 |
Gearhart,
Livingston Uniform title: Lament, wind quintet Lament : woodwind quintet [193-?] 5 ms. parts ; 32 cm. |
|
Title from accompanying leaf. Holograph (Pencil). Duration
from flute part: 2:15.
|
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| 2 | 041 |
Gearhart,
Livingston The little black train 1971 1 score (8 p.) ; 32 cm. |
|
Alternate title: First line of text: There's a little black
train acomin'.
|
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|
For SA, TB, or SATB chorus with piano accompaniment. Cover
title. Duration: ca. 2:15.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 2 | 042 |
Gearhart,
Livingston Odd promenade [1975 or 1976] 1 ms. score (8 p.) ; 35 cm. |
|
For orchestra. Cover title. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil). "Composed for Junior
high orch of specific dimensions. Commissioned by Martha Gearhart
(13)"--Accompanying index card. Accompanied by additional leaf with composition
date from Pamela Gearhart.
|
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| 2 | 043 |
Gearhart,
Livingston Oh, what a Saturday night! : traditional calypso : for two-part voices (S.A. or T.B.) 1971 1 score (7 p.) ; 27 cm. |
|
Accompaniment for piano, with optional guitar, maracas, and
finger cymbals. Cover title. Duration: 2:20.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 2 | 044 |
Gearhart,
Livingston Uniform title: Old incomplete chorals (Sketches) Old incomplete chorals sketches [between 1950 and 1970] 1 folder (6 ms. sketches) ; 10-32 cm. |
|
Alternate title: First line of text of So they say: Early to
bed, an' early to rise.
|
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|
Alternate title: First line of text of Desertion: My wife,
Isabelle, having left my bed and board.
|
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|
Alternate title: Poor little Jesus.
|
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|
Alternate title: So they say.
|
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|
Alternate title: Desertion.
|
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|
Title from accompanying leaf. Holograph (Pencil).
|
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|
Contents: So they say (?) [complete melody line with words and chord symbols (1 leaf)] -- Poor little Jesus (Po' li'l Jesus) [for chorus and piano adapted from melody in R.E. Kennedy's collection, Mellows, 1925 (1 leaf)] -- Madrigals: Desertion, old style [for TBB and piano (1 leaf)] -- Three untitled fragments (3 leaves). |
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| 2 | 045 |
Gearhart,
Livingston Overture on Jewish themes [196-] 1 ms. score (26 p.) ; 34 cm. |
|
For orchestra. Cover title. Holograph (Pencil). Also on cover:
"Kabalevsky"; accompanying note (1 leaf) from Pamela Gearhart explains the
background of the piece, including the composer's choice of ascribing the work
to Kabalevsky. Accompanied by ms. (1 leaf) additional page of music with
additions to the harp part.
|
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| 2 | 046 |
Gearhart,
Livingston Overture on Jewish themes : Tzena, tzena, Artza alinu, Havah nagiela 1974 1 score (31 p.) + 35 parts ; 28 cm. |
|
Alternate title: Tzena, tzena, Artza alinu, Havah nagiela.
|
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|
Alternate title: Tzena, tzena.
|
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|
Alternate title: Artza alinu.
|
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|
Alternate title: Havah nagiela.
|
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|
"Arrangement ... for an orchestra with less than complete
instrumentation." Duration: ca. 4:40.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 3 | 047 |
Gearhart,
Livingston Parade of the cliches 1961 1 score (32 p.) ; 31 cm. |
|
For band. Cover title. Duration: ca. 4:15.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 3 | 048 |
Gearhart,
Livingston Parade of the cliches 1961 1 condensed score (11 p.) ; 19 cm. |
|
For band. Cover title. Duration: ca. 4:15.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 3 | 049 |
Gearhart,
Livingston Uniform title: Pieces, violin, piano 4 pieces for vln and piano [between 1976 and 1996?] 1 ms. score ([4] leaves) ; 31-32 cm. |
|
Alternate title: Four pieces for violin and piano.
|
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|
Alternate title: Pieces for violin and piano.
|
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|
Title from accompanying folder. Holograph (Ink) and (Pencil).
|
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|
Contents: Duettino on the theme F-G (For Fritz) -- Duettino on a name (For Pamela) -- Duettino on M(I)-A-G (For Martha) -- Alla siciliana. |
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| 3 | 050 |
Gearhart,
Livingston Polygamy [195-?] 1 ms. score (6 p.) ; 32-33 cm. |
|
Alternate title: First line of text: Down in Eyeran.
|
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For SSA chorus with piano accompaniment and optional prepared
piano primo part. Caption title. "From Ippolitov-Ivanov"--Caption from p. 1.
"To John Cage"--Dedication from caption of p. 1. Holograph (Pencil).
Accompanied by 3 typed index cards (1 leaf each) and 1 handwritten index card
(1 leaf) from Livingston Gearhart.
|
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| 3 | 051 |
Gearhart,
Livingston Uniform title: Polygamy (Sketches) Polygamy [195-?] [1] leaf of ms. music ; 32 cm. |
|
Alternate title: First line of text: Once on a time down in
Iran.
|
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|
Alternate title: Harem blues.
|
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|
Alternate title: Hilarity in the harem.
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|
Sketch for treble voice. Caption title. Possible alternative
titles in caption: Harem blues ; Hilarity in the harem. Originally attached to
full score of Polygamy for Livingston Gearhart for 3-part women's chorus and
piano accompaniment. Other sketches indicate that this is based on the
Procession of the Sardar by Ippolitov-Ivanov. Holograph (Pencil). Accompanied
by 1 typescript (1 leaf) of words by Jay Johnson.
|
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| 3 | 052 |
Gearhart,
Livingston Uniform title: Polygamy (Sketches) Baghdad blues for me [195-?] 1 ms. score ([2] leaves) ; 32 cm. |
|
Alternate title: First line of text: Here comes the sheik.
|
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|
Alternate title: Harem blues.
|
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|
Alternate title: Harem scarum.
|
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|
Alternate title: Arabian nights.
|
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|
Alternate title: Persian aversions.
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|
Alternate title: Iraqi rock.
|
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|
For three part women's chorus with piano accompaniment.
Caption title. Possible alternative titles in caption: Harem blues? ; Harem
scarum? ; Arabian nights? ; Persian aversions ; Iraqi "Rock." Sketches
originally attached to score of Polygamy by Livingston Gearhart. Holograph
(Pencil). "Orig: Procession of the Sardar--Ippolitov-Ivanov"--Caption from p.
[2] of ms. score.
|
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| 3 | 053 |
Gearhart,
Livingston Uniform title: Polygamy (Sketches) The harem scarem blues [195-?] [1] leaf of ms. music ; 32 cm. |
|
Alternate title: First line of text: There is a tale told in
the East.
|
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|
Sketch for treble voice. Single melody line with interlinear
text. Caption title. Holograph (Pencil). "Leo Israel"--Partially erased
signature on typescript. Possibly lyricist. Originally attached to full score
of Polygamy for Livingston Gearhart for 3-part women's chorus and piano
accompaniment. Other sketches indicate that this is based on the Procession of
the Sardar by Ippolitov-Ivanov. "From Ippolitov-Ivanov"--Caption from ms.
score. Accompanied by 1 typescript (1 leaf) of text with pencil annotations.
|
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| 3 | 054 |
Gearhart,
Livingston Uniform title: Postlude (Sketches) Postlude [between 1940 and 1960] 1 ms. score ([1] leaf) ; 28 cm. |
|
Possibly for string orchestra. Title from accompanying leaf.
Holograph (Pencil).
|
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| 3 | 055 |
Gearhart,
Livingston Praise God from whom all blessings flow : fantasia on Old Hundredth, for mixed voices, S.A.T.B. 1955 1 score (12 p.) ; 27 cm. |
|
Anthem. For chorus (SATB) and organ.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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|
Includes text in phonetic syllables.
|
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| 3 | 056 |
Gearhart,
Livingston Uniform title: Prelude on Foundation Prelude on hymn-tune "Foundation" [197-?] [3] p. of ms. music ; 28 cm. |
|
Alternate title: Prelude on "Foundation".
|
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|
For keyboard instrument (piano or organ). Cover title.
Holograph (Photocopy). Contains pencil annotations in Livingston Gearhart's
hand.
|
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| 3 | 057 |
Gearhart,
Livingston Uniform title: Prelude on Foundation; arr. Prelude on hymn-tune "Foundation" [between 1976 and 1996] 1 ms. score ([1] leaf) ; 41 cm. |
|
For saxophone quartet. "Saxes, Misc."--Pencil note in caption.
Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp.
Holograph (Pencil). Accompanied by 1 photocopied note from Pamela Gearhart (1
leaf).
|
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| 3 | 058 |
Gearhart,
Livingston Uniform title: Preludes, pianos (2), 8 hands Prélude [1937] 2 ms. scores ([4] p. each) + 5 ms. parts ; 32-36 cm. |
|
Alternate title: Fanfare.
|
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|
Alternate title: Gigue.
|
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|
For 2 pianos (8 hands). Title from cover of 1st piano part.
Note filed with Fanfare from Pamela Gearhart indicates this could be performed
as part of a suite. The other works, Fanfare and Prelude, are for 2 pianos (8
hands) with percussion. Holograph score (Ink); Manuscript and holograph parts
(Ink). There are slight differences between the two scores. Accompanied by 2
notes from Pamela Gearhart (1 leaf each).
|
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| 3 | 059 |
Gearhart,
Livingston Resultant tones (?) [between 1976 and 1996] 1 ms. score ([2] leaves) ; 28-31 cm. |
|
For 2 unspecified treble instruments. Caption title.
"Livingston Gearhart 1996"--Copyright stamp on every page. Third stave with
resultant tones is taped onto the score. Holograph (Pencil).
|
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| 3 | 060 |
Gearhart,
Livingston Uniform title: Ricercare, oboes (2), English horn Ricercare : 2 ob. + c.a. [between 1976 and 1996] 1 ms. score ([1] leaf) ; 31 cm. |
|
Alternate title: Air.
|
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|
Alternate title: Bachianas Buffaloras.
|
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|
For 2 oboes and English horn. Caption title. Originally
received in a folder with Air (Bachianas Buffaloras) for oboe and English horn.
"Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil);
Holograph (Photocopy). Second page of ms. score missing; accompanied by 1 ms.
photocopy of score ([2] p.) which includes the second page. Accompanied by
index card from Pamela Gearhart (1 leaf).
|
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| 3 | 061 |
Gearhart,
Livingston Uniform title: Sambo (Sketches) Little red riding, or Black Sambo : accumulate [between 1940 and 1960] 1 folder ([6] ms. sketches) ; 32 cm. |
|
Alternate title: Accumulate.
|
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|
Alternate title: Little red riding hood.
|
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|
Alternate title: Little black sambo.
|
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|
Alternate title: Black sambo.
|
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|
Instrumentation not specified on score. Suggested
instrumentation from caption of 4th sketch: 3 trombones, trumpet, bass sax.
Other instrumentations from sketches include child's voice, woman's voice,
clarinet, and bass clarinet. Caption and uniform titles from accompanying leaf
from Pamela Gearhart. Other titles include Orig. Sambo sketches ; Little red
riding hood (formerly Sambo). Holograph (Pencil). Accompanied by 1 typescript
([1] leaf) of monologue to be read by [Bill] Bivens ; 1 typescript of story
([6] p).
|
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| 3 | 062 |
Gearhart,
Livingston Uniform title: Shiru (Sketches) Shiru [between 1940 and 1960] 1 ms. score ([3] p.) ; 28 cm. |
|
Alternate title: First line of text: Mizmore: Shiru
ladonay.
|
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|
Possibly for cantor, chorus, and organ. Caption title.
Holograph (Pencil).
|
||
| 3 | 063 |
Gearhart,
Livingston Short suite [1966] 1 ms. score (5 p., [5] p.) ; 32 cm. + 5 ms. parts ; 34 cm. |
|
For string orchestra. Cover title from score Parts reproduced
from holograph. "Livingston Gearhart 1996"--Copyright stamp on every page.
Holograph score (Pencil); Holograph parts (Ozalid reproductions). Accompanied
by 1 pamphlet about Baird Youth Chamber Players ; 6 photocopied newspaper
clippings from August 8, 1966, Thursday, August 11, 1996, August 12, 1966, and
August 19, 1966.
|
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|
Contents: Energico -- Siciliano one -- Siciliano two -- Energico. |
||
| 3 | 064 |
Gearhart,
Livingston Sicilienne [between 1976 and 1996] 1 ms. score ([1] leaf) ; 35 cm. + 2 ms. parts ; 35, 29 x 38 cm. |
|
Alternate title: Caption title from ms. part: Sicilienne :
canon 4-in-2.
|
||
|
Alternate title: Fanfare.
|
||
|
Alternate title: Habañera de Honolulu.
|
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|
Instrumentation not specified on score. Suggested
instrumentation from bottom of "Revision 91" part: for pairs of: flutes and
alto flutes, alto and tenor saxophones, clarinets and English horns, E♭ and B♭
clarinets, clarinets and alto saxes. Caption title from part. Parts written on
double staves. Includes note from Pamela Gearhart indicating this could be
performed as part of a suite. The other works include Fanfare and Habañera de
Honolulu, both of which are for similar suggested instrumentations. "Livingston
Gearhart 1996"--Copyright stamp on every page. "Revision 91"--Caption title of
oblong score. "LG 1995 final"--At bottom of part in alternate key. Holograph
(Pencil). Accompanied by: 2 photocopied parts in original key ([2] leaves); 1
photocopied score with extra stave ([1] leaf); 2 notes from Pamela Gearhart (1
leaf each).
|
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| 3 | 065 |
Gearhart,
Livingston Uniform title: Silent (Sketches) Silent : may the wds. [between 1940 and 1960] 1 ms. score ([3] p.) ; 28 cm. |
|
Alternate title: May the wds.
|
||
|
Alternate title: May the words.
|
||
|
Sketch lacks instrumentation. Title from accompanying leaf.
Holograph (Pencil).
|
||
| 3 | 066 |
Gearhart,
Livingston Siloloquoy [sic] [194-?] [1] leaf of ms. music ; 36 cm. |
|
For oboe. Caption title. Holograph (Ink).
|
||
| 3 | 067 |
Gearhart,
Livingston Uniform title: Sonatas, oboes (2) (1940) Sonata for 2 oboes [1940] 1 ms. score ([7] p.) ; 35 cm. |
|
Caption title. Manuscript (Ink). Accompanied by note (1 leaf)
outlining the history of the piece.
|
||
| 3 | 068 |
Gearhart,
Livingston Uniform title: Sonatas, oboes (2) (1942) Sonata in stilo eclectigo : 4 movements : for 2 oboes or 2 saxophones 1942 1 ms. score ([6] leaves, 4 p.) ; 32-33 cm. |
|
Alternate title: Title from accompanying note from Pamela
Gearhart: Sonata for 2 oboes.
|
||
|
Cover title. Based on Gearhart's Sonata for 2 oboes from 1940.
"Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Ink);
Holograph (Pencil). Accompanied by 1 photocopy of ms. score with Livingston
Gearhart's annotations for saxophone duo; note from Pamela Gearhart (1 leaf).
|
||
| 3 | 069 |
Gearhart,
Livingston Song of the train [between 1940 and 1960] 1 ms. score ([3] p.) ; 35 cm. |
|
Alternate title: First line of text: Clickety clack, clickety
clack, racing down the railroad track.
|
||
|
For voice, 2 violins and 2 violoncelli. Caption title.
Holograph (Pencil).
|
||
| 3 | 070 |
Gearhart,
Livingston Studies on intervals of the scale [between 1976 and 1996] 1 ms. score ([1] leaf) ; 30 cm. |
|
For two treble instruments with B♭ and A instrument
transpositions. Title from inscription in caption. Incomplete ; appears to be
final page of work of unknown length. "Livingston Gearhart 1996"--Copyright
stamp. Holograph (Photocopy).
|
||
| 3 | 071 |
Gearhart,
Livingston Uniform title: Study, pianos (2), 8 hands Study : 2 pianos, 8 hands [between 1976 and 1996] 1 ms. score (1 leaf) ; 31 x 46 cm. + 2 ms. parts ; 31 cm. |
|
Title from accompanying leaf from Pamela Gearhart. "Livingston
Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied
by a note from Pamela Gearhart (1 leaf).
|
||
| 3 | 072 |
Gearhart,
Livingston Suite from "Retchworth" [between 1950 and 1962] 1 ms. score ([6] leaves) ; 32 cm. |
|
For two violas. Title from first page. Reproduced from
holograph. Holograph (Photocopy). Accompanied by 1 photocopied note from Pamela
Gearhart (1 leaf).
|
||
|
Contents: I kid you not / H.O. Brown -- Petite valse / U.G.H. Puccini -- Three fingers of wry / I.W. Harper -- The Martyr-wagon / O.F.F. Tophead. |
||
| 4 | 073 |
Gearhart,
Livingston Unidentified incomplete musical part for piano [between 1940 and 1960?] [2] p. of ms. music ; 32 cm. |
|
Sketches in piano format; intended instrumentation unknown.
Title supplied by cataloger. Holograph (Pencil).
|
||
| 4 | 074 |
Gearhart,
Livingston Unidentified musical part in treble clef [between 1940 and 1960?] [1] leaf of ms. music ; 32 cm. |
|
With cues for piano accompaniment. ; intended instrumentation
unknown. Title supplied by cataloger. Manuscript (Ink).
|
||
| 4 | 075 |
Gearhart,
Livingston Unidentified musical sketch for orchestra [between 1940 and 1960?] 1 ms. score ([3] p.) ; 34 cm. |
|
Sketch for orchestra. Title supplied by cataloger. "Livingston
Gearhart 1996"--Copyright stamp. Holograph (Pencil).
|
||
| 4 | 076 |
Gearhart,
Livingston Unidentified musical sketches [between 1940 and 1960?] 1 folder (4 fascicles). |
|
Sketches in piano format; instrumentation not specified on
score. Title supplied by cataloger. Holograph (Pencil).
|
||
|
Contents: Fascicle 1. 6 notated pages of ms. sketches, possibly an arrangement for two pianos of an existing work -- Fascicle 2. 4 pages numbered 11-14 of ms. sketches, either an altered version of a solo piano part for a work for piano and accompaniment, or a single piano part for a two-piano arrangement of an existing work -- Fascicle 3. 3 pages numbered 1-3 of ms. sketches for what may be a complete solo piano work or a single piano part for a two-piano arrangement -- Fascicle 4. 6 pages of ms. sketches possibly for a complete work for solo piano. |
||
| 4 | 077 |
Gearhart,
Livingston Unidentified musical sketches for bass clef instrument and piano [between 1940 and 1960?] 2 ms. scores ; 35 cm. |
|
Sketches possibly for bass clef instrument with piano
accompaniment; same melodic line with two different accompaniments. Title
supplied by cataloger. Holograph (Pencil).
|
||
| 4 | 078 |
Gearhart,
Livingston Unidentified musical sketches for two pianos [19--] 1 folder. |
|
Sketches for 2 pianos. Title supplied by cataloger. Holograph
(Pencil).
|
||
|
Contents: [Gigue from French suite no. 5, BWV 816 / Johann Sebastian Bach -- Flight of the bumblebee / Rimsky-Korsakov] -- Waitin' for the evenin' mail -- [Untitled sketch -- We three kings]. |
||
| 4 | 079 |
Gearhart,
Livingston Unidentified musical sketches in two stave, piano format [between 1940 and 1960?] 1 folder ([8] p. of ms. music) ; 32-34 cm. |
|
Intended instrumentation unknown. Title supplied by cataloger.
Holograph (Pencil).
|
||
| 4 | 080 |
Gearhart,
Livingston Unidentified musical sketches possibly for piano [between 1940 and 1950?] [3] leaves of ms. music ; 32 cm. |
|
Sketches chiefly in piano format; instrumentation not
specified on score. Title supplied by cataloger. Holograph (Pencil).
|
||
| 4 | 081 |
Gearhart,
Livingston Unidentified musical sketches possibly for woodwinds [between 1950 and 1970?] 1 folder (3 ms. scores). |
|
Interlude is for 2 oboes and English horn. Instrumentation for
Epilogue not specified on score. Untitled piece in condensed score format
possibly for woodwind quintet. Title supplied by cataloger. Holograph (Pencil).
|
||
|
Contents: Interlude -- Epilogue -- [Untitled piece]. |
||
| 4 | 082 |
Gearhart,
Livingston Unidentified sketches, commercial + jazz : piano + instrumental [between 1940 and 1960?] 1 folder (27 notated pages). |
|
Various musical sketches for unspecified instrumentations.
Title from accompanying leaf. Holograph (Pencil).
|
||
| 4 | 083 |
Gearhart,
Livingston Unidentified transcription or arrangement for string orchestra [between 1960 and 1980?] 1 ms. score ([1] leaf) ; 34 cm. |
|
Sketch possibly for string orchestra ; instrumentation not
specified on score. Title supplied by cataloger. Features tutti and solo
passages. Holograph (Pencil).
|
||
| 4 | 084 |
Gearhart,
Livingston Untitled musical piece for AATT saxophones [between 1976 and 1996] 1 ms. score (4 leaves) ; 30 x 38 cm. |
|
Title supplied by cataloger. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1
photocopied note from Pamela Gearhart (1 leaf).
|
||
| 4 | 085 |
Gearhart,
Livingston Untitled musical piece for band [between 1950 and 1970?] 1 ms. score (10 p.) ; 51 cm. |
|
Title supplied by cataloger. Holograph (Pencil).
|
||
| 4 | 086 |
Gearhart,
Livingston Untitled musical piece for four saxophones [between 1976 and 1996] 1 ms. score ([3] leaves) ; 31 x 46 cm + 4 ms. parts ; 32 cm. |
|
For soprano, alto, tenor, and baritone saxophones. Title
supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp on every
page. Holograph (Pencil). Accompanied by 1 photocopied note from Pamela
Gearhart (1 leaf).
|
||
| 4 | 087 |
Gearhart,
Livingston Untitled musical work for piano in B-flat minor [between 1940 and 1960?] [8] p. of ms. music ; 35 cm. |
|
Alternate title: Title from caption: Adagio.
|
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|
Title supplied by cataloger. Holograph (Pencil)
|
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| 4 | 088 |
Gearhart,
Livingston Untitled musical work for two pianos [between 1940 and 1960?] 2 ms. scores + 2 ms. parts ; 35 cm. |
|
Two fragments from an unidentified work. Fragment one bears a
note which refers to the score as an overture ; there are additional notes
indicating stage actions. The parts for second piano. Title supplied by
cataloger. Holograph (Pencil); Holograph (Ink). Accompanied by 2 additional ms.
sketches.
|
||
| 4 | 089 |
Gearhart,
Livingston Variations on an American air [1962?] 1 score ([3], 16, 10, 7, 11, 5 p.) ; 33 cm. |
|
For orchestra. Reproduced from holograph. "Supplied on loan
only"--Cover. Accompanied by 3 p. of photocopied newspaper clippings from Aug.
14, 1962 from the Chautauquan Daily, Oct. 17, 1962, Dec. 29, 1962, Jan. 6, 1963
from the Buffalo Courier-Express, Jan. 7, 1963, Feb. 1963 ; 1 photocopied
catalog from Music Sales Group.
|
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|
[Delaware Water Gap, Pennsylvania] :
Shawnee Press
|
||
|
Contents: In the style of : Minuet from Suite in D minor / J.S. Bach (1:45) ; Finale, Symphony #1775 / F.J. Haydn (2:10) ; Epilogue, Aus "Jaencke Der Dudelsackspieler" / J. Brahms (2:35) ; Janko Dudonov Overture to Act XXIV / M. Moussorgsky (1:10) ; Piece en Forme De Bolero / M. Ravel (2:30) ; "Stop yanking my heart" / G. Gershwin (1:30). |
||
| 4 | 090 |
Gearhart,
Livingston Uniform title: Variations on an American air. Walk-on music "Walk-on music" :(Intro) : for Variations on an American air [1962?] 1 score (3 p.) + 18 parts ; 32 cm. |
|
For orchestra. Cover title. Based on Yankee Doodle.
"Livingston Gearhart 1996"--Copyright stamp on every page. Holograph
(Photocopy).
|
||
| 4 | 091 |
Gearhart,
Livingston Uniform title: Variations on London bridge, flutes (3) Variations on London bridge [between 1950 and 1970] 1 ms. score ([6] leaves) ; 32 cm. |
|
For 3 flutes. Caption title. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil).
|
||
|
Contents: Low bridge blues I -- Low bridge blues 2 -- Allegretto from the "Suspension" Symphony / nach F.J. Haydn. |
||
| 5 | 092 |
Gearhart,
Livingston Uniform title: Variations on London bridge, string orchestra Variations on London bridge [between 1990 and 2004] 1 folder (11 scores ; 10 sets of parts (5 each)). |
|
Alternate title: London bridge is falling down.
|
||
|
For string orchestra. Caption title. Scores vary in format
from 46 cm. oblong to 41 cm. The Stravinsky variation was completed by Fritz
Gearhart in 2004. Folder lacks parts for Stravinsky variation. Holograph
(Pencil). Accompanied by 2 leaves of ms. sketches.
|
||
|
Contents: Fuga sopra Pons Londinii Cadit -- Handel -- Haydn -- Fileuse (on Perpetuum mobile) -- Brahms -- Chopin -- Rachmaninoff -- Ravel -- Feierlich [in the style of] Hindemith -- [Johann] Strauss -- Stravinsky. |
||
| 5 | 093 |
Gearhart,
Livingston Victimae pascale laudes : organ [between 1976 and 1996?] 3 leaves of ms. music ; 32 cm. |
|
Cover title. "For Michael [Burke]"--Cover. Holograph (Pencil).
Accompanied by [4] leaves of ms sketches ; [1] leaf of ms. music of the
original chant ; 1 photocopied score of original chant (1 leaf).
|
||
| 5 | 094 |
Gearhart,
Livingston Uniform title: V'sham'ru (Sketches) V'sham'ru [between 1940 and 1960] 1 ms. score ([3] p.) ; 28 cm. |
|
Alternate title: First line of text: V'sham'ru v'nay
yisraaye.
|
||
|
Possibly for cantor and organ. Caption title. Holograph
(Pencil).
|
||
| 5 | 095 |
Gearhart,
Livingston Where are y' goin'? : for mixed voices (S.A.T.B.) 1957 1 score (7 p.) ; 27 cm. |
|
Alternate title: First line of text: Where a y' goin', my
pretty little miss.
|
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|
With piano accompaniment. Cover title. Duration: ca. 1:50.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 5 | 096 |
Gearhart,
Livingston Uniform title: Whimsies (Sketches) Three whimsies [between 1940 and 1960] 1 folder ([5] ms. sketches) ; 32-35 cm. |
|
Alternate title: Whimsies.
|
||
|
Alternate title: Title from sketch: Begin the begine.
|
||
|
Possibly for piano solo or 6 clarinets and string bass.
Caption title. Holograph (Pencil); Manuscript (Ink).
|
||
| 5 | 097 |
Hosianna! : S.A.T.B. accompanied :
Swedish tune 1956 1 score (8 p.) ; 27 cm. |
|
Caption title.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
English words with tone syllables.
|
||
| 5 | 098 |
Uniform title: Jan Pieriewiet; arr. Jan Pieriewiet [between 1950 and 1970?] 1 ms. score ([2] folded leaves) ; 32 cm. |
|
For 3 voices with piano accompaniment. Caption title. Caption:
So. Africa (Marais: p.10). Probable source: Songs from the veld : fourteen
songs from South Africa / arranged by Josef Marais. Holograph (Pencil).
Accompanied by 1 note from Livingston Gearhart (1 leaf).
|
||
| 5 | 099 |
Just as the tide was flowing : Eng.
folk song [between 1966 and 1986?] 1 ms. score (3 p.) ; 32 cm. |
|
Alternate title: First line of text: One morning in the month
of May.
|
||
|
Instrumentation not specified on score. Possibly for 3-part
women's choir with piano accompaniment. Caption title. Holograph (Pencil).
Accompanied by 1 note from Livingston Gearhart (1 leaf) dated Aug. 22, 1986.
|
||
| 5 | 100 |
Klein, Philip
G Had a lot o' help from the Lord 1965 1 score (8 p.) ; 27 cm. |
|
Alternate title: First line of text: Now, David did Goliath
slay without a shining sword.
|
||
|
For SATB chorus with piano accompaniment. Cover title.
Duration: ca. 2:30.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 5 | 101 |
The lights of Hanukah 1971 1 score (11 p.) ; 27 cm. |
|
With piano accompaniment. Caption title.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: Hanukah candles / text by Joyce Merman -- The lights of Hanukah -- Kindle the taper / text adapted by Emma Lazarus. |
||
| 5 | 102 |
Uniform title: Marines' hymn; arr. Marine's hymn [between 1940 and 1950] 1 ms. score (3 leaves) ; 32 cm. |
|
Alternate title: First line of text: From the halls of
Montezuma.
|
||
|
For TB chorus with piano accompaniment. Caption title.
Holograph (Pencil) Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
||
| 5 | 103 |
Mr. Frog a courtin' he did ride :
Appalachian folk song : for mixed chorus (SATB) 1948 1 score (15 p.) ; 27 cm. |
|
Alternate title: Mister Frog a courting he did ride.
|
||
|
Accompaniment for piano, or for piano, 4 hands, and for fiddle
ad lib. Cover title. "The four-hand accompaniment is arranged so that it can be
played by one pianist"--Caption.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 5 | 104 |
My train 1971 1 score (7 p.) ; 27 cm. |
|
Alternate title: First line of text: My train is bound for
glory, my train.
|
||
|
Alternate title: This train is bound for glory.
|
||
|
For SA, TB, or SATB voices with piano and optional guitar.
Includes chord symbols. Cover title. Also known by This train is bound for
glory.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 5 | 105 |
Uniform title: Non nobis, Domine; arr. In nobis nomine? Non nobis domine? [between 1976 and 1996?] 1 ms. score ([1] leaf) ; 31 cm. |
|
Alternate title: In nobis nomine.
|
||
|
Alternate title: Non nobis Domine.
|
||
|
For alto, tenor, and baritone saxophones. Previous attributed
to William Byrd, "Livingston Gearhart 1996"--Copyright stamp. Holograph
(Pencil).
|
||
| 5 | 106 |
The saga of the grey goose : choral
[between 1940 and 1960?] 1 ms. score ([24] p.) ; 31 cm. |
|
Alternate title: First line of text: Well, now, las' Monday
mornin', bless my soul.
|
||
|
For SATB chorus with piano accompaniment. Caption title.
Holograph (Pencil).
|
||
| 5 | 107 |
Sh'ma [196-?] 1 ms. score ([3] p.) ; 32 cm. |
|
Alternate title: First line of text: Sh'ma yisraayl.
|
||
|
For cantor, mixed chorus (SATB), and organ. Caption title.
Holograph (Pencil).
|
||
|
Hebrew words.
|
||
| 5 | 108 |
Uniform title: Star-spangled banner (Song); arr. Whoop de do in B♭ [1977] 1 ms. score ([4] p.) ; 48 cm. + 24 ms. parts ; 8-32 cm. |
|
Alternate title: Star-spangled banner.
|
||
|
Arranged for orchestra. Caption title. Words by Francis Scott
Key, tune based on John Stafford Smith's To Anacreon in heaven. Holograph score
(Pencil) ; Holograph parts (Ink).
|
||
| 6 | 109 |
Uniform title: Star-spangled banner (Song); arr. Star spangled banner 2005 1 score (8 p.) + 58 parts ; 28 cm. |
|
Caption title.
|
||
|
Grafton, Ohio :
Ludwig Music Pub. Co.
|
||
| 6 | 110 |
Waring,
Virginia Baby boogie : for two pianos 1958 2 scores (10 p. each) ; 28 cm. |
|
Cover title.
|
||
|
New York :
Shawnee Press
|
||
| 6 | 111 |
Uniform title: We shall overcome; arr. We shall overcome [1968] 1 ms. score (9 p.) ; 35 cm + 28 ms. parts ; 31-33 cm. |
|
Arranged for chorus and orchestral accompaniment. Cover title.
Duration: ca. 2:20. Holograph score and part (Pencil) ; Manuscript parts (Ink).
Accompanied by 1 photocopied score (9 p.) with performance annotations ; 1 note
with performance instructions from Livingston Gearhart (1 leaf) ; 1 note from
Pamela Gearhart (1 leaf).
|
||
| 6 | 112 |
Uniform title: We wish you a merry Christmas; arr. We wish you a merry Christmas : SATB with piano accompaniment 1959 1 score (8 p.) ; 27 cm. |
|
Caption title. Duration: ca. 1:40.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 6 | 113 |
Uniform title: We wish you a merry Christmas; arr. We wish you a merry Christmas : SSA with piano accompaniment 1959 1 score (7 p.) ; 27 cm. |
|
Caption title. Duration: ca. 1:40.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 6 | 114 |
Who built the ark? : for mixed voices
and narrator, with piano, hammer and saw 1958 1 score (16 p.) ; 27 cm. |
|
Alternate title: First line of text: Tell me who.
|
||
|
"[Hammer part] to be played by a timpanist with one or two
hammers.... At the other end of the plank, the sawer ... saws off small
blocks...."--p.2. Caption title. Based on a spiritual. Duration: ca. 3:00.
|
||
|
Delaware Gap, Pennsylvania :
Shawnee Press
|
||
|
II Arrangements, transcriptions, and editions of works by
other named composers,
1930-2009 Folder 115-228 |
||
|
Arranged alphabetically by composer and then by uniform title. |
||
| Box | Folder | Contents |
| 6 | 115 |
Andersen, Eric Uniform title: Why does the bumblebee fly; arr. Why does the bumblebee fly? 1964 1 score (8 p.) ; 27 cm. |
|
For mixed voices (SATB) with piano accompaniment. Cover title.
Duration: ca. 2:15.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 6 | 116 |
Arlen, Harold,
1905-1986. Uniform title: Here come the Waves. Ac-cent-tchu-ate the positive; arr. Ac-cent-tchu-ate the positive 1959 1 score (8 p.) ; 27 cm. |
|
Alternate title: Accentuate the positive.
|
||
|
Song from the motion picture Here come the waves. Arranged for
SATB chorus with piano accompaniment. Cover title. Contains tone syllables for
choral enunciation.
|
||
|
No location stated :
E.H. Morris ;
Delaware Water Gap, Pennsylvania :
Sole selling agent for this arrangement, Shawnee
Press
|
||
| 6 | 117 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Brandenburgische Konzerte. Nr. 1. Adagio; arr. Adagio : Brandenburg no. I [between 1940 and 1960] [6] p. of ms. music ; 35 cm. |
|
Originally for chamber orchestra ; arranged for piano. Cover
title. Holograph (Pencil).
|
||
| 6 | 118 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Choräle von verschiedener Art, BWV 651-668. Nun komm, der Heiden Heiland, BWV 659; arr. Fantasia on Nun komm, der Heiden Heiland [196-] 1 ms. score ([6] p.) + 6 ms. parts ; 9-34 cm. |
|
Alternate title: Caption title on parts: Fantasia on a
chorale.
|
||
|
Alternate title: Nun komm, der Heiden Heiland.
|
||
|
Originally a chorale prelude for organ; arranged for one solo
instrument (oboe or various B♭ and C instruments) and string orchestra. Caption
title. "Livingston Gearhart 1996"--Copyright stamp on every page. Manuscript
(Ink); Manuscript (Ozalid). Accompanied by 1 note from Pamela Gearhart (1
leaf).
|
||
| 6 | 119 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Concertos, harpsichord, string orchestra, BWV 1056, F minor. Largo; arr. Arioso [between 1960 and 1980?] 1 ms. score ([3] p.) ; 35 cm. |
|
Originally for solo harpsichord with string orchestra ;
arranged for solo or multi solo celli or violi and string orchestra. Caption
title. Holograph (Pencil).
|
||
| 6 | 120 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Concertos, harpsichord, string orchestra, BWV 1056, F minor. Largo; arr. Arioso : viola or cello solo (single or multiple players) with string orchestra 1995 1 score (5 p.) + 34 parts ; 31 cm. |
|
Originally for solo harpsichord with string orchestra. Caption
title. Performance instructions by Fritz Gearhart precede score.
|
||
|
[Miami, Fla.] :
Warner Bros.
|
||
| 6 | 121 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Concertos, harpsichord, string orchestra, BWV 1056, F minor. Selections; arr. Concerto in F minor : orchestra [between 1950 and 1970?] [4] p. of ms. music ; 32 cm. |
|
Orchestral accompaniment arranged for keyboard instrument.
Contains first two movements of the concerto only. The first movement is
incomplete. Caption title. Holograph (Pencil).
|
||
| 6 | 122 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Concertos, harpsichords (2), string orchestra, BWV 1061, C major. Adagio ovvero largo Adagio ovvero largo [between 1950 and 1970?] 3 ms. parts ; 31 cm. |
|
Movement originally for two harpsichords ; parts for two
violins and cello as an added accompaniment. Caption title from Violin 1 part.
Holograph (Ink).
|
||
| 6 | 123 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Inventions, harpsichord, BWV 795, F minor; arr. 3-part invention [between 1976 and 1996] 1 folder (3 ms. scores) ; 30-31 x 38-46, 32 cm. |
|
Originally for harpsichord. Folder contains three
arrangements: one for three saxophones, one for oboe, English horn, and French
horn. Instrumentation not specified on third arrangement. Caption title.
"Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).
Accompanied by note from Pamela Gearhart (1 leaf).
|
||
| 6 | 124 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Kunst der Fuge. Contrapunctus, no. 3; arr. Art of fugue [between 1950 and 1970?] 1 ms. score (12 p.) ; 32 cm. |
|
Original instrumentation unspecified; arranged for orchestra.
Title from accompanying leaf. Movement is unfinished. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by one
note from Pamela Gearhart (1 leaf).
|
||
| 6 | 125 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Masses, BWV 232, B minor. Crucifixus; arr. Passacaglia : from the B minor Mass ("Crucifixus") [between 1950 and 1970] 1 ms. score (9 p.) ; 34 cm. + 19 ms. parts ; 31-34 cm. |
|
Alternate title: Crucifixus.
|
||
|
Originally for soprano, chorus, and chamber orchestra ;
arranged for orchestra. Cover title. "Livingston Gearhart 1996"--Copyright
stamp on every page. Holograph score (Ink) ; Manuscript parts (Ink).
Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
||
| 6 | 126 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Orgelbüchlein. Alle Menschen müssen sterben; arr. Chorale prelude [between 1950 and 1970] 1 ms. score ([2] p.) ; 35 cm. |
|
Originally for organ ; arranged for string orchestra. Caption
title. Holograph (Pencil).
|
||
| 6 | 127 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Orgelbüchlein. Alle Menschen müssen sterben; arr. Chorale prelude 1995 1 score (2 p.) + 41 parts ; 31 cm. |
|
Originally for organ ; arranged for string orchestra. Caption
title. Performance notes by Fritz Gearhart precede score.
|
||
|
[Miami, Fla.] :
Warner Bros.
|
||
| 6 | 128 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Orgelbüchlein. Ich ruf' zu dir, Herr Jesu Christ; arr. Ich ruf zu dir [193-] 2 ms. parts ; 36 cm. |
|
Originally for organ ; arranged for two pianos. Cover title
from Piano 1 part. Holograph (Pencil). Accompanied by 1 index card (1 leaf)
from Livingston Gearhart.
|
||
| 6 | 129 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Orgelbüchlein. In dir ist Freude; arr. In dir ist Freude [193-] 1 ms. part ; 36 cm. |
|
Part for 2nd piano only. Originally for organ ; possibly
arranged for two pianos. Caption title. Holograph (Pencil). Accompanied by 1
index card (1 leaf) presumably from Livingston Gearhart.
|
||
| 6 | 130 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Orgelbüchlein. In dulci jubilo; arr. In dulci jubilo [193-?] 1 folder (4 ms. parts) ; 36 cm. |
|
Folder contains two settings of the chorale prelude for two
pianos. Originally for organ. Caption title. Holograph (Pencil). Accompanied by
[2] leaves of ms. sketches (36 cm.)
|
||
| 6 | 131 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Sonatas, flute, harpsichord, BWV 1031, E♭ major. Siciliano; arr. Sicilienne [between 1940 and 1960] [2] p. of ms. music ; 35 cm. |
|
Arranged for 2 pianos ; part for Piano 1 only. Caption title.
Holograph (Pencil).
|
||
| 6 | 132 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Suites, orchestra, BWV 1067, B minor. Sarabande; arr. B minor suite for flute : 4 voices reduced to 3 [between 1976 and 1996] 1 ms. score ([1] leaf) ; 31 x 46 cm. |
|
Instrumentation not specified on score. Originally for
orchestra ; possibly for woodwinds. Caption title from accompanying photocopy
of score. Holograph (Pencil). Accompanied by 1 photocopied note from Pamela
Gearhart (1 leaf).
|
||
| 6 | 133 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Suites, violoncello, BWV 1007, G major. Allemande; arr. Praeludium : Gregor and Jascha / Bach ; [arranged by Livingston Gearhart]. [198-] 2 ms. scores + 1 ms. part ; 32 cm. |
|
Originally for solo violoncello ; arranged for violoncello
with either violin or viola accompaniment. Cover title. Part for violin.
"Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).
Accompanied by 2 photocopied scores prepared for use as parts ; 1 note from
Pamela Gearhart (1 leaf).
|
||
| 6 | 134 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Kyrie, Gott heiliger Geist, BWV 671 (Sketches); arr. Kyrie, Gott heiliger Geist [194-] 2 ms. parts ; 35 cm. |
|
Originally for organ ; arranged for two pianos. Caption title.
Arranged is unfinished and consists of the opening 5 measures. Holograph
(Pencil).
|
||
| 7 | 135 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Wir glauben all an einen Gott, BWV 680; arr. Praeludium [between 1950 and 1970?] 1 ms. score (20 p.) ; 35 cm. |
|
Originally for organ ; arranged for orchestra. Caption title.
Holograph (Pencil).
|
||
| 7 | 136 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Wir glauben all an einen Gott, BWV 680; arr. Praeludium 1976 1 score (22 p.) + 59 parts ; 28 cm. |
|
Originally for organ ; arranged for orchestra. Cover title
from score. Duration: ca. 3:45. Program and biographical notes precede score.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 7 | 137 |
Bach, Johann Sebastian,
1685-1750. Uniform title: Widerstehe doch der Sünde. Widerstehe doch der Sünde; arr. Keep on fighting sin : Cantata #54 [between 1980 and 1982] 1 ms. score ([7] p.) + 8 ms. parts ; 32 cm. |
|
Originally for alto solo and string orchestra ; arranged for
solo instrument (voice, horn, English horn, or alto saxophone) with string
orchestra. Caption title from score. "Livingston Gearhart 1996"--Copyright
stamp on every page. Holograph (Pencil) ; Holograph (Ink). Accompanied by 1
note from Pamela Gearhart (1 leaf).
|
||
| 7 | 138 |
Berlioz, Hector,
1803-1869. Uniform title: Benvenuto Cellini. Selections; arr. Selections from Benvenuto Cellini : arranged for two pianos, four hands [193-] 1 ms. score ([21] p.) ; 33-35 cm. + 1 ms. part (17 p.) ; 35 cm. |
|
"2 or 3 excerpts from Benvenuto Cellini (Berlioz) to replace
orch. (with 2 pianos) at a Boulanger event"--Accompanying note from Pamela
Gearhart. Title supplied by cataloger. Part for second piano only, the part
contains music missing from the score. Holograph (Pencil).
|
||
| 7 | 139 |
Boccherini, Luigi,
1743-1805. Uniform title: Quintets, violins, viola, violoncellos, G. 310, C major. Rondeau; arr. Quintet in C (Finale) as a Konzertstück [197-] 1 ms. score (14 p.) + 7 ms. parts ; 32 cm. |
|
Originally for string quintet ; parts composed for string
orchestra to accompany the 1st violoncello part ; there is no part for the solo
violoncello included. Cover title from score. "Livingston Gearhart
1996"--Copyright stamp on every page.. Holograph score (Pencil) ; Manuscript
parts (Ink). Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
||
| 7 | 140 |
Brahms, Johannes,
1833-1897. Uniform title: Canons, women's voices, op. 113. No. 1; arr. Canon, op. 114 [i.e. op. 113, no. 1] [between 1970 and 1990] 1 ms. score ([6] p.) ; 35 cm. |
|
Originally for women's voices ; arranged for orchestra. Cover
title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph
(Pencil).
|
||
| 7 | 141 |
Brahms, Johannes,
1833-1897. Uniform title: Quintets, violins, violas, violoncello, op. 111, G major. Adagio; arr. Adagio, op. 111 1973 1 score (18 p.) + 1 condensed score (8 p.) + 29 parts ; 28 cm. |
|
Originally for string quintet ; arranged for orchestra. Cover
title. Duration: ca. 6:15. Note about the transcription on p. [2] of score.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 7 | 142 |
Broadway threesome [197-?] 1 ms. score (7 leaves) ; 30 x 38 cm. |
|
Medley arranged for oboe and string quartet from the songs I
loves you, Porgy, by George Gershwin, All the things you are, by Jerome Kern,
and Fascinating rhythm, by George Gershwin. Title from additional leaf.
Includes additional leaf with title of collection and songs as well as a ms.
sketch of the final measures. "Written for Ronald Richards"--Enclosed slip.
Holograph (Pencil).
|
||
| 7 | 143 |
Brubeck, Dave Uniform title: Nomad; arr. Nomad : orchestration [196-] 1 ms. score (14 p.) ; 34 cm. + 21 ms. parts ; 28 cm. |
|
Originally for clarinet, trombone, and bass ; arranged for
orchestra. Cover title. Holograph score (Pencil) ; Photocopied parts reproduced
from holograph. Accompanied by 1 score (only 1 page partially completed) with
unfinished changes for revision ; 1 color photocopy of score (14 p.) ; 1 letter
from Dave Brubeck to Pamela Gearhart (1 leaf) ; 2 notes from Pamela Gearhart (1
on envelope ; 1 leaf each).
|
||
| 7 | 144 |
Brubeck, Dave Uniform title: Ostinato; arr. Ostinato [196-] 1 ms. score ([18] p.) ; 49 cm. |
|
Arranged for orchestra. Caption title. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note
presumably from Livingston Gearhart (1 leaf) ; 1 index card from Pamela
Gearhart (1 leaf).
|
||
| 7 | 145 |
Brubeck, Dave Uniform title: Watusi drums; arr. Watusi drums 1966 1 score (24 p.) ; 28 cm. + 2 condensed scores (8 p. each) ; 18-28 cm. + 58 parts ; 28 cm. |
|
Cover title. Duration: ca. 3:00. Accompanied by 1 note from
Dave Brubeck to Livingston Gearhart dated Sept. 2, 1965 (1 leaf).
|
||
|
Delaware Water Gap, Pennsylvania,
Shawnee Press
|
||
| 8 | 146 |
Chausson, Ernest,
1855-1899. Uniform title: Poème, violin, orchestra; arr. Poème [1989] 1 ms. score (26 p.) ; 31-32 cm. |
|
Originally for violin and orchestra; arranged for violin and
piano. Cover title. Holograph (Pencil). Accompanied by 1 letter from Fritz
Gearhart (1 leaf).
|
||
| 8 | 147 |
Chausson, Ernest,
1855-1899. Uniform title: Poème, violin, orchestra; arr. Poème for violin and piano 2009 1 score (26 p.) ; 28 cm. |
|
Originally for violin and orchestra; arranged for violin and
piano. Cover title. "The piano reduction was written by Livingston Gearhart in
1989"--Notes on cover verso.
|
||
|
[United States] :
Anyares Pub.
|
||
| 8 | 148 |
Christy, Edwin Pearce,
1815-1862. Uniform title: Good night, ladies; arr. Good night, ladies : for SAB with four-hand piano accompaniment 1964 1 score (7 p.) ; 27 cm. |
|
Alternate title: Farewell ladies.
|
||
|
Caption title. Words and melody by Edwin Pearce Christy, also
know by the title Farewell ladies. Duration: ca. 2:15.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 8 | 149 |
De Curtis, Ernesto,
1875-1937. Uniform title: Torna a Surriento; arr. Come back to Sorrento? [between 1976 and 1996] 1 ms. score ([3] p.) ; 35 cm. |
|
For alto, tenor, and baritone saxophones. Caption title. "Not
sure"--Caption. "Livingston Gearhart 1996"--Copyright stamp on every page.
Holograph (Pencil).
|
||
| 8 | 150 |
Debussy, Claude,
1862-1918. Uniform title: Dances, piano; arr. Danse : orchestration [196-] 1 ms. score (44 p.) ; 35 cm. + 28 ms. parts ; 31-33 cm. |
|
Originally for piano ; arranged for orchestra. Cover title.
"For U.B. orch. -- late 60's (we had good French horns!). Used for Ithaca
College -- 1975? Used for Community Music School orch -- 60s"--Accompanying
leaf. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph
(Pencil), additional annotations in red and blue pencil. Includes 4 ms. leaves
of revisions dated 1976.
|
||
| 8 | 151 |
Debussy, Claude,
1862-1918. Uniform title: Mandoline; arr. Mandoline [between 1960 and 1980?] 1 ms. score (14 p.) ; 32 cm. |
|
Originally for voice and piano ; arranged for low voice and
string orchestra. Cover title. Holograph (Pencil). Accompanied by 1 typewritten
note (1 leaf) presumably from Livingston Gearhart.
|
||
|
Score lacks words ; presumably meant to be sung in French.
|
||
| 8 | 152 |
Debussy, Claude,
1862-1918. Uniform title: Preludes, piano, book 1. Fille aux cheveux de lin; arr. La fille aux cheveux du lin [between 1977 and 1978] 1 ms. score ([4] p.) + 7 ms. parts ; 32 cm. |
|
Originally for solo piano ; arranged for solo violin with
string orchestra accompaniment. Caption title. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note
from Pamela Gearhart (1 leaf).
|
||
| 8 | 153 |
Delius, Frederick,
1862-1934. Uniform title: Brigg Fair; arr. Brigg fair : for two pianos, four hands [between 1940 and 1960?] 1 ms. score ([4] p.) ; 34 cm. |
|
Originally for orchestra. Title supplied by cataloger.
Arranged is unfinished. Holograph (Pencil).
|
||
| 8 | 154 |
Farnaby, Giles, ca.
1565-1640. Uniform title: For two virginals For 2 virginals [between 1935 and 1940] 1 ms. score ([1] leaf) ; 34 cm. |
|
For two pianos. Caption title. Holograph (Pencil).
|
||
| 8 | 155 |
Fattorini,
Gabriele Uniform title: Ricercare del nono tono Ricercar [between 1976 and 1996] 1 ms. score ([1] leaf) ; 35 cm. |
|
Transcribed for SATT saxophones. Caption title. "Livingston
Gearhart 1996"--Copyright stamp. Holograph (Pencil).
|
||
| 8 | 156 |
Fauré, Gabriel,
1845-1924. Uniform title: Pavan, orchestra, op. 50, F♯ minor; arr. Pavane, op. 50 [between 1960 and 1972] 1 ms. score ([16] p.) ; 32 cm. |
|
Originally for chorus and orchestra ; arranged for orchestra.
Caption title. Reproduced from holograph. Accompanied by 1 typescript (1 leaf)
of technical information from Livingston Gearhart ; 1 analysis of the work (1
leaf) by Livingston Gearhart.
|
||
| 8 | 157 |
Fauré, Gabriel,
1845-1924. Uniform title: Pavan, orchestra, op. 50, F♯ minor; arr. Pavane 1972 1 score (20 p.) + 50 parts ; 29 cm. |
|
Cover title. Arrangement simplified for youth orchestra.
Arrangement supplied for the Community Music School Orchestra, Buffalo, N.Y.
Includes note on the transcription by the publisher. Duration: ca. 6:00.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 8 | 158 |
Fauré, Gabriel,
1845-1924. Uniform title: Pavan, orchestra, op. 50, F♯ minor; arr. Pavane 1972 1 condensed score (8 p.) ; 17 cm. |
|
Cover title. Arrangement simplified for youth orchestra.
Arrangement supplied for the Community Music School Orchestra, Buffalo, N.Y.
Includes note on the transcription by the publisher. Duration: ca. 6:00.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 8 | 159 |
Fauré, Gabriel,
1845-1924. Uniform title: Pièces brèves. Adagietto; arr. Elegie, op. 84 [1972] 1 ms. score ([5] p.) + 2 ms. parts ; 32 cm. |
|
Originally for piano ; arranged for string orchestra. Cover
title. Parts for violoncello and bass only. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil) ; Bass part reproduced
from holograph. Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
||
| 8 | 160 |
Ferling, Franz Wilhelm,
1796-1874. Uniform title: Etudes, oboe, op. 31. Selections; arr. Four etudes for oboe and piano [between 1995 and 1996] 4 ms. scores ; 35 cm. |
|
Originally for solo oboe ; arranged for oboe with piano
accompaniment. Includes #1, #5, #13, and #27. Title supplied by cataloger.
Holograph (Pencil). Accompanied by 3 photocopied letters (1 leaf each) from
John de Lancie ; 1 photocopied note from Pamela Gearhart (1 leaf) ; 1 photocopy
of Ferling's published score (3 leaves) ; 1 photocopied note from Livingston
Gearhart (1 leaf) ; 1 photocopied score of Etude #1 with annotations (3
leaves).
|
||
| 9 | 161 |
Fischer, Johann,
1646-1716 or 17. Uniform title: Tafel-Musik. No. 14; arr. Antiques refinished : Marche [1978] 5 ms. parts ; 32 cm. |
|
Alternate title: Antiques refinished for wind quartet [i.e.
quintet].
|
||
|
Alternate title: Refinished antique.
|
||
|
Alternate title: Marche.
|
||
|
Originally for 4 unspecified instruments, possibly a
combination of strings and winds; arranged for oboe, English horn, horn, and 2
bassoons. "Livingston Gearhart 1996"--Copyright stamp on every page. Manuscript
(Ink).
|
||
| 9 | 162 |
Fischer, Johann,
1646-1716 or 17. Uniform title: Tafel-Musik. No. 14; arr. March : an antique refinished [1978] 1 ms. score ([8] p.) + 4 ms. parts ; 32 cm. |
|
Alternate title: Antiques refinished for brass quartet.
|
||
|
Alternate title: Antique refinished.
|
||
|
Alternate title: Caption subtitle on parts: Refinished
antique.
|
||
|
Originally for 4 unspecified instruments, possibly a
combination of strings and winds; arranged for two trumpets, horn, and
trombone. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every
page. Date in caption on trumpet parts: 1978. Holograph (Pencil). Accompanied
by: [4] p. of manuscript sketches (27 cm.).
|
||
| 9 | 163 |
Fischer, Johann,
1646-1716 or 17. Uniform title: Tafel-Musik. No. 14; arr. March : an antique refinished 1998 1 score (5 p.) + 4 parts ; 27 cm. |
|
Alternate title: Antique refinished.
|
||
|
Originally for 4 unspecified instruments, possibly a
combination of strings and winds; arranged for 2 trumpets, horn, and trombone.
Duration: ca. 2:00.
|
||
|
Delaware Water Gap, PA :
Concert Works Unlimited
|
||
| 9 | 164 |
Goodale, Walter
S Uniform title: Alma mater song; arr. U.B. alma mater [1964?] 1 ms. score (5 p.) ; 35 cm. |
|
Alternate title: University at Buffalo alma mater.
|
||
|
Arranged for wind ensemble. Cover title. Holograph (Pencil).
|
||
| 9 | 165 |
Gounod, Charles,
1818-1893. Uniform title: Ave Maria (Vocal version); arr. And a little child shall lead them : Ave maria : for a small pianist, with chorus SATB [between 1950 and 1970] 1 ms. score (6 leaves) ; 32 cm. |
|
Alternate title: Ave maria.
|
||
|
For solo piano with SATB accompaniment. Caption title.
Gounod's work based on J.S. Bach's Prelude no. 1 from the first book of the
Well-Tempered Clavier. Holograph (Pencil). Accompanied by 1 typescript note (1
leaf) from Livingston Gearhart about the piece.
|
||
|
Latin words.
|
||
| 9 | 166 |
Grean, Charles
R Uniform title: Thing; arr. The thing 1960 1 score (12 p.) ; 27 cm. |
|
Alternate title: First line of text: While I was walking down
the beach.
|
||
|
For SATB chorus with piano accompaniment. Cover title.
Includes tone syllables to be used as a choral enunciation aid. Duration: ca.
2:30. Performance note on p. [2] of cover.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 9 | 167 |
Harrison, Annie
Fortescue, 1851-1944. Uniform title: In the gloaming; arr. In the gloaming [between 1950 and 1970] 1 ms. score ([2] p.) ; 32 cm. |
|
For TTBB chorus, unaccompanied. Caption title. Words by Meta
Orred. Holograph (Pencil).
|
||
| 9 | 168 |
Haydn, Joseph,
1732-1809. Uniform title: Schöpfung. Himmel erzählen die Ehre Gottes. English; arr. The spacious firmament 1965 1 score (11 p.) ; 27 cm. |
|
For SATB chorus with piano or organ. Caption title. Duration:
ca. 4:00.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 9 | 169 |
Holst, Gustav,
1874-1934. Uniform title: Double concerto. Variations on a ground; arr. Variations over a ground [between 1960 and 1970] 1 ms. score (20 leaves) ; 22-35 cm. |
|
Arranged for orchestra. Cover title. "Livingston Gearhart
1996"--Copyright stamp on every page. Reproduced from holograph. Accompanied by
2 notes (1 leaf each) from Livingston Gearhart about the piece ; 1 photocopied
newspaper clipping from the Buffalo Evening News dated Dec. 12, 1970 (1 leaf) ;
1 concert program (1 leaf) titled Grounds for diversity dated Dec. 10, 1970.
|
||
| 9 | 170 |
Johnson, J. Rosamond
(John Rosamond), 1873-1954. Uniform title: Dry bones; arr. Dry bones [between 1940 and 1950?] 2 ms. parts ; 31 cm. |
|
Traditional song with music adapted by J. Rosamond Johnson.
Piano parts to accompany the published SATB chorus version. Caption title.
Holograph (Pencil). Accompanied by [1] leaf of ms. sketches
|
||
| 9 | 171 |
Johnson, J. Rosamond
(John Rosamond), 1873-1954. Uniform title: Dry bones; arr. Dry bones : 2nd piano : TTBB [between 1940 and 1950?] [2] leaves of ms. music ; 31 cm. |
|
Traditional song with music adapted by J. Rosamond Johnson.
2nd piano part arranged to accompany the published TTBB chorus version. Caption
title. Holograph (Pencil).
|
||
| 9 | 172 |
Johnson, J. Rosamond
(John Rosamond), 1873-1954. Uniform title: Dry bones; arr. Dry bones : a rhythmic spiritual : for men's glee club [c1946] 1 score (19 p.) ; 27 cm. |
|
Traditional song with music adapted by J. Rosamond Johnson.
For chorus (TTBB), double bass (ad.lib.), percussion and piano. "Based upon the
version of the Delta Rhythm Boys." "A Fred Waring arrangement."
|
||
|
New York :
Shawnee Press
|
||
| 9 | 173 |
Johnson, J. Rosamond
(John Rosamond), 1873-1954. Uniform title: Dry bones; arr. Dry bones : a rhythmic spiritual : for mixed voices [l946] 1 score (19 p.) ; 27 cm. |
|
Traditional song with music adapted by J. Rosamond Johnson.
Cover title. For chorus (SATB), string bass (ad. lib.), percussion and piano.
"Based upon the version of the Delta Rhythm Boys." "A Fred Waring arrangement."
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 9 | 174 |
Johnson, J. Rosamond
(John Rosamond), 1873-1954. Uniform title: Dry bones; arr. Dry bones : SAB with piano accompaniment 1960 1 score (19 p.) ; 27 cm. |
|
Traditional song with music adapted by J. Rosamond Johnson.
Caption title. Includes optional percussion parts. Duration: ca. 2:30.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 9 | 175 |
Johnson, J. Rosamond
(John Rosamond), 1873-1954. Uniform title: Dry bones; arr. English and Japanese Dry bones 1946 1 score (39 p.) ; 26 cm. |
|
Traditional song with music adapted by J. Rosamond Johnson.
For chorus (TTBB), double bass (ad.lib.), percussion and piano. Score presented
twice : once in F major, once in B♭ major. Performances notes precede score.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press ;
Tokyo :
Toa Music
|
||
|
English and Japanese words.
|
||
| 9 | 176 |
Joplin, Scott,
1868-1917. Uniform title: Pine apple rag; arr. ½ of Pine apple rag is enough? [between 1976 and 1996] 1 ms. score ([2] p.) ; 35 cm. + 4 ms. parts ; 32 cm. |
|
Alternate title: One half of Pine apple rag is enough.
|
||
|
Alternate title: Pine apple rag.
|
||
|
For AAT saxophones with optional baritone saxophone part.
Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page.
Holograph score (Pencil) ; Manuscript parts (Pencil).
|
||
| 9 | 177 |
Keeney, Wendell,
1903- Uniform title: Mountain tune; arr. Mountain tune [between 1930 and 1936] 2 ms. parts ; 32-35 cm. |
|
Arranged for 2 pianos, 4 hands. Caption title. Holograph
(Pencil). Accompanied by 1 photocopy of 1st piano part ([4] p.).
|
||
| 9 | 178 |
Keeney, Wendell,
1903- Uniform title: Mountain tune; arr. Mountain tune : two pianos, four-hands 1936 2 scores (11 p. each) ; 31 cm. |
|
New York :
G. Schirmer
|
||
| 9 | 179 |
Lyadov, Anatoly
Konstantinovich, 1855-1914. Uniform title: Russkie narodnye pesni, orchestra. Koliaa-Maleda; arr. Alleluia : anthem for Christmas or Easter : S.A.T.B. with piano accompaniment : from "Eight Russian folk songs" 1952 1 score (8 p.) ; 27 cm. |
|
Caption title. "Waring choir series".
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 9 | 180 |
Lyadov, Anatoly
Konstantinovich, 1855-1914. Uniform title: Russkie narodnye pesni, orchestra. Kolybelnaia; arr. Lullaby : from eight Russian folk songs for orchestra : for humming chorus, unaccompanied 1949 1 score (4 p.) ; 27 cm. |
|
For SATB chorus. Includes piano accompaniment for rehearsal
only.
|
||
|
Delaware Water Gap, Penna. :
Shawnee Press
|
||
| 9 | 181 |
MacDowell, Edward,
1860-1908. Uniform title: Woodland sketches. To a wild rose; arr. To a hothouse rose [between 1945 and 1965] 1 ms. score (6 p.) ; 32 cm. |
|
Arrangement of Edward MacDowell's piece for solo piano, To a
wild rose. Possibly for two pianos, 4 hands, or SATB chorus with piano
accompaniment. Optional additional instrumentation includes string bass and
snare drum. Holograph (Pencil).
|
||
| 9 | 182 |
Marais, Josef,
1905-1978. Uniform title: Sugarbush; arr. Sugarbush [between 1950 and 1970] 1 ms. score (3 leaves) ; 32 cm. |
|
Alternate title: Sugarfoot.
|
||
|
Alternate title: Honey burch.
|
||
|
For women's chorus with piano accompaniment. Caption title.
Source of the song is Marais's Songs from the veld : fourteen songs from South
Africa. Holograph (Pencil).
|
||
| 9 | 183 |
Mendelssohn-Bartholdy,
Felix, 1809-1847. Uniform title: Quartets, strings, no. 1, op. 12, E♭ major. Canzonetta; arr. Canzonetta [1973] 1 ms. score ([4] p.) ; 32 cm. + 8 ms. parts ; 13-29 cm. |
|
For string quartet with string orchestra accompaniment. Title
from violin 1 part. Holograph score (Pencil) ; Holograph parts (Mimeograph).
Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
||
| 9 | 184 |
Mendelssohn-Bartholdy,
Felix, 1809-1847. Uniform title: Quartets, strings, no. 1, op. 12, E♭ major. Canzonetta; arr. Canzonetta [1975] 1 ms. score ([4] p.) ; 34 cm. + 10 ms. parts ; 2 cm. |
|
For string quartet with string orchestra accompaniment.
Caption title from score. "Revised 1975"--Caption. Holograph score (Pencil) ;
Holograph parts (Mimeograph). Accompanied by 1 photocopied note from Pamela
Gearhart (1 leaf).
|
||
| 9 | 185 |
Messiter, Arthur Henry,
1834-1916. Uniform title: Rejoice ye pure in heart; arr. Rejoice ye pure in heart [between 1950 and 1970?] 1 ms. score ([3] leaves) ; 32 cm. |
|
Arranged for SSA chorus with piano accompaniment. Caption
title. Music by Arthur H. Messiter ; words by Edward H. Plumptre. Holograph
(Pencil).
|
||
| 9 | 186 |
Monteverdi, Claudio,
1567-1643. Uniform title: Madrigals, book 8. Lamento della ninfa Amor [between 1950 and 1970] 1 ms. score (7 p.) ; 32 cm. |
|
Transcribed for women's chorus with piano accompaniment. Cover
title. Holograph (Pencil). Accompanied by 1 photocopied score ([6] p.) of
Monteverdi's original madrigal.
|
||
|
Italian words.
|
||
| 10 | 187 |
Mozart, Wolfgang Amadeus,
1756-1791. Uniform title: Alleluja, K. 553 Alleluia : 4-part round [between 1950 and 1970] [1] leaf of ms. music ; 32 cm. |
|
Caption title. Holograph (Pencil). Accompanied by 1 note from
Pamela Gearhart (1 leaf).
|
||
| 10 | 188 |
Mozart, Wolfgang Amadeus,
1756-1791. Uniform title: Don Giovanni. Madamina, il catalogo è questo; arr. Leporello [between 1940 and 1960] [7] p. of ms. music ; 35 cm. |
|
Orchestral accompaniment arranged for piano. Score does not
contain voice part. Caption title. Holograph (Pencil).
|
||
| 10 | 189 |
Mussorgsky, Modest
Petrovich, 1839-1881. Uniform title: Boris Godunov. Pesnia Varlaama; arr. The siege of Kazan [from] Boris [Godunov] [1938] 1 folder. |
|
The siege of Kazan is arranged for 2 pianos, 4 hands. Title
from typescript note from Livingston Gearhart. "Piano version France
1938"--Accompanying note. Folder also includes 1 piano part from a 2 piano
arrangement of the Coronation Scene from Act 1 (8 p.) ; 1 piano arrangement of
the Change in Siege of Kazan ([1] leaf) ; 1 untitled sketch for 2 pianos ([3]
leaves). Holograph (Pencil). Accompanied by 1 note from Pamela Gearhart (1
leaf) ; 1 typescript note from Livingston Gearhart (1 leaf).
|
||
| 10 | 190 |
Mysels, George,
1912- Uniform title: American is a very lucky man; arr. An American is a very lucky man : SATB with piano accompaniment 1958 1 score (7 p.) ; 27 cm. |
|
Alternate title: First line of text: As a citizen of the
Forty-eight.
|
||
|
Caption title. Duration: ca. 1:45.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 10 | 191 |
Opera excerpts [198-] 1 ms. score (19 p.) ; 33-35 cm. |
|
Arranged for string quartet. Excerpts include Der Vogelfänger
bin ich ja (from The magic flute) by Mozart, Si mi chiamano mimi (from La
bohème) by Puccini, Adagietto from L'Arlesienne suite no. 1 by Bizet, En
fermant les yeux (from Manon) by Massenet, Overture to Forza del destino by
Verdi, and Overture to The magic flute by Mozart. Title from accompanying note
from Livingston Gearhart. "Livingston Gearhart 1996"--Copyright stamp on every
page. Holograph (Photocopy). Accompanied by 2 letters (l leaf each) from
Livingston Gearhart about the piece ; 1 index card from Pamela Gearhart.
|
||
| 10 | 192 |
Pasquini, Bernardo,
1637-1710. Uniform title: Sonatas, harpsichords (2), H. 109, D minor Sonata a due cembali [between 1935 and 1945] 1 ms. score ([7] p.) + 1 ms. part ; 32-34 cm. |
|
For two pianos. Cover title from score. Part for second piano
only. Holograph (Ink).
|
||
| 10 | 193 |
Porter, Cole,
1891-1964. Uniform title: Wake up and dream. What is this thing called love?; arr. Praeludium e fuga super "Was is das ding 'liebe' sogenante" [between 1976 and 1996] 1 ms. score ([4] leaves) ; 31 x 47 cm. |
|
Alternate title: Was is das ding 'liebe' sogenante.
|
||
|
Arranged for 6 unspecified instruments (2 sets of 3
instruments). Title from left margin of score. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note
from Pamela Gearhart (1 leaf).
|
||
| 10 | 194 |
Prokofiev, Sergey,
1891-1953. Uniform title: Pesy, piano, op. 12. Marsh; arr. Marche, op. 12, #1 [between 1960 and 1980] 1 ms. score (10 p.) ; 35 cm. |
|
Originally for piano; arranged for orchestra. Cover title.
Performance notes precede score. Holograph (Pencil); emendations written in
blue pencil. Score contains a conductor's performance markings in red pencil.
|
||
| 10 | 195 |
Prokofiev, Sergey,
1891-1953. Uniform title: Pesy, piano, op. 12. Marsh; arr. Marche, op. 12, no. 1 1980 2 scores (12 p. each) + 21 parts ; 29 cm. |
|
Originally for piano; arranged for orchestra. Cover title.
Duration: ca. 1:50.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 10 | 196 |
Prokofiev, Sergey,
1891-1953. Uniform title: Pesy, piano, op. 12. Marsh; arr. Marche, op. 12, no. 1 1980 1 condensed score (7 p.) ; 28 cm. |
|
Cover title. Originally for piano. Duration: ca. 1:50.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 10 | 197 |
Prokofiev, Sergey,
1891-1953. Uniform title: Pesy, piano, op. 12. Marsh; arr. Marche, op. 12, no. 1 1930 1 miniature score (7 p.) ; 19 cm. |
|
Cover title. Originally for piano. Duration: ca. 1:50.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 10 | 198 |
Purcell, Henry,
1659-1695. Uniform title: Under this stone; arr. Antiques refinished III : Round [between 1978 and 1996] 1 ms. score (2 leaves) ; 30 x 38 cm. |
|
Alternate title: Antiques refinished 3.
|
||
|
Originally for 3 voices or other treble instruments; arranged
for flute, oboe, clarinet, violin, viola and cello. Caption title. Based on the
3-part round Under this stone by Henry Purcell. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Ink). Accompanied by:
photocopy of score (22 x 28 cm.).
|
||
| 10 | 199 |
Rachmaninoff, Sergei,
1873-1943. Uniform title: Romansy, op. 34. Vocalise; arr. Vocalise [between 1951 and 1971] 1 ms. score (11 p.) ; 36 cm. |
|
Originally for voice and piano ; arranged for orchestra.
Caption title. Holograph (Ozalid reproduction). Duration: 5:50 (without
repeat); 8:00 (with repeat).
|
||
| 10 | 200 |
Rachmaninoff, Sergei,
1873-1943. Uniform title: Romansy, op. 34. Vocalise; arr. Vocalise, op. 34 1971 1 score (12 p.) + 54 parts ; 28 cm. |
|
Originally for voice and piano ; arranged for orchestra. Cover
title. Duration: ca. 5:00.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
| 10 | 201 |
Rachmaninoff, Sergei,
1873-1943. Uniform title: Suites, pianos (2), no. 1, op. 5 Slezy Tears : from opus 5 for two pianos 1948 2 scores (12 p. each) ; 31 cm. |
|
Caption title.
|
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|
New York :
Shawnee Press
|
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| 10 | 202 |
Ravel, Maurice,
1875-1937. Uniform title: Ma mère l'oye (Piano duet). Pavane de la belle au bois dormant; arr. Pavane de la belle au bois dormant [between 1960 and 1980?] 1 ms. score ([1] leaf) ; 34 cm. |
|
Originally for piano duet ; arranged for orchestra.
Arrangement is unfinished. Title supplied by cataloger. Holograph (Pencil).
Accompanied by 1 photocopied score ([3] p.) of Ravel's original orchestration.
|
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| 10 | 203 |
Ravel, Maurice,
1875-1937. Uniform title: Pavane pour une infante défunte; arr. Pavane [between 1960 and 1969] 1 ms. score ([12] p.) + 20 ms. parts ; 32-35 cm. |
|
Originally for piano ; arranged for orchestra. Cover title
from score. Holograph score (Pencil) ; manuscript parts (Ink and pencil).
Emendations marked in blue pencil ; conductor's performance markings in red
pencil. Accompanied by 1 note from Pamela Gearhart (1 leaf).
|
||
| 10 | 204 |
Ravel, Maurice,
1875-1937. Uniform title: Pavane pour une infante défunte; arr. Pavane : cello, string orch [1978 or 1979] 1 ms. score (4 p.) + 5 ms. parts ; 32-35 cm. |
|
Originally for piano; arranged for solo violoncello and string
orchestra. Cover title from score. Holograph score (Pencil) ; Manuscript
orchestral parts (Photocopy). Emendations marked in blue pencil. Accompanied by
[2] p. of ms. sketches ; 1 note from Pamela Gearhart (1 leaf).
|
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| 11 | 205 |
Ravel, Maurice,
1875-1937. Uniform title: Tombeau de Couperin. Menuet; arr. Menuet : [from] T. de Couperin [between 1960 and 1970] 1 ms. score (17 p.) ; 34 cm. + 18 parts ; 32 cm. |
|
Originally for piano ; arranged for orchestra. Title from
score cover. "Livingston Gearhart 1996"--Copyright stamp on every page.
Holograph score (Pencil) ; Holograph parts (Ink, pencil). Accompanied by [4] p.
of performances notes from Livingston Gearhart ; 1 note from Pamela Gearhart (1
leaf).
|
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| 11 | 206 |
Rimsky-Korsakov, Nikolay,
1844-1908. Uniform title: Skazka o tsare Saltane. Nu, teper, moi shmel; arr. Flight of the bumblebee 1949 2 scores (10 p. each) ; 31 cm. |
|
Cover title.
|
||
|
East Stroudsburg, Pennsylvania :
Shawnee Press
|
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| 11 | 207 |
Romberg, Sigmund,
1887-1951. Uniform title: Impromptu, piano, E♭ major; arr. Impromptu in E♭ [between 1930 and 1950] 1 ms. score ([20] p.) ; 35 cm. |
|
Originally for solo piano ; arranged for piano 4 hands. Cover
title. Holograph (Pencil).
|
||
| 11 | 208 |
Schubert, Franz,
1797-1828. Uniform title: Quartets, strings, D. 703, C minor. Andante; arr. Unfinished stg. qt. 1990 1 ms. score (4 leaves) ; 30 x 38 cm. |
|
Caption title. Holograph (Pencil). Accompanied by 1
photocopied score (4 leaves) with changes made by the Oregon String Quartet ; 1
photocopied score of Schubert's original fragment (3 leaves).
|
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| 11 | 209 |
Sgambati, Giovanni,
1841-1914. Uniform title: Pièces lyriques. Ländler; arr. Ländler [between 1976 and 1996] [2] p. of ms. music ; 32 cm. |
|
For piano. Title from colophon. According to a note from
Pamela Gearhart, Livingston Gearhart transcribed this piece from his memory.
Holograph (Photocopy). Accompanied by 1 photocopied note from Pamela Gearhart
(1 leaf).
|
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| 11 | 210 |
Singer, Louis C.,
1912-1966. Uniform title: What makes a good American; arr. What makes a good American? : for mixed voices (SATB) 1955 1 score (9 p.) ; 27 cm. |
|
For SATB chorus with piano accompaniment. Cover title.
Includes tone syllables to be used as a choral enunciation aid.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 11 | 211 |
Stravinsky, Igor,
1882-1971. Uniform title: Feu d'artifice; arr. Feuerwerk [between 1930 and 1950] 1 ms. score ([12] p.) + 1 ms. part ([2] p.) ; 33 cm. |
|
Originally for orchestra; arranged for 2 pianos, 4 hands.
Caption title from score. Part for Piano 2 only. Both score and part are
unfinished. Holograph score (Pencil) ; Holograph part (Ink). Accompanied by 1
score (only first page completed) ; 33 cm ; 1 photocopied note from Livingston
Gearhart (1 leaf).
|
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| 11 | 212 |
Stravinsky, Igor,
1882-1971. Uniform title: Pastorale, soprano, piano; arr. Pastorale [1936] 2 ms. scores ; 32-35 cm. |
|
Cover title. Holograph (Pencil) (Ink). Accompanied by 1 index
card (1 leaf) presumably from Livingston Gearhart.
|
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| 11 | 213 |
Stravinsky, Igor,
1882-1971. Uniform title: Petrushka. Russkii tanets; arr. Dance Russe 1935 4 ms. parts ; 35 cm. |
|
Originally for orchestra ; arranged for 2 pianos, 4 hands.
Title from Piano 2 cover. Parts include 1 Piano 1 part with corrections ; 2
final Piano 1 parts ; 1 final Piano 2 part. Holograph (Pencil) (Ink).
Accompanied by [2] p. of ms. sketches ; 36 cm ; 1 index card from Livingston
and Pamela Gearhart.
|
||
| 11 | 214 |
Stravinsky, Igor,
1882-1971. Uniform title: Pulcinella. Overture; arr. Scherzo à la Russe [i.e. Overture from Pulcinella] [between 1930 and 1950?] 1 ms. score ([1] leaf) ; 32 cm. |
|
Originally for orchestra ; arranged for 2 pianos, 4 hands.
Title from accompanying index card from Pamela Gearhart. Arranged consists of
opening 4 measures only. Holograph (Pencil). Accompanied by 1 index card from
Livingston Gearhart (1 leaf).
|
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| 11 | 215 |
Stravinsky, Igor,
1882-1971. Uniform title: Zhar-ptitsa. Khorovod tsareven; arr. Khorovode : from Fire bird [between 1950 and 1970] 1 ms. score ([15] p.) ; 35 cm. + 18 ms. parts ; 31-36 cm. |
|
Cover title from score. "Livingston Gearhart 1996"--Copyright
stamp on every page. Holograph score (Pencil) ; Holograph parts (Ink).
Emendations to score marked in blue pencil ; conductor's performance markings
in red pencil. Accompanied by 1 sketch from Livingston Gearhart (1 leaf) ; 1
note from Pamela Gearhart (1 leaf).
|
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| 11 | 216 |
Stravinsky, Igor,
1882-1971. Uniform title: Zhar-ptitsa. Kolybelnaia; arr. Berceuse : from Fire bird 1935 2 ms. parts ; 35 cm. |
|
Originally for orchestra ; arranged for 2 pianos, 4 hands.
Cover title from Piano 1 part. Holograph parts (Pencil). Accompanied by [2] p.
of ms. sketches.
|
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| 11 | 217 |
Stravinsky, Igor,
1882-1971. Uniform title: Zhar-ptitsa. Poganyi plias Kashcheeva tsarstva; arr. Infernal dance of Kastchei : from The fire bird [between 1930 and 1940] 1 folder. |
|
Originally for orchestra ; arranged for 3 pianos, 6 hands.
Cover title from Piano 1 part. Parts for Pianos 1 and 2 only. Includes 3 ms.
parts of an earlier version of the arrangement. The third piano part is present
in this earlier version only. Holograph parts (Pencil). Accompanied by 2 index
cards (1 leaf each).
|
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| 11 | 218 |
Templeton, Alec,
1910-1963. Alleluia, sing nöel! 1971 1 score (7 p.) ; 27 cm. |
|
"For S.A.T.B. voices and piano or organ with optional hand
bells." Caption title. Duration: ca. 2:00.
|
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|
Delaware Water Gap, Pennsylvania :
H. Flammer
|
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| 12 | 219 |
Travis, Merle Uniform title: Sixteen tons; arr. Sixteen tons : TTBB [between 1955 and 1965] 1 ms. score ([11] leaves) ; 32 cm. |
|
Alternate title: First line of text: Some people say a man is
made out o' mud.
|
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|
For TTBB chorus with piano accompaniment. Caption title.
Holograph (Pencil). Accompanied by 1 index card from Pamela Gearhart (1 leaf).
|
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| 12 | 220 |
Vivaldi, Antonio,
1678-1741. Uniform title: Concerto ripieno, RV 152. Allegro molto Allegro molto from Concerto ripieno : RV 152 [between 1935 and 1940] 1 ms. score (p. 31-37) ; 34 cm. |
|
Realized continuo for keyboard instrument by Livingston
Gearhart. Caption title. Holograph (Ink) ; completed in pencil.
|
||
| 12 | 221 |
Warren, George William,
1828-1902. Uniform title: National hymn tune; arr. God of our fathers : band accompaniment for the Fred Waring choral arrangements 1951 1 condensed score (14 p.) + 48 parts ; 31 cm. |
|
Cover title.
|
||
|
East Stroudsburg, Pennsylvania :
Shawnee Press
|
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| 12 | 222 |
Warren, George William,
1828-1902. Uniform title: National hymn tune; arr. God of our fathers : organ accompaniment for the Fred Waring choral arrangement 1949 [4] p. of music ; 31 cm. |
|
Part for organ only, no song text included. Caption title.
|
||
|
East Stroudsburg, Pennsylvania :
Shawnee Press
|
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| 12 | 223 |
Warren, George William,
1828-1902. Uniform title: National hymn tune; arr. God of our fathers : (S.A.T.B. with three trumpets, percussion, four-hand piano and organ accompaniment) 1949 1 score (19 p.) ; 27 cm. |
|
Caption title.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee
|
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| 12 | 224 |
Warren, George William,
1828-1902. Uniform title: National hymn tune; arr. God of our fathers : T.T.B.B. with soprano descant, four-hand piano and organ accompaniment 1950 1 score (19 p.) ; 27 cm. |
|
Accompaniment for trumpets, percussion, four-hand piano, and
organ. Caption title. Includes tone syllables to be used as a choral
enunciation aid.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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| 12 | 225 |
Weismantel,
Fred Uniform title: Well, anyway; arr. Well, anyway 1958 1 score (8 p.) ; 27 cm. |
|
Alternate title: First line of text: There were eight young
men took a solemn oath one day.
|
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|
Arranged for chorus (SATB) with piano accompaniment.
|
||
|
No location stated :
Republic Music ;
Delaware Water Gap, Pennsylvania :
Sole selling agent for this arrangement, Shawnee
Press
|
||
| 12 | 226 |
Whitney, Joan,
1914-1990. Uniform title: Far away places; arr. Far away places : SATB with piano accompaniment 1958 1 score (10 p.) ; 28 cm. |
|
Caption title. Includes tone syllables to be used as a choral
enunciation aid. Duration: ca. 4:00.
|
||
|
No location stated :
Laurel Music ;
Delaware Water Gap, Pennsylvania :
Sole selling agent, Shawnee Press
|
||
| 12 | 227 |
Winner, Septimus,
1827-1902. Uniform title: Listen to the mockingbird; arr. Listen to the mockingbird [between 1940 and 1960] 1 ms. score (5 leaves) ; 32 cm. |
|
Alternate title: First line of text: I'm dreaming now of
Hallie.
|
||
|
For SATB chorus with piano accompaniment. Caption title.
Original tune by Richard Milburn. Holograph (Pencil).
|
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| 12 | 228 |
Wolf-Ferrari, Ermanno,
1876-1948. Uniform title: Segreto di Susanna. Ouverture; arr. Secret of Suzanne [between 1930 and 1935] 3 ms. parts ; 34 cm. |
|
Alternate title: Caption title on Piano 2 part: Susanna's
secret.
|
||
|
Originally for orchestra; arranged for 3 pianos, 6 hands.
Caption title from Piano 3 part. Holograph (Pencil). Accompanied by 1
typescript index card from Livingston Gearhart (1 leaf) ; 1 photocopied concert
program (1 leaf).
|
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|
III Compilations and sketchbooks,
1935-2004 Folder 229-427 |
||
|
Arranged alphabetically by title. |
||
| Box | Folder | Contents |
| 12 | 229 |
Gearhart,
Livingston 1940's California : sketchbook [between 1937 and 1945] 1 ms. sketchbook ([59] p.) ; 32 cm. |
|
Title from accompanying leaf. Holograph (Pencil). Accompanied
by [1] leaf from Pamela Gearhart with title ; 2 ms. scores presumably with
revisions ; [1] leaf from Pamela Gearhart indicating dedication to Alexander
Schneider ; 1 ms. revised score ([6] p.) of Prelude which later became Short
suite with 1 additional leaf from Pamela Gearhart.
|
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|
Contents: Lament : woodwind quintet (Gargenville 1937) -- Motet : woodwind quintet ("Revision for woodwinds, Mills College, 1941") -- Mésures sur la France ("for André Maurois, Mills, July 26, 42") -- Dialogue for 2 oboes (Aug. 42) -- Kitsch : 2 flutes (Aug. 42) -- Untitled : 2 oboes (Aug. 42) -- Dance for 2 flutes (Sept. 42) -- Epitaph (I) : flute (Orinda Sept. 42) -- Prelude (1) : cello and piano (Wilsonia Sept.42) -- Revision of Prelude, for string orchestra, is filed loose in the same envelope. Revision titled Short Suite (see note included) -- Grave : viola, accompaniment (Orinda Sept. 42) -- Lament : 3 oboes (Orinda Sept. 42) -- Fanfare : 3 oboes (Sept. 42) -- Invention : 2 oboes (Denver, Nov. 1942) -- Soliloquoy : oboe alone (May 43) -- Song without words II (Now I lay me down to sleep) : for English horn, 2 clarinets, 2 bassoons ("for N.B.") (1941) -- Madrigal : 2 oboes (Mar. 26, 43) -- Forlana : oboe (Apr. 3, 43) -- Sonata : 2 oboes (Orinda Sept. 42) -- Canon al novescio (sp. rovescio?) ("a canonic problem") : 2 unidentified instruments (Denver, Nov. 1942) -- "Reminiscence of Ravel in 2nd phrase and last" : 2 unidentified instruments (So. Orange Dec. 42) -- "A problem in form" : 2 unidentified instruments (N.Y. Apr. 9, 44) -- Fragment : 2 oboes -- Song without words (I) : 2 clarinets, horn or bassoon, bassoon (July 3, 1944) -- Orientale : violin and harpsichord ("for A.S.") ("6/30/44 II; piece for Merce Cunningham 1/6/45 III") (see note about dedication to Alexander Schneider) -- Child's piece : 2 unidentified instruments (1/12/45) -- Russian dance : 4 trumpets ("dedicated to Igor Stravinsky") (½8/45). |
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| 12 | 230 |
Gearhart,
Livingston 2 piano arrangements [between 1940 and 1954] 1 ms. sketchbook ([65] p.) ; 32 cm. |
|
Alternate title: American sketch.
|
||
|
Alternate title: Baby boogie.
|
||
|
"Waring -- 2 piano days -- [19]40-[19]54. Some of these
[arrangements] subsequently published -- all are recorded
commercially"--Accompanying leaf. Title from prefatory page. Holograph
(Pencil). Accompanied by [1] leaf from Pamela Gearhart.
|
||
|
Contents: [Flight of the bumblebee / Rimsky-Korsakov -- March from The love of three oranges] / Prokofieff -- American sketch : [unfinished] -- [Viennese clock : from Háry János] / Kodaly -- In dir ist Freude / [Johann Sebastian Bach] -- Baby boogie -- Star spangled banner -- [My country 'tis of thee -- La Marseillaise -- Untitled]. |
||
| 12 | 231 |
Bass clef sessions : informal
music-making for fun, for two, three and four [sign for bass clef] instruments
unaccompanied 1954 1 score (55 p.) ; 32 cm. |
|
Includes index.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: For two players. Air for two viols / Francois Couperin. Andante from Sonata (Köchel No. 292) / Mozart. Arkansas traveler. Chinese lullaby. Fugue un A B-A-D E-G-G / Egon Toast. Gavotte / Dumont. Good King Wenceslas. Habanera / Pierre Vivant. Hare and tortoise / Aesop. Hark, the herald angels sing / Mendelssohn. In the cool cellar. Jazz on rye / Chateau. MinueteuniM / Al. Rovescio. "Mixed metre" / Mozart. Passacaglia / Raimondi. Phantasm / Prokofieff. Preludelerp / J.S. Bach. Rondo from Sonata (Köchel No. 292) / Mozart. Sarabande. Sicilienne. Sinfonia / Webbe. Song of the vulgar boatman / Deranged. We three kings of Orient are / Hopkins -- For three players. Andante from Sonata, op. 26 / Beethoven. Fanfare for the hunt / Pierre Vivant. Fanfare for a procession / Claude Debussy. Gagliarda / Kuhnau. Good King Wenceslas. Hark, the herald angels sing / Mendelssohn. Little brown jug / W.H. Madrigal / Palestrina. March / Handel. Marche from "The love for three oranges" / Prokofieff. Marche Funebre / Chopin. Nocturne from "A midsummer night's dream" / Mendelssohn. Northern song / Schumann. Now the day is over / Barnby. Round on the name B-A-C-H / Beethoven. Sweet and low / Barnby. Three rounds for three. Presto / Haydn. Lacrimosa / Schubert. Roundhouse blues / Devinez. Under this stone lies Gabriel John / Purcell. Waltz Glissando. We three kings of Orient are / Hopkins. Wild horsemen / Schumann -- For four players. Auld lang syne. Base, vile blues / Devinez. Elegie / Massenet. Equali No. 1 / Beethoven. Etude / Schumann. Fanfare for a procession / Claude Debussy. Hunting song / Brahms. In memoriam / Schubert. Misspelled music. Now thank we all our God / harm. J.S. Bach. Now the day is over / Barnby. O sacred head, now wounded / harm. J.S. Bach. Prayer / Cesar Franck. Ricercare / Gabriele Fattorini. Riffin' a round. Round for four / Brahms. |
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| 12 | 232 |
Belles and beaus : 3- or 4-part songs
for teen-age choral groups (S.A. & boys) 1957 1 score (96 p.) ; 27 cm. |
|
On cover : The Fred Waring Music Workshop. 33 selections for
teenage choruses, including patriotic songs, songs for holidays, fun and folk
songs, spirituals, and general songs.
|
||
|
Delaware Water Gap., Pennsylvania :
Shawnee Press
|
||
|
Contents: Years of peace -- Erie Canal -- The band played on -- Loch Lomond -- O Peter, go ring them bells -- Summer reverie -- O no, John -- La cucaracha -- Where are y' goin', my pretty miss? -- Sometimes I feel like a motherless child -- Rodeo Joe -- Evensong -- Sing, all creation -- Love may go hang -- Lord of the earth -- The ghost's high noon -- Thanksgiving song -- O holy night -- Deck the hall -- Fum, fum, fum! -- Once on a lonely hill -- When Christmas morn is dawning -- Bring a torch, Jeannette, Isabella -- O Lord of beauty -- Red river valley -- Dry bones -- Who is Sylvia? -- Kentucky babe -- Cape Cod chantey -- I'm a-rollin' -- An American is a very lucky man -- Auld lang syne -- Sing your way home. |
||
| 13 | 233 |
Choral sentences for the worship
service : introits and calls to worship, prayer invitations and responses,
offertory sentences, benedictions, sentences for special services, for all
seasons of the church year 1966 1 v. (unpaged) ; 27 cm. |
|
For all voicings: S.A.T.B., S.A.B., S.S.A., S.A., T.T.B.B.,
T.B., Unison.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Words in English.
|
||
|
Contents: Glory be to God / Shipp -- Draw nigh to God / Hutson -- The Lord is in his holy temple / Hoggard -- The Lord is in his holy temple ; Open now thy gates / Zaninelli -- The hour cometh / Hutson -- Enter we now the holy gate -- The Lord is in his holy temple / Cunkle -- In thy temple, Lord / Zaninelli -- Let all mortal flesh -- This is the day / Hutson -- Christ is risen / Hornibrook -- The Lord is maker of the seasons ; The Lord is risen ; Rejoice! / Gearhart -- Christ is born today ; Christ is ris'n today / Bedford -- Alleluia! ; Repent ye! ; Today on earth / Gearhart -- Our King and Saviour / Hutson -- O praise the word -- Jesus stand among us / Zaninelli -- Unto us a boy is born -- Now glad of heart -- Let Christians all rejoice -- He is risen / Hutson -- Be still and know / McCormick -- Hear our prayer, O Lord : with descant / Hoggard -- Let the words of my mouth / Bright -- Day by day / Powell -- Cleanse the thoughts of our hearts / Van Velsen -- May the words of my mouth / Frackenpohl -- Hear thou, most gracious Lord / Hutson -- To my humble supplication / Sektberg -- Dear Father, hear our prayer ; Be still and know / Cunkle -- Hear our prayer, O Lord / Hutson -- Hear our prayer, O Lord ; Let the words of my mouth / Gearhart -- Almighty Father, hear our prayer / Hutson -- All things come of Thee / Gearhart -- Almighty God, thou giver / Rider -- Honor the Lord / Gearhart -- Bless thou the Gifts ; Almighty Father, bless the word / Hutson -- Let me understand / Roff -- Thy word is a lantern ; Teach me, O Lord / Hutson -- God be in my head / Powell -- Bless us, Lord / Bedford -- May the grace of God go now with us / Bright -- May the star of Bethlehem guide you / Banyard -- Baptism sentences -- Communion sentences. |
||
| 13 | 234 |
A Christmas singing bee : two-part
songs for treble voices (S.A.) with descants and optional divisi : a Christmas
supplement to A singing bee [1962] 1 score (48 p.) ; 27 cm. |
|
On cover: The Fred Waring Music Workshop. With piano
accompaniment.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: The wise may bring their learning -- We'll dress the house -- The cherry tree carol -- On Christmas Day in the morning -- Born today is the Child Divine -- Carol of the wind -- O come, all ye children -- Dear Santa, have you had the measles -- God rest ye merry gentlemen -- Sleep, holy Babe -- Rise up, shepherds -- A jingle-bell travelogue -- O come, poor folk and lowly -- Some children see Him -- How far is it to Bethlehem? -- It came upon a midnight clear -- The selfish carol -- The three scrooges -- Christmas comes 'round -- O holy night -- O little town of Bethlehem -- Behold a tender newborn babe -- Hark! The herald angels sing. |
||
| 13 | 235 |
Clarinet sessions : informal
music-making for fun, for two, three and four clarinets, unaccompanied 1948 1 score (43 p.) ; 32 cm. |
|
"For intermediate and advanced players; a variety of styles
from Palestrina to jazz; unusual music, interestingly arranged."
|
||
|
Delaware Water Gap, Penna. :
Shawnee Press
|
||
|
Contents: For two players. Adeste fideles ; Allegro / Mozart ; Auld lang syne ; Calisthenic canon / Klengel ; Canon / Alec Wilder ; Contrariwise duet / André ; Dance / Corelli ; Duet / C.P.E. Bach ; Duet / after Mozart ; Duettino / C.P.E. Bach ; God rest ye merry, gentlemen ; Motet / Asola ; Northern song / Schumann ; O, my heart, it is so sore / Henry VIII ; PreludulerP / J.S. Bach ; Procession / Rousseau -- For three. Adagio ; Allegro / Mozart ; Auld lang syne ; Barbara Allen : English folk song ; Canon / Alec Wilder ; Dance / Corelli ; Gearshift canon / Dr. Cooke ; God rest ye merry, gentlemen ; Hash for three / Mr. Zilch ; Iste confessor / anon., 14th century ; Lament (round) / Brahms ; Madrigal / Palestrina ; Northern song / Schumann ; Now is the month of maying / Morley ; O, my heart, it is so sore / Henry VIII ; Round for three / Hilton ; Song / Benjamin Franklin ; Three rounds. Under this stone lies Gabriel John / Purcell ; The greenwood tree / anonymous ; Three blind cats : a jazz round / Suomynona ; Trio / Beethoven ; Tune from "Peter and the wolf" / Prokofieff ; Variations on "London Bridge" in five styles. Sarabande from the "Royal bridge music" / nach Handel ; Allegretto from "Suspension symphony" / nach Haydn ; Mazurka (abridged version) / à la Chopin ; Ce qu'on a vu au dessus le pont / à la Debussy ; High bridge / as per "Stuff" Smith ; Wintertime / Schumann -- For four. Adeste fideles ; Canon / Alec Wilder ; Drink to me only with thine eyes ; EXchange 3456 : jazz study ; Londonderry air ; Minuet / Haydn ; Pastorale / Stravinsky ; Perpetual motion / Tschaikowsky ; Prayer : from "Hansel and Gretel" / Humperdinck ; Quartet / Haydn ; Ricercare / Fattorini ; Sweet and low / Barnby ; Swing! (low, sweet chariot) ; Turkey in the straw ; Wintertime / Schumann -- Solo. Presto / Frederick the Great. |
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| 13 | 236 |
Gearhart,
Livingston Collected material 1944 1944 1 ms. sketchbook ([93] p.) ; 33 cm. |
|
Chiefly arrangements published in Livingston Gearhart's
Sessions series. Some folk songs copied from other sources cited in sketchbook.
Cover title. Holograph (Pencil). Accompanied by [Untitled work for 2 horns] /
Mozart ([1] leaf) ; Air / Old English and Air / Purcell [for two unspecified
treble instruments] ([1] leaf).
|
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Contents: March of the musketeers of the King of France : d'apres Rousseau : hautbois -- Etude for one, or Canon for 2 violins / Mendelssohn -- [Untitled piece] / Josquin -- Welsh morris dance -- [Untitled piece] / Pierre de la Rue -- Lady Nelson's Reel -- Al rovescio : minuet from Violin sonata / Haydn -- St. Patrick's day -- Schöne minke -- Schottische -- Canon cancrizans : a tre / Haydn -- Preluduler P : canon recte e retro [in] G minor for oboes-sax : from The musical offering / J.S. Bach -- Madrigal / Purcell -- [The alphaset?] / Mozart -- Round : Turn amarillis / Hilton -- Fanfare, op. 44, no. 2 / Brahms -- Now is the month of Maying : in C major, written for cl. + trumpet / Morley -- Round / Purcell -- Canon on B-A-C-H- : for 2-piano-fun / Beethoven -- Madrigals / Asola -- Nurse's tale : key for oboe-sax : Staccato study / Tschaikowsky -- March of the tin soldiers : 3 sax arr. ; Hobby horse : picc + 3 fl. : Triple tongue study ; 4 cl. B♭ / Tschaikowsky -- Russian folk song after Tchaikowsky : 3 sax (oboes) -- Canons / Beethoven -- Epitaph / Benjamin Cooke -- [Untitled piece] -- Ancient Roman melody (According to Burney) -- Chant des syrenes -- Ricercare, 4 cl. / Gabriel Fatorini -- Folk songs via Bantock : O willow, willow ; The vicar of Bray ; My ain kind dearie, oh ; O logie O'Buchan ; The minstrel bay ; Hunting the hare ; The ash grove ; Sur le pont d'Avignon ; Troubadors / Chatelain de Coucy ; Troubadors / Count Thibaut of Champagne, King of Navarre ; Minnesingers : Summertime ; In the cool cellar ; Wooing ; Tyrolese are happy ; On the alma ; [Untitled] / Liszt ; O, come to me ; May song ; Bravely sail my bark ; Wermeland ; In the shade of the Garden ; The old pear tree ; Little cottage ; Rune song ; [Untitled] : Serbia ; The sun hangs high ; Jasmin flowe[r] ; Barbara allen -- Round in 3 parts -- Chanteys (from Sharp) : Oh, Johnny come to Hilo ; Haul away, Joe ; Sally Brown ; Magnificat ; Alleluia ; Hymn to Apollo -- [Untitled] discant from the 11th century -- Et in terra pax hominibus bonae voluntatis / Guglielmo Dufay -- Henricus Octavus : motet / (Hawkins) -- The miracle : fragment : choral-prelude / Humperdinck -- Canon : for trumpets / Haydn -- Domine deus : Syncopes / Lassus -- Fragment: Pelleas + Melisande / [Debussy] -- Iste confessor -- [Short fragment : from the] Matthäus Passion -- Canon / Martini -- Fanfare : [Brandenburg concerto no. 1, first movement] / J.S. Bach -- Oh my heart it is so sore / Henry VIII -- Lift thine eyes : [from] Elijah / Mendelssohn -- See, the conquering hero comes : [from] Judas Macccabeus / Handel -- Fuga für das Laufwerk : tn? sax / Haydn -- The peoples [sic] joy + happy dances : from Biblical sonata / Kuhnau -- Sally Gordon : fiddle tune -- Chanson Maçonne par le Frère Americain -- Kind Jenny / Dr. Blow -- A catch / Purcell -- A Yorkshire epitaph on [the tune of?] Abbey Lubbers / Blow -- A catch / Purcell -- A rebus upon Mr. Anthony Hall, who keeps the Maremaid tavern in Oxford + plays his part very well on the violin / set by Purcell -- A catch : Silver swan -- Come follow me : Round for 3 voc / Hilton -- Mr. speaker : catch for 3 voc -- Hunting the hare : Welsh folk song – |
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| 13 | 237 |
Gearhart,
Livingston Collection 1945 [between 1945 and 1976] 1 ms. sketchbook ([64] p.) ; 32 cm. |
|
Arrangements for multiple types of ensembles. Title from
prefatory page. "I find that most of this stuff has served multi-purpose, much
of it used in print--largely in Sessions bks."--Note from Livingston Gearhart
on inside cover. Holograph (Pencil).
|
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|
Contents: Round / Purcell -- Theme from Brandenburg no. 2 / J.S. Bach -- Lift thine eyes : from Elijah / Mendelssohn -- The people's joy and happy dances : from Biblical sonata / Kuhnau -- Rounds / Caldara -- Canon a 7 / J.S. Bach -- Canon 4 in 2 / Sweelinck -- "Follow the leader" / Dr. Hayes -- Composition regeln / Sweelinck -- [Untitled piece] / "in Sweelinck: Autheur Willaert" -- Dance of the ballerina from Petrouchka / [Stravinsky] -- Canon à 8 / Tallis -- Chromatic study or Strange interlude or Frankenstein's Revenge / L.G. -- Blessed morpheus : from Joede / Brahms -- Warning / C. M. v. Weber -- Lacrimosa / Schubert -- Gebt mir zu trinken / Schumann -- [Untitled piece] -- Russian dance / Tschaikovsky-Glinka -- Nocturne / Mendelssohn -- Meistersinger chorale -- Prelude (Close quarters) -- "Lady Nelson's" reel -- Welsh morris dance -- Gigue ; Tenoes ; Minuet / from English Duos -- Presto / Old English -- Fanfare / Old English -- Canon / Gottfried Finger -- Sky blue -- [Silent night -- Good King Wenceslas] -- [Hark the herald angels sing] "Revised for trumpets" -- Round / L.G. Sept. 20 -- Bugle woogie I / Round -- Bugle woogie II -- We, three kings -- God rest ye -- Noel -- Adeste -- Jingle bells -- Christ the Lord -- Bell-tone breakdown -- [Untitled piece] / Brahms -- [Untitled piece] / Purcell -- Wecken -- Gavotte / Georg Muffat -- [Untitled piece] -- [Untitled piece] / Mozart -- Count me out -- A music quiz : Home on the Range, etc. / after Salieri -- Melchior vulpius -- [Untitled piece] -- Fugue für das Laufwerk : violins / Haydn / Jan. 1, 1946 -- Song of the syrens : sp. / Balthazarini (in Fiddle Sessions) -- Symphony / Tomkins -- [Untitled piece -- Untitled piece] -- "For 2 / ? or 4" -- Leopold (Ludwig?) Emperor of Austria" -- Who'll buy me roses -- [Untitled piece] -- Equali no. 2 : orig. trombones / Beethoven -- From Thesaurus musicus / Handel -- Prayer / Franck. |
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| 13 | 238 |
Gearhart,
Livingston Collection 1949 : mostly material for special duet sessions 1949 1 ms. sketchbook ([64] p.) ; 32 cm. |
|
Arrangements for multiple types of ensembles. Title from
prefatory page. "I find that most of this stuff has served multi-purpose, much
of it used in print--largely in Sessions bks."--Note from Livingston Gearhart
on inside cover. Holograph (Pencil).
|
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Contents: Dirty Work in the Dell -- Pavane -- Sicilienne -- Mazurka -- Scotch hop (based on Old Scotch melody) -- Bolero -- Scherzo -- Gavotte -- Habanera -- Hoppin' mad -- Reversible tune -- Rush-ya (or Rush hour in Russia) (based on Russian folk songs) -- Arabian revenge -- Habanera -- Tarantelle -- Minuet -- Lament -- Sinfonia -- Canon at one note's distance (Mendelssohn) -- Untitled (Beethoven) -- You name it -- Etude (Cherubini) -- Valsette (A. Mendelssohn) -- Dizzy spell -- Variations in styles on 5 master styles: -- Invention : [in the style of] J.S. Bach ; Rondo from the "Revolutionary" Symphony "1773" : [in the style of] J. Haydn ; Epilogue, aus Sonate für zwei Dudelsack, Opus 176 : [in the style of] J. Brahms ; Stop yanking my heart (From Do-Do-Doodle again (1917)) : [in the style of] George Gershwin ; Jankj Dyde, Overture to Act III : [in the style of] Modeste Moussorgsky -- Duettino (C.P.E. Bach) -- Etude (L. Mozart) -- Little fugue on A B-A-D E-G-G - ("Egon Toast") -- Humoreske, or, Dvorâk turning over in his grave - ("Deranged") -- Maladay in F - with apologies to Tony Rubinstein and Dick Wagner -- Ping pong suite: I. Volley for Serve ; II. Trick Shot ; III. Exhibition Match ; Reverse English (Backhand) ; Bonsoir mesdames or G'night, chicks -- Mixed metre (Mozart, adapted from Don Giovanni, Act II) -- Coronation minuet -- "Lady Nelson's" reel -- Jig (17th Century English) -- Prelude (Couperin) -- Gigue (Fanfare?) (Old English: 17th century) -- Trumpet tune (Purcell) -- Reverie (Schumann) -- New Cauliflower Cotillion -- Lest we forget... -- Gavotte (Georg Muffatt) -- Unidentified -- Carols -- Sicilienne (Folk: "Greensleeves," carol: "What child is this") -- Old English duets -- Air de trompettes -- Air grave de Mr. Tenoes (sp.?) -- Sonatas for two alto flutes / Gottfried Finger -- Unidentified -- Gavotte (?) -- Untitled -- Theme: Chopsticks ; Var. I: The classic counter melody ; Var. II: Chicken chatter ; Var. II: Canon ("Chased") ; Var. III: Chorale ("Chaste" or "Church") ; Var. IV: Chimes ; Var. V: Chronometer ; Var. VI: Chromatics ; Var. VII: Chicanery ; Var. VIII: Ochi Chornya ; Var. IX: Chopin! ; Var. X: Chanson ; Var. XI: Caroussel ; Var. XII: Conclusion -- Tyrolean waltz (Ländler) -- In the cool cellar (Old German student song) -- Passacaglia (Duet for 2 Supermen). |
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| 13 | 239 |
Gearhart,
Livingston Counterpoint exercises [1937] 8 p. of ms. music ; 36 cm. |
|
Chiefly counterpoint exercises beginning in first species and
concluding with fifth species. Title supplied by cataloger. "The handwriting of
rules and corrections of the first 2 pp. is that of Nadia Boulanger. The
remaining pages appear to be explorations of contrapuntal possibilities
(observing THE RULES) by [Livingston Gearhart]"--Accompanying leaf from
Livingston Gearhart. Holograph (Pencil).
|
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|
Text in English.
|
||
| 13 | 240 |
Gearhart,
Livingston Counterpoint exercises with Boulanger corrections [between 1937 and 1940] 1 ms. sketchbook ([46] p.) ; 34 cm. |
|
Chiefly species counterpoint exercises. Title from
accompanying typescript note (1 leaf) from Livingston Gearhart. "Obviously,
later, some pages were used for original (incomplete) sketches"--Accompanying
typescript note. Holograph (Ink) (Pencil) ; Boulanger's corrections (Pencil).
|
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| 14 | 241 |
Duet sessions : music for two in many
combinations of [treble clef] instruments 1964 1 score (64 p.) ; 31 cm. |
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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|
Contents: Air for viols / Francois Couperin -- Allegretto, from Symphony No. 1775 / Joseph Haydn -- Andante / John T. Crissey -- Andante and Rondo (K. 292) / W.A. Mozart -- Arabian reverie -- Arkansas traveller (Fiddle tune, U.S.) -- Bonaparte crossing the Rhine (Fiddle tune, U.S.) -- Bon soir, Mesdames / Livingston Gearhart -- Canon / J.S. Bach -- Chaconne (Old style) / Alte Schreiber -- Chinese lullaby -- Chopsticks chacony / Livingston Gearhart -- Cloud seven / Livingston Gearhart -- Close quarters / Livingston Gearhart -- Dizzy spell -- Duettino / C.P.E. Bach -- Duo / George P. Telemann -- Epilogue, from the incidental music for Jaencke der Dudelsackspieler / Johannes Brahms -- Etude / L. Cherubini -- Etude / Leopold Mozart -- Fandango / adapted from E. Chabrier -- Fanfare / Monteverdi -- Fanfare for a celebration / Manuel de Falla -- Fanfare pour Reveiller Le Bon Gros Roi des Singes / Erik Satie -- Folie a Deux -- Gavotte -- Habañera / Pierre Vivant -- Happy blues / Robert Hughes -- Improvisation over a theme of Cesar Franck / Livingston Gearhart -- Intervals: Suite and sour / Livingston Gearhart -- Jankj Dydl, Overture to Act VII, Scene xxvi (Modeste Moussorgsky) -- Jig / Livingston Gearhart -- Jungle jazz -- Kleptomania -- "Lady Nelson's" reel (British Isles) -- Lament / Kuhlau -- Malagueña / Livingston Gearhart -- Melody in F / Tony Rubinstein and Dick Wagner -- Minuet / W.A. Mozart -- Minuet, from the suite in C Minor for Flauto Traverso and Oboe d'amore / J.S. Bach -- Mixed metre for two -- Passacaglia / Raimondi -- Pavane / Pierre Vivant -- Phantasm / Prokofieff -- Ping Pong / Livingston Gearhart -- Real-nervous polka -- Reversible duet / Al Rovescio -- Rock! Rock your boat! (Deranged) -- Rushin' mood (based on Russian motifs) -- Scotch hop (based on a Scotch folk song) -- Scrambled airs -- Sicilienne / Livingston Gearhart -- Sicilienne (Greensleeves - English carol) -- Soliloquy / C. Debussy -- Stop yanking my heart, from Comes the revolution (1919) / George Gershwin -- Study in Fifths / Livingston Gearhart -- Suite Psycho-Pathetique -- Tarantelle -- Third degree larceny / Livingston Gearhart -- Toast to General Washington / Francis Hopkinson -- Tyrolean waltz -- Valse ignoble / Livingston Gearhart -- Variations on an American Air -- Variations on a theme by Paganini -- Waitin'-on-the-Northeast-Corner-of-166th-Street-and-6th-Avenue Blues / Livingston Gearhart. |
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| 14 | 242 |
Fiddle sessions 1947 1 score (56 p.) ; 31 cm. |
|
For 2-4 violins, unaccompanied. "For intermediate and advanced
players." Includes index.
|
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New York :
Shawnee Press
|
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Contents: After you, my dear Gaston : a canon in jazz for two / arr. -- Anticipation / Lassus -- Berceuse / Stravinsky -- Canon ; Chorale / Bach -- Chorale / Wagner -- Close quarters / arr. -- The devil's dream / Old Amer. fiddle tune -- Double canon / Sweelinck -- Duet / Mozart -- Etude / L. Mozart -- Follow the leader : canon for three / Hayes -- Fugue / Haydn -- Gavotte / Muffat -- Hopak / Moussorgsky -- Lacrymosa : round for three / Schubert -- Lift thine eyes / Mendelssohn -- Madrigal / Purcell -- Meditation / Tschaikowsky -- Minuet / Haydn -- Minuet / Beethoven -- Mixed metre (for two) ; More mixed metre (for four) / arr. -- Pavane / Ravel -- Polka / Tschaikowsky -- PreluderP / Bach -- Rondo / Pleyel -- Round for three / Purcell -- Round for four / Brahms -- Round in 3 styles / arr. -- Theme / Mendelssohn -- Three rounds for three. Count me in / Caldara. Ariette / von Weber. Sky blue / arr. Prayer / Franck -- To the king's taste. Air for two viols / Couperin. Sarabande / Leopold I. Ballet / Baltazarini. Rigadoon / Quantz. Deep river / arr. -- Volga boatmen / arr. -- Zowie! Goes the weasel / Y. Dobon. |
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| 14 | 243 |
Flute sessions 1960 1 score (63 p.) ; 32 cm. |
|
"For intermediate to advanced players"--T.p. Original works
and arrangements for 2, 3, or 4 flutes.
|
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Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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Contents: Adagio / Kuhlau -- Air (from the St. Matthew Passion) / J.S. Bach -- Allegro / Quantz -- Badinerie / J.S. Bach -- Bolero (Canon) / LG -- A calisthenic canon / Klengel -- Canon (At one note) / Mendelssohn -- Canon (from "The musical offering") / J.S. Bach -- Canon over a ground bass (Alto flute) / Purcell -- Dialogues. Minorca ; Improvisation over a theme of Cesar Franck ; Simplicity ; Dance / L. Gearhart -- Dirge (from "Ossian's Fingal") / Brahms -- Ditto ; Dizzy spell / LG -- Duo / Anon. -- Esercizio sopra la scala / Palestrina -- Fluegel woogie (Round) / Devinez -- Gavotte / Georg Muffat -- Gavotte / LG -- The greenwood tree (Round) / Old English -- Hare & tortoise / Aesop -- Intermezzo / L. Gearhart -- Jungle jazz / LG -- Lament (Round) / Brahms -- Le coucou / Daquin -- Madrigal / Palestrina -- March / Handel -- Minuet / Beethoven -- Minuet / Haydn -- MinuetteuniM / Al Rovescio -- Misspelled music / Folk tune -- Pastorale / Igor Stravinsky -- Pavane / Maurice Ravel -- Phantasm / Prokofieff -- Prelude / J.S. Bach -- Rondo / Mozart -- Russian dance / LG -- Sarabande / Claude Debussy -- Scherzetto / J.T. Crissey -- Scherzo / K. Seitz -- Soliloquy / L. Gearhart -- The song of the lark (Piccolo and 2 flutes) / Tschaikowsky -- Sursum corda / Max Rairigh -- Swing! (Low, sweet...) / arr. LG -- Tarantelle (Canon) / LG -- Trio / Mozart -- Valse ignoble / LG -- Wintertime / Schumann. |
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| 14 | 244 |
Gentlemen songsters : two-, three-, and
four-part songs for male voices (T.B., T.B.B., and T.T.B.B.) 1959 1 score (96 p.) ; 27 cm. |
|
Principally with piano accompaniment.
|
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Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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Contents: Abalone -- Aura Lee -- Bunker Hill (1775) -- Choral bells -- A choral fanfare -- Cindy -- Contemplation -- Down in Arkansas -- Eternal Father, strong to save (Navy hymn) -- Ev'ry night when the sun goes in -- Four songs of the American revolution -- (I. The girl I left behind me; II. Bunker Hill; III. Toast to General Washington; IV. Yankee Doodle) -- The girl I left behind me -- Good news! -- Hand me down my walking cane -- Home on the range -- How silent is our village -- Hullabaloo belay! -- I've got no use for women -- Koom ba yah -- The lake -- Lo! How a rose e'er blooming -- Lord, I want to be a Christian -- Now the day is over -- O come, all ye faithful -- O come, poor folk and lowly -- O holy child -- Ol' Dan Tucker -- O worship the king -- The peanut song -- Pledge of Allegiance -- Set down, servant -- Slumber song -- A song of free men -- The Spanish guitar -- Toast to General Washington -- To music -- We gather together -- We wish you a Merry Xmas -- What shall we do with the drunken sailor? -- When Christ was born of Mary free -- When I was single -- Who threw the overalls in Mrs. Murphy's Chowder? -- Yankee Doodle. |
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| 14 | 245 |
Gearhart,
Livingston Harmonic studies [between 1937 and 1940] 13 p. of ms. music ; 34 cm. |
|
Chiefly examples of harmonic progressions presented in
textbook format with assignments. Topics covered include music fundamentals,
6/4 chords, the use of scale degree 7 in V7 chords, and realizing chords from
figured bass. Livingston Gearhart presumably took these notes and used these
exercises with Nadia Boulanger in Paris between 1937-1940. Title supplied by
cataloger. Holograph (Ink).
|
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Text in English.
|
||
| 15 | 246-264 |
Gearhart,
Livingston Material for Clarinet sessions II [between 1976 and 1996] 1 box (19 folders). |
|
Alternate title: Clarinet sessions II.
|
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|
Alternate title: Clarinet sessions 2.
|
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|
Material is for a proposed book which was never published. For
various combinations of clarinets. Title from accompanying leaf. Most scores
include clarinet parts. "Livingston Gearhart 1996"--Copyright stamp on every
page. Holograph (Pencil). Accompanied by 1 typescript leaf by Livingston
Gearhart containing instrumentations for each piece.
|
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Contents: Minuet : for 2 clarinets and bass clarinet / Bach? -- Sinfonia IX : clarinet trio / J.S. Bach (abbreviated) -- The celebrated minuet (Antiques refinished) -- Andante religioso, op. 48 / G. Fauré -- A wotzit -- D minor string quartet / Mozart -- Etude / C. Rose -- Valse triste, op. 11 / Scriabin -- Tomkins -- Tune of celebration -- From La forza del destino / Verdi -- Antique minuet -- Canon -- Gavotte -- Mazurka -- Tarantelle -- [Untitled piece -- Untitled piece -- Untitled piece]. |
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| 16 | 265 |
Gearhart,
Livingston Musical composition sketchbook including Tango lament [1939] 1 ms. sketchbook ([24] p.) ; 20 x 26 cm. |
|
Alternate title: Tango lamento.
|
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|
Includes incomplete Tango lament for wind quintet written in
1939 at Chatillon Coligny; also includes sketches, and exercises in
counterpoint and score reading. Title supplied by cataloger. Holograph (Pencil
and Ink).
|
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| 16 | 266 |
Gearhart,
Livingston Musical sketchbook [between 1940 and 1960?] 1 ms. sketchbook (77 p.) ; 32 cm. |
|
Contains unfinished sketches, including a "Two piano ballet"
and a prose outline for a murder mystery set as an opera. Title supplied by
cataloger. Holograph (Pencil).
|
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| 16 | 267 |
Once upon a song : three and four part
songs for treble voices, S.S.A and S.S.A.A. 1961 1 score (96 p.); 27 cm. |
|
Sacred and secular choruses with piano accompaniment and
unaccompanied part songs.
|
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|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
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|
Contents: Almost like being in love (Brigadoon) -- America, the beautiful (Unaccompanied) -- At the gate of heaven (Mexican folk lullaby) -- Ave Maria / Gabrieli (16th century) -- Beauty around us (Hymn) -- Bluebells (Rhythmic novelty) -- Bombo Lao (Congo Pygmy song) -- The camel (Humorous song) -- Cotton needs pickin' (Southern work song) -- Dirty dishes (Jazz round) -- Down on MacConnachy Square (Brigadoon) -- The eddystone light (American chanty) -- Ev'ry time I feel the spirit (Spiritual) -- Fiesta (South American dance) -- God of our fathers (Hymn) -- Guitar (Hebrew lament) -- The happy wanderer (Hiking song) -- The heather on the hill (Brigadoon) -- The holly and the ivy (Christmas) -- Holy, holy, holy (Hymn, unaccompanied) -- If I had an armadillo (Humorous song) -- Kissin's no sin (Scotch folk song) -- The Lord bless you and keep you (Benediction) / Lutkin -- Lully, lullay (Christmas) -- Night (Art song) / Duparc -- Not one single word (Sound advice) -- Oh, did'n' it rain! (Spiritual) -- Once upon a song (Theme song) -- O sin I so? (Musical curiosity) -- Pepper grinders (Greek folk dance) -- Rise to greet the sun (Chinese hymn) -- Scandalize my name (Southern folk song) -- Silent night (Christmas) -- Sinner, please don't let this harvest pass (Spiritual) -- Softly tread, the child is sleeping (Christmas) -- Songs from Brigadoon (Medley) -- Style stew (Novetly) -- Summer reverie (Art song) / Brahms -- Supplication (Canon) / Schubert -- 'Twas on the way to Bethlehem (Christmas) -- Turn back, o man (Song of brotherhood) -- Waterfall at Bac-Yon (Korean melody) -- We'll go a long, long way together (Gang song) |
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| 16 | 268 |
Gearhart,
Livingston Quodlibets research [between 1940 and 1960?] 1 ms. sketchbook ([28] p.) ; 25 x 36 cm. |
|
Contains comparisons of chordal structures used in various
musical works, including folk songs, popular music, and classical repertoire.
Title from prefatory page. Includes 3 leaves with ink line drawings: Sorcery,
Nebula, and Vermin. Holograph (Pencil). Accompanied by 1 ms. sketch of
Beautiful Ohio (Just a song at twilight) ([1] leaf) ; 1 ms. sketch of [The last
rose of summer] ([1] leaf) ; 1 score (2 p.) of folk and popular songs.
|
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| 17-18 | 269-365 |
Gearhart,
Livingston Rhythm project materials [between 1976 and 1996] 2 boxes (97 folders). |
|
Materials compiled for a proposed pedagogical book on rhythm.
Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp on
every page. Holograph (Pencil).
|
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|
Contents: Box 1. Memos and written thoughts for the Rhythm project -- SR 1.05.A. Ostinato IV -- 1.9. Volley for serve -- 2.11. Suspensions, op. 11 / Scriabin ; More of the same / de Vieux -- 2.12. A plague of rests ; A sure thing -- 2.16. Something hidden -- 2.17. Plain and fancy -- 2.18. [Untitled piece] ; Oriental ragtime ; Close quarters ; Hare and tortoise -- 2.2. Comparisons are advantageous -- 2.6. Not the way you remember it ; Single-hurdle waltz / Romberg (?) -- 2.62. We gather -- 2.64. Waltz fragment / Brahms -- 2.65. The same, yet different -- 2.72. My ain kind dearie-o -- 2.73. The unconstant lover -- 2.83. Minimal melody / Offalbach -- 3.32. Haydn -- Before 3.4. From simplex to bothersome -- 3.6. Bottom of the ninth -- 3.71. For immediate cross-reference -- 3.81. Finnegan's wake -- 3.84. [Untitled piece] -- 3.85. Think 8 -- 4.1. Interval collisions / ½ Bach ; Sequence -- 4.11. Air (Variation 1) / Purcell -- 4.15. The meaning of "subdivision" is this -- 4.4. [Untitled piece] -- 4.5. Jazz-related figures ; The long wait ; Ties from the litrachure -- 4.51. Sinfonia brevis -- 4.6. Fussy composers make reading more difficult -- 4.63. [Excerpt from Lieutenant Kije / Prokofiev] -- 4.64. Prokofieff -- 4.65. From [Symphony no.] 100 / Haydn -- 4.7. [Untitled piece] -- 4.71. Kastchei's infernal dance (Theme) : [from The firebird / Stravinsky] -- 4.72. Air (Variation II) / Purcell -- 4.73. [Untitled piece] -- 4.8. Music of Athens (Georgia, that is) ; Motet / Giovanni Matteo Asola ; Veni Emmanuel -- 5.51. Barbra Allen -- 5.54. Chaikovsky VI -- 5.8. Variations of gradually increasing agony ; [Untitled piece] -- 5.9. Ragtime explained (Joplin) ; Ragtime rhythms (Debussy) -- 5.93. The entertainer (Joplin) ; Ragtime figures in [sixteenth notes] -- C5.94. Sync or sink -- Near 6.5. No connect -- 6.51. Chicanery -- 6.8. Sudden focus / Haydn -- Near 7.5. 2 v. 3 : another approach -- 7.5. Rosetta stone 1 -- 7.B. The pattern -- 8.2. [Untitled piece] -- 8.3. [Trio] / Ravel -- 8.31. Bartok's "Bulgarian" rhythms -- 8.34. [Untitled piece] -- 8.6. Haydn -- 8.7. Gradual impoverishment ; 2 fingers of wry ; [Untitled piece] / Lassus -- 9.0. Grace notes ; Antique minuet – |
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| 19 | 366 |
Rhythm sessions for strings : folder of
manuscripts [between 1966 and 1996] 1 folder. |
|
Holographs, chiefly in pencil: some accompanied by computer
notated versions prepared by Fritz Gearhart for publication. Scored for string
orchestra with optional third violin substitute part for the viola. The agony
of rhythm XIX is based on My country 'tis of thee.
|
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Contents: Agony I [published as Rhythmic morphing] -- Agony VV : a canon, accompanied [published as Canon challenge in five] -- Rhythmic antics -- Valse incredeeble -- Noodle zoop agonies [published as Noodle zoop] -- Survival of the fittest -- Mississippi hot dog agony VXIII -- Pfui -- The agony of rhythm XIX : Terra cognita [published as Suite land of liberty] -- Sospirando : Agony IV -- Silver swan : Platinum pigeon [published as Madrigal madness] / [Orlando Gibbons] -- Cross rhythms -- Agony VX : Malagueña -- Scale stuff. |
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| 19 | 367 |
Rhythm sessions for strings 2004 1 score (47 p.) + 6 parts ; 28 cm. |
|
Scored for string orchestra with optional third violin
substitute part for the viola. Includes "rhythm glossary" in score (p. 44-46)
and at the back of each part. Preface precedes score.
|
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Grafton, Ohio :
Ludwig Music Publishing Co.
|
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Contents: Rhythmic morphing -- Canon challenge in five -- Rhythmic antics -- Valse incredeeble -- Noodle zoop -- Survival of the fittest -- Mississippi hot dog agony -- Pfui -- Suite land of liberty -- Sospirando -- Madrigal madness -- Cross rhythms -- Malagueña -- Scale stuff -- Rhythm glossary -- Appendix. |
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| 20 | 368-419 |
Gearhart,
Livingston Sax sessions [between 1984 and 1988] 1 box (52 folders). |
|
Materials are for Sax Sessions, a proposed addition to the
Sessions series published by Shawnee Press which was never published. For
various combinations of saxophones. "Livingston Gearhart 1996"--Copyright stamp
on every page. Holograph (Pencil)
|
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|
Contents: Sax session correspondence and documents -- 1. A bad egg -- 6. Canon ("Hindemith") -- 6. Dziekuje / Brubeck -- 7. From the Strenuous life / Joplin -- 8. Allegro bellicoso / Scriabin -- 9. Calcutta blues / Brubeck -- 10. Danke Schön / Brubeck -- 11. Golden horn / Brubeck -- 12. Greeting to "G" / Schumann -- 13. Madrigal / Palestrina -- 14. Ostinato (?) / Brubeck -- 15. Santa lucia -- 16. La Verginella / Andrea Gabrieli -- 17. [We wish you a merry Christmas : for chorus and orchestra] -- 18. Alle Menschen Müssen Sterben / J.S. Bach -- 19. Auld lang syne -- 20. Base, vile blues -- 21. (From) Come, Holy Ghost / Thomas Attwood -- 22 Count me out / J. Lunceford -- 23. David's lamentation / William Billings -- 24. Equali 1 / Ludwig van Beethoven -- 25. Fire-bird themes / Stravinsky -- 27. Fugue / Haydn -- 28. Gagliarda del Principe di Venosa / Carlo Gesualdo -- 29. Habanera -- 30. Les langueurs tendres / C.P.E. Bach -- 31. Antiques refinished : Marche / Johann Fischer -- 32. Prayer / César Franck -- 33. Russian dance -- 34. Sinfonia IX / J.S. Bach -- 35. Forlane : for 4 saxophones ; Sicilenne : for 4 flutes -- 36. Rondo / Ignaz Pleyel -- 37. Sonate für zwei Querflöten oder zwei Violinen, D-dur / Georg Philipp Telemann -- 38. Andante from Sonata, op. 26 / Ludwig van Beethoven -- 39. Fanfare / Traditional -- 41. Hopak / Modest Mussorgsky -- 42. Petit(?)e fanfare : for 4 flutes -- 43. Andante religioso, op. 65 / Felix Mendelssohn -- 44. March and hornpipe -- 45. Marble arch / Brubeck -- 46. [Untitled piece] / F. Nietzsche -- 47. Procession of the nobles / Rimsky-Korsakov -- 49. Colloquoy -- 50. [Untitled piece] / C.P.E. Bach -- 51. Art of fugue (Fragment) / J.S. Bach -- 52. Air / J.S. Bach -- 53. Hunting song / Johannes Brahms -- 54. Kloster Fraülein : op. 69 / Schumann -- 55. [Untitled piece] / Haydn -- 56. [Untitled canon] / Giovanni Matteo Asola -- 57. Duo / Leopold Mozart. |
||
| 21 | 420 |
A singing bee : two-part songs for
treble voices, S.A., with descants and optional divisi 1956 1 score (96 p.) ; 27 cm. |
|
Edited by Lara Hoggard. On cover: The Fred Waring Music
Workshop. Forty-nine familiar and new songs, with piano accompaniment for
intermediate and junior high grades.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: America-our heritage -- Michael Finnigin -- This is my Father's world -- Some folks -- Sometimes I feel like a motherless child -- Grandfather's clock -- Little Joe, the wrangler -- Katie the kangaroo -- My shadow -- Christ the Lord is risen today -- Prayer -- Cindy -- The Marine's hymn -- The crazy song -- Good news! -- The tempo song -- I love school -- A futile serenade (Pancho's plight) -- I got shoes -- Stars of the summer night -- Goober peas -- This is my country -- Limerick parade (The enunciator's nightmare) -- Come, ye thankful people, come -- Musical clocks -- Dr. Eisenbart -- Musical mirror -- Wandering -- Vive l'amour -- Big Rock Candy Mountain -- Git along, little dogies -- When Johnny comes marching home -- Vesper hymn -- Big Chief Wotapotami -- Polly Wolly Doodle -- Who did? -- Onward Christian soldiers -- O how lovely is the evening -- Brahms' lullaby -- Don't slip -- The caissons song -- Joy to the world! -- The Christ Child -- Away in a manger -- I heard the bells on Christmas day -- We three kings -- What child is this? -- Morning prayer -- Evening prayer. |
||
| 21 | 421 |
String mix 1976 1 score (32 p.) + 7 parts ; 28 cm. |
|
For youth orchestra. Cover title. Biographical note about
Livingston Gearhart precedes score. Publisher's no. stamped on cover. LC lacks
score. DLC
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: Carol of the bells / Leontovich -- In dulci jubilo / J. S. Bach -- Pavane / Schreiber -- Sand mountain blues -- Echo / Notsgnivil -- Il est ne? --Andante religioso / Mendelssohn -- Chorale -- Sinfonica economica / after Haydn -- Hark! the herald angels sing / Mendelssohn -- Canon over a ground bass / Purcell. |
||
| 21 | 422 |
String mix. 1976 1 miniature score (32 p.) ; 18 cm. |
|
Cover title. For youth orchestra. Note about the music
precedes score ; postscript biographical note about Livingston Gearhart.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: Carol of the bells / Leontovich -- In dulci jubilo / J. S. Bach -- Pavane / Schreiber -- Sand mountain blues -- Echo / Notsgnivil -- Il est ne? --Andante religioso / Mendelssohn -- Chorale -- Sinfonica economica / after Haydn -- Hark! the herald angels sing / Mendelssohn -- Canon over a ground bass / Purcell. |
||
| 21 | 423 |
Gearhart,
Livingston Treble clef sessions [between 1990 and 1996] 1 ms. score ([25] leaves) ; 30 x 38 cm. |
|
Alternate title: Rhythm book.
|
||
|
Contains complete ms. for Treble clef sessions published by
Shawnee Press in 2000. Title supplied by cataloger. "Livingston Gearhart
1996"--Copyright stamp on every page. Holograph (Pencil).
|
||
|
Contents: 2.0. Utter simplicity -- 3.0. Beethoven themes I and II -- 3.1. As fast as you can -- 3.3. Suspensions I -- 3.4. Suspensions II -- Variations on a theme from Petrouchka -- The significance of [quarter rest] -- 4.0LR. Inward counting (Two duos) -- 4.1 La campanella / Paganini -- 4.2. Bulgarian melody -- 4.0LR. Inward counting -- 4.3. Mixed metre -- 4.4. Vulgarian music -- 4.5. Andante doloroso -- 4.6. Canon in two speeds -- 4.7 Jazz (Sort of) -- 4.8. Count two (Think four) -- 5.0. Like, Ping pong : Three canons. Volley for serve ; 5.1. Backhand ; 5.2. Trick shot -- 5.3LR. Interiorization -- V4. Scherzo theme / Beethoven -- Three different ways of writing the same music -- Interiorization -- V5. Any kind of note can get one beat -- V6. Step-by-step progression -- 5.5. We gather -- 5.6. Valse triste -- 5.7. Broadway hit of 1910 / Romberg -- 5.8. Melody / Schubert -- 5.9. Waltz / Brahms -- 6.0. Il botcho / Arditi -- 6.1. From Artist's life -- 6.11 O Logie O'Buchan / Scotch -- 6.12 The unconstant lover (...Is worse than any thief) / Appalachia -- 6.2. Syncopation explication in two movements -- 6.21 Bethena : Ragtime waltz / Joplin -- 6.3. Familiar? -- 6.4. More syncopation in 3 steps -- 6.41. Jazz-related figures -- 7.0. Not a waltz / Grieg -- 7.1. An teicead so heisipt : Flight into Egypt / Irish -- 7.2. Air / Purcell -- 7.3. Unfinished business / Schubert -- 7.4. Kastchei's infernal dance (Theme) / Stravinsky -- 7.5. Rosetta stone I -- 7.6. Rosetta stone II -- Careful! : in three movements -- 8.1. Lament canon at one bar -- 8.2. A displaced rhythm -- 8.3. Sinfonia Brevis -- 8.31. Something hidden -- 9.0. Pavane theme / Ravel -- 9.1. In the garden / Russian -- 9.2. Slightly distorted (Achtung!) : [two versions] -- |
||
| 21 | 424 |
Treble clef sessions : a collection of
duets for [treble clef] instruments guaranteed to sharpen and enhance rhythm
skills and sight reading 2000 1 score (71 p.) ; 31 cm. |
|
Biographical note about Livingston Gearhart precedes score.
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: Legend -- Utter simplicity -- Beethoven themes I and II -- Suspensions I and II -- Variations on a theme from Petrouchka -- Inward counting (Two duos) -- The significance of [quarter rest] -- La campanella -- Inward counting (Two duos) -- Bulgarian melody -- Mixed metre -- Vulgarian music -- Andante doloroso -- Canon in two speeds -- Jazz (Sort of) -- Count two (Think four) -- Like, Ping pong : Three canons. Volley for serve ; Backhand ; Trick shot -- Interiorization -- Scherzo theme -- Three different ways of writing the same music -- Interiorization -- Any kind of note can get one beat -- Step-by-step progression -- We gather -- Valse triste -- Broadway hit of 1910 -- Melody -- Waltz -- Il botcho (Bacio) -- O Logie O'Buchan -- From Artist's life -- The unconstant lover (...Is worse than any thief) -- Syncopation explication in two steps -- Bethena Ragtime waltz -- Familiar? -- More syncopation in three steps -- Jazz-related figures -- Not a waltz -- An teicead so heisipt : Flight into Egypt -- Air -- Unfinished business -- Katschei's infernal dance (Theme) -- Careful! : in three movements -- Lament canon at one bar -- Rosetta stone I -- Rosetta stone II -- Sinfonia Brevis -- A displaced rhythm -- Something hidden -- Pavane theme -- In the garden -- Slightly distorted (Achtung!) : two versions -- Bottom of the ninth -- Double-play at (the) third (from an early book on How to compose) -- Not the way they sing it -- Challenge I (How many steps can you skip?) -- Two-note tango -- Challenge II -- Two-note tango -- Okay, three notes -- Important comparison (Metronome markings) -- Okay, three notes -- Comin' through the rye -- Comin' through the rye -- Erie canal excavated -- Suez canal -- Melody -- Increasingly hazardous -- Increasingly hazardous -- Finnegan's wake (He awoke at his wake) -- Putative Amerindian tune -- Finnegan's wake -- Hornpipe -- Hopak -- Concerto theme -- Etude -- Eternal vigilance -- Rough stuff I -- Rough stuff II -- Chaik II -- Gotcha I -- Symphony fragment -- Fanfare figure -- If you have it--reinforce it -- Sudden action -- The interpolator -- Sudden action -- Conversazione -- Interjacence -- Calm after the storm -- The world's longest wait -- How come the double dot (It saves energy and ink) -- Fussy composers clutter the page. A framework ; Embellished ; How Haydn wrote it -- Easing into Ragtime -- Exercise no. 5 (from School of ragtime, Joplin, 1908) -- The entertainer -- Golliwog theme -- The "occasional triplet" -- What's the difference? -- Polka rhythm -- Tune from a march -- 6/8 : a pair of threes -- A most minimal melody (With increasingly vexatious accompaniment patterns) -- Tema Espagnole -- Llwyn on -- Think six -- Think two -- Collision -- Challenge III (Visualize the dot) -- "Skelsss" (Scales with a Russian Accent) -- The basic model -- Scheherazade -- "Spanish" -- Name this tune -- Half-Bach -- Mixed metre -- Gotcha II -- Take turns -- Prep for Brahms -- Slow is hard. Wintertime ; Also (Niemals) Sprach Zarathustra ; Late Brahms ; Late Bach ; Polonaise ; Polonaise -- Motet (Music of the church) -- Music of Athens (Georgia, that is!) -- Veni Emmanuel -- Brobdingnagian jig -- Fragment : Le sacre du printemps (Final dance). |
||
| 21 | 425 |
Gearhart,
Livingston Trick pieces : rounds and canons [between 1970 and 1996?] 1 folder. |
|
For various unspecified instrumentations. Title from
accompanying leaf. Holograph (Pencil and ink). Accompanied by 2 typescript
notes ; 10 typewritten and handwritten index cards by Livingston Gearhart.
|
||
|
Contents: Democracy : four-part round -- Table music -- Scherzo -- Season's greetings -- Gavotte in the Dorian mode -- [Untitled piece -- Ho capito : from] Don Giovanni / Mozart -- Sinfonia economica -- On one note -- [Untitled piece] -- Round for three players / Beethoven -- Tick-tock caper (?) : 3 part round. |
||
| 21 | 426 |
Trumpet sessions 1950 1 score (56 p.) ; 31 cm. |
|
"For two, three and four trumpets unaccompanied. For
intermediate and advanced players. A variety of styles from Palestrina to jazz
... All the music in this collection is playable on both clarinets and
violins."
|
||
|
Delaware Water Gap, Pennsylvania :
Shawnee Press
|
||
|
Contents: Allegro / Mozart -- Aria / Weber -- The bells of St. Vitus (Canon) / Arranged -- Bonnie's bounce / Lessac -- Boogie in canon / Arranged -- Bugle woogie (Round) / Devinez -- Canon / Drissecoeur -- Chili con corni / Castiglioni -- Chinese lullaby (Canon) / Based on a Chinese folk song -- Chorale / Wagner -- Chromatic study / Neinstein -- Count me in (Round) / Caldara -- Count me out / Lunceford -- Ditto / Arranged -- Duettino / C.P.E. Bach -- Equali no. 2 / Beethoven -- Esercizio sopra la scala / Palestrina -- Fanfare for a ballerina / Stravinsky -- Fanfare for a celebration / de Falla -- Fanfare for a king / des Pres -- Fanfare for a pompous circumstance / Bax -- Fanfare for a procession / Debussy -- Fanfare for twenty trumpets / Weber -- Fanfare for a victory / Verdi -- Fanfare for a wolf / Prokofieff -- Fanfare from hunger / Traditional -- Fanfare "Pour le roi des singes" / Satie -- Five by five (Canon) / Quintus V -- Flourish for trumpets / Leopold Mozart -- Frankenstein's revenge / Neinstein -- Gloria / J.S. Bach -- Hare and tortoise / Joe Aesop -- Hark the herald angels sing / Mendelssohn -- Hunting song / Brahms -- Inside the atom bomb / Neinstein -- Jazz on rye / Chateau -- Jericho (Canon) / Gerard -- Jingle bells / Santa Claus -- Lacrimosa / Schubert -- Lament / Brahms -- March for trumpets / Handel -- March funebre (Canon) / Steibelt -- Minuet / J.S. Bach -- MinueTeuniM / Al Rovescio -- Nocturne / Mendelssohn -- Pavane (Theme) / Ravel -- Polka (Canon) / Malácek -- Presto (Round) / Haydn -- Prima gagliarda / Zozzi -- Round / Purcell -- Riffn' around / Arranged -- Russian dance / Updownsky -- Sarabande / Anon. 17th century -- Strange interlude / Neinstein -- Trepak / After Tschaikovsky, etc. -- Trio / C.P.E. Bach -- Trumpet bells / Arranged -- Variations on a theme of Paganini / Stolen from Brahms -- Volga boatmen / Untraditional. |
||
| 21 | 427 |
Mozart, Wolfgang Amadeus,
1756-1791. Uniform title: Quintets, violins, violas, violoncello, K. 614, E♭ major; arr. Quintett : 2 pianos [between 1935 and 1950] 1 ms. sketchbook ([46] p.) ; 35 cm. |
|
Includes "two pages of what seem to be 'exercises,' probably
while studying with Scalero at Curtis"--Accompanying leaf. According to
Gearhart's note, the Mozart Quintet arranged for 2 pianos was arranged by
Robert Casadesus, written in the hand of Virginia Morley [Waring]. Cover title.
Holograph (Pencil and ink). Includes 1 photocopied letter from Livingston
Gearhart to Carol Bradley (1 leaf) with Gearhart's description of the contents.
|
||
|
IV Annotated scores,
1930-1960 Folder 428-507 |
||
The range of dates for the series indicates the likely period during which the scores were annotated, not the publication dates. |
||
|
Arranged alphabetically by composer and then by uniform title. |
||
| Box | Folder | Contents |
| 22 | 428 |
Arensky, Anton Stepanovich, 1861-1906 Uniform title: Suites, pianos (2), no. 1, op. 15. Suite for Two Pianos, Op. 15 1 part |
|
Publisher: A. Gutheil
|
||
|
Title page missing
|
||
|
Piano II part only.
|
||
|
Score contains few performance annotations in pencil.
|
||
| 22 | 429 |
Arensky, Anton Stepanovich, 1861-1906 Uniform title: Suites, pianos (2), no. 1, op. 15 Suite for Two Pianos, Op. 15. Edited and fingered by Louis Oesterle 2 parts |
|
Publisher: G. Schirmer
|
||
|
Piano 1 part contains moderate performance annotations in
pencil and blue pencil (fingerings and phrase markings). Piano 2 part contains
few performance annotations in pencil.
|
||
| 22 | 430 |
Arensky, Anton Stepanovich, 1861-1906 Uniform title: Suites, pianos (2), no. 1, op. 15. Valse Suite for Two Pianos, Op. 15, no. 2. Valse. Edited and fingered by Louis Oesterle 1 part |
|
Publisher: [G. Schirmer]
|
||
|
Incomplete: Includes only p.3-9.
|
||
|
Piano II part only (incomplete).
|
||
|
Score contains few annotations for performance in pencil and
blue pencil (fingerings only).
|
||
| 22 | 431 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Brandenburgische Konzerte. Nr. 5; arr. Tripel-Konzert Nr. 2. Für Klavier, Violine und Flöte mit Begleitung, D. Bearbeitung von C. Krug 2 parts |
|
Publisher: Breitkopf and Härtel
|
||
|
Originally for chamber orchestra; arranged for 2 pianos, 4
hands.
|
||
|
The piece is Brandenburg concerto no. 5 by J.S. Bach.
|
||
|
Parts heavily annotated for performance (with fingerings,
dynamics, and phrasing markings).
|
||
| 22 | 432 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Concertos, harpsichord, string orchestra, BWV 1052, D minor; arr. Concert in D Moll für Klavier und Streichorchester. Die Orchesterbegleitung für ein zweites Klavier bearbeitet von Julius Röntgen 1 two-piano score |
|
Publisher: Universal
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Contains few annotations (rehearsal letters and phrase
markings).
|
||
| 22 | 433 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Concertos, harpsichords (2), string orchestra, BWV 1061, C major; arr. Konzert C dur für Zwei Klaviere. Herausgegeben von F. C. Griepenkerl 2 two-piano scores |
|
Publisher: C. F. Peters
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Piano 1 part contains annotations for performance (fingerings
and phrase markings). Piano 2 part contains no annotations.
|
||
| 22 | 434 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Concertos, harpsichords (3), string orchestra, BWV 1063, D minor Concerto for 3 Pianos in D Minor (B. W. 22) 3 parts |
|
Publisher: Reprint of Breitkopf and Härtel by Associated Music
Publishers
|
||
|
For 3 pianos and string orchestra.
|
||
|
Piano 1 (2 copies), Piano 2 (1 copy)
|
||
|
Parts annotated for performance in pencil and red pencil.
|
||
| 22 | 435 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Concertos, harpsichords (3), string orchestra, BWV 1064, C major Concerto for 3 Pianos in C Major (B. W. 23) 3 parts |
|
Publisher: Reprint of Breitkopf and Härtel by Associated Music
Publishers
|
||
|
For 3 pianos and string orchestra.
|
||
|
All covers of parts signed by Livingston Gearhart.
|
||
|
Parts heavily annotated for performance (fingerings and phrase
markings) in pencil and red pencil.
|
||
|
Accompanied by [2] leaves of ms. Music copied in the hand of Livingston Gearhart. |
||
| 22 | 436 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Herz und Mund und Tat und Leben, BWV 147. Jesus bleibet meine Freude; arr. Jesu, Joy of Man's Desiring. (Chorale from Cantata No. 147) / J.S. Bach. Arranged...by Myra Hess 1 two-piano score |
|
Publisher: Oxford
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Score contains few annotations for performance in pencil.
|
||
| 22 | 437 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Herz und Mund und Tat und Leben, BWV 147. Jesus bleibet meine Freude; arr. Chorale from Bach Cantata no. 147. Arranged for two pianos by Elsie Horne 1 two-piano score |
|
Publisher: Murdoch
|
||
|
Score contains no annotations.
|
||
| 22 | 438 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Jagdkantate. Schafe können sicher weiden; arr. Schafe Können sicher Weiden (Sheep May Safely Graze). Transcribed for two pianos by Mary Howe 2 two-piano scores |
|
Publisher: Oxford
|
||
|
1st piano score contains few performance annotations in
pencil; 2nd score contains no annotations.
|
||
| 22 | 439-444 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Organ music. Selections Johann Sebastian Bach's Kompositionen für die Orgel. Kritisch-korrekte Ausgabe von Friedrich Conrad Griepenkerl und Ferdinand Roitzsch 1 score each |
|
Publisher: C. F. Peters
|
||
|
For organ.
|
||
|
Includes Bands I, III, IV, VI, VII, and IX; some are
incomplete.
|
||
|
Scores contain few performance annotations in pencil. Band I
contains rehearsal letters and organ registrations; Band III contains phrase
markings; Band IV contains one organ registration and few annotations; Band VI
contains few phrase markings and organ registrations; Band VII contains
moderate performance annotations (rehearsal letters, phrase markings, and organ
registrations); Band IX contains few markings.
|
||
| 23 | 445 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Präludium und Fuge, organ, BWV 532, D major; arr. Präludium und Fuge in D Dur. Übertragen von Otto Singer 1 two-piano score |
|
Publisher: Steingraber
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Score contains few performance annotations in pencil.
|
||
| 23 | 446 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Präludium und Fuge, organ, BWV 546, C minor; arr. Prelude and Fugue in C Minor. Arranged for two pianos by Harold Bauer 1 two-piano score |
|
Publisher: Ditson
|
||
|
Score contains moderate annotations for performance in pencil
(fingerings, phrase markings, and dynamics).
|
||
| 23 | 447 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Sonatas, flute, harpsichord, BWV 1031, E♭ major. Siciliano; arr. Sicilienne. Transcribed by Guy Maier 1 two-piano score |
|
Publisher: J. Fischer
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Score contains few annotations for performance in pencil
(fingerings and phrase markings).
|
||
| 23 | 448 |
Bach, Johann Sebastian, 1685-1750 Uniform title: Toccatas, organ, BWV 565, D minor; arr. Toccata and Fugue in D Minor. Transcribed by Silvio Scionti 1 two-piano score |
|
Publisher: G. Ricordi
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Score contains few annotations for performance in pencil on p.
3 and 5 only.
|
||
| 23 | 449 |
Beethoven, Ludwig van, 1770-1827 Uniform title: Variationen über ein Thema des Grafen v. Waldstein; arr. Variations on a Theme by Count von Waldstein. Arranged for Two Pianos Four Hands by Victor Babin 2 two-piano scores |
|
Publisher: Elkan-Vogel
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Piano 1 score contains few annotations in pencil (fingerings);
Piano 2 score contains no annotations.
|
||
| 23 | 450 |
Benjamin, Arthur, 1893-1960 Uniform title: Jamaican pieces. Jamaican rumba Jamaican Rhumba for Two Pianos-Four Hands 1 two-piano score |
|
Publisher: Boosey and Hawkes
|
||
|
Score contains few annotations in pencil on pp. 4-5
(fingerings).
|
||
| 23 | 451 |
Brahms, Johannes, 1833-1897 Uniform title: Sonatas, pianos (2), op. 34b, F minor Sonate für zwei Pianoforte nach dem Quintett Op. 34 1 two-piano score |
|
Publisher: Breitkopf and Härtel
|
||
|
Arranged for 2 pianos, 4 hands. Part of title page missing
|
||
|
Score contains moderate performance annotations in pencil
(mainly fingerings and phrase markings).
|
||
| 23 | 452 |
Brahms, Johannes, 1833-1897 Uniform title: Variationen über ein Thema von Haydn; arr. Variations on a Theme by Haydn (Op. 56b). Edited by Edwin Hughes 1 two-piano score |
|
Publisher: G. Schirmer
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Score contains moderate performance annotations in pencil
(mainly fingerings).
|
||
|
Accompanied by 1 ½ p. of Gearhart's typewritten notes. |
||
| 23 | 453 |
Brahms, Johannes, 1833-1897 Uniform title: Variationen über ein Thema von Robert Schumann, piano, 4 hands Variationen über ein Thema von Robert Schumann für Pianoforte zu Vier Händen (Op. 23) 1 score |
|
Publisher: Breitkopf and Härtel
|
||
|
For 1 piano, 4 hands.
|
||
|
Score contains few markings in pencil.
|
||
| 23 | 454 |
Brahms, Johannes, 1833-1897 Uniform title: Waltzes, piano, 4 hands, op. 39. Selections Waltzes, Op. 39, Two Pianos, Four Hands. Arranged by the composer. Edited by Edwin Hughes 1 two-piano score |
|
Publisher: G. Schirmer
|
||
|
Score contains nos. 1, 2, 3 [i.e. 11], 4. [i.e. 14], and 5
[i.e. 15].
|
||
|
Score contains no markings for performance. The marking
"Charles" appears in pencil at the beginning of nos. 1, 2, 3, and 4 only.
|
||
| 23 | 455 |
Casella, Alfredo, 1883-1947 Uniform title: Pupazetti Pupazzetti per pianoforte a quattro mani 2 scores |
|
Publisher: G. Ricordi
|
||
|
For 1 piano, 4 hands.
|
||
|
Handwritten on cover of 1st score: "Helen R. Font."
Handwritten on cover of 2nd score: "Gearhart." Scores contain few annotations
for performance in pencil (mainly fingerings).
|
||
| 23 | 456 |
Couperin, François, 1668-1733 Uniform title: Pièces de clavecin, 2e livre. No 9. Allemande Allemande pour 2 Clavecins. Révision par Louis Diémer 2 two-piano scores |
|
Publisher: A. Durand
|
||
|
1st score is signed "Gearhart" on cover and contains no
annotations. 2nd score contains moderate fingering markings in pencil.
|
||
| 23 | 457 |
Debussy, Claude, 1862-1918 Uniform title: En blanc et noir En Blanc et Noir (In Black and White), Three Pieces for Two Pianos, Four Hands 2 two-piano scores |
|
Publisher: International Music
|
||
|
Scores contain few annotations in pencil (fingering
markings).
|
||
| 23 | 458 |
Debussy, Claude, 1862-1918 Uniform title: En blanc et noir En Blanc et Noir: Trois Morceaux pour 2 Pianos à 4 Mains 1 two-piano score |
|
Publisher: A. Durand
|
||
|
For two pianos, 4 hands.
|
||
|
Last page of original is partially cut off. Page 1 signed
"Gearhart" in pencil.
|
||
|
Score contains moderate performance markings in pencil (mainly
fingerings).
|
||
| 23 | 459 |
Debussy, Claude, 1862-1918 Uniform title: Mandoline Twelve Songs. The Mandolin (Mandoline). Edited...by Charles Fonteyn Manney 1 score |
|
Publisher: Ditson
|
||
|
For high voice and piano.
|
||
|
Cover signed "Dorothy Frohm"?
|
||
|
Score contains few performance annotations in pencil (mainly
fingerings).
|
||
| 23 | 460 |
Debussy, Claude, 1862-1918 Uniform title: Nocturnes, orchestra. Fêtes; arr. Nocturnes. II. Fêtes. Transcription pour 2 pianos 4 mains par Maurice Ravel 2 two-piano scores |
|
Publisher: Jobert
|
||
|
Arranged for two pianos, 4 hands.
|
||
|
Handwritten on cover: "Clotfelter"
|
||
|
Scores contain moderate performance markings in pencil (mainly
fingerings).
|
||
| 23 | 461 |
Debussy, Claude, 1862-1918 Uniform title: Nocturnes, orchestra. Sirènes; arr. Nocturnes. III. Sirènes. Transcription pour 2 pianos 4 mains par Maurice Ravel 2 two-piano scores |
|
Publisher: E. Fromont
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Cover signed in ink: "Clotfelter" Scores contain moderate
performance annotations in pencil (some fingerings).
|
||
| 23 | 462 |
Debussy, Claude, 1862-1918 Uniform title: Preludes, piano, book 2. "Général Lavine"--eccentric Préludes (12), 2me livre. [General Lavine] 1 score |
|
Publisher: A. Durand
|
||
|
For solo piano.
|
||
|
Score heavily annotated for performance in pencil (fingerings
and pedal markings).
|
||
| 24 | 463 |
Dello Joio, Norman, 1913-2008 Uniform title: Aria and toccata, pianos (2) Aria and Toccata for Two Pianos 2 two-piano scores |
|
Publisher: C. Fischer
|
||
|
For 2 pianos, 4 hands.
|
||
|
Both scores contain few performance annotations in pencil
(fingerings and phrase markings).
|
||
| 24 | 464 |
Dello Joio, Norman, 1913-2008 Uniform title: Concertos, pianos (2), orchestra Concerto for Two Pianos and Orchestra 2 two-piano scores |
|
For 2 pianos and orchestra. Holograph (Ozalid
reproduction).
|
||
|
Both scores contain few performance annotations in pencil and
red pencil (primarily fingerings).
|
||
| 24 | 465 |
Dello Joio, Norman, 1913-2008 Uniform title: Duke of Sacramento. Rhumba; arr. Duke of Sacramento. Rhumba 2 two-piano scores |
|
Publisher: Independent
|
||
|
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
|
||
|
First page of each score signed "To Livingston &
Virginia--the best there is, as friends & musicians" by the composer. Each
score signed at end by the composer. First score contains no performance
annotations. Second score contains few performance annotations in pencil
(chiefly rewritten passages).
|
||
| 24 | 466 |
Diamond, David, 1915-2005 Uniform title: Concertos, pianos (2) Concerto for Two Solo Pianos (1942) 2 two-piano scores |
|
Holograph (Ozalid reproduction).
|
||
|
Inscribed by composer "For Livingston Gearhart and Virginia
Morley"--Caption. Caption of first piano score signed by Livingston Gearhart.
At end of score: Hollywood, Saratoga, June 1942. Scores contain very few
performance markings in pencil and blue pencil (dynamic markings, tempo
indications, and fingerings).
|
||
| 24 | 467 |
Fauré, Gabriel, 1845-1924 Uniform title: Pelléas et Mélisande. Selections; arr. Pelleas et Mélisande 2 two-piano scores |
|
Publisher: J. Hamelle
|
||
|
Originally for orchestra; arranged for 2 pianos, 4 hands.
|
||
|
First piano score contains few markings for performance in
pencil (added notes in no. 2 only). Second piano score contains moderate
markings for performance (mainly fingerings, rehearsal letters, and rewritten
parts in no. 2 only).
|
||
| 24 | 468 |
Franck, César, 1822-1890 Uniform title: Pièces, organ (1862). Prélude, fugue et variation; arr. Prélude Fugue et Variation : op. 18. 1 score and 1 part |
|
Publisher: A. Durand
|
||
|
Score for organ and piano; part for organ.
|
||
|
Handwritten on cover: "Clotfelter." Handwritten on cover:
"Gearhart." Durations of movements written in pencil on p. 2 of score. Score
contains moderate performance annotations in pencil (fingerings, rewritten
parts, and phrase markings). Part contains few performance annotations in
pencil (tempo indications and phrase markings only).
|
||
| 24 | 469 |
Gershwin, George, 1898-1937 Uniform title: Rhapsody in blue Rhapsody in Blue 1 two-piano score |
|
Publisher: Harms, Inc.
|
||
|
Arranged for 2 pianos and orchestra.
|
||
|
Score contains moderate performance annotations in pencil
(primarily fingerings and metronome markings).
|
||
| 24 | 470 |
Green, Harold Bellman, 1921-2007 Uniform title: Fruminous bandersnatch Fruminous Bandersnatch for Two Pianos 2 two-piano scores |
|
Holograph (Ink).
|
||
|
Caption of Piano 1 score: "1941." Piano 1 score contains no
performance annotations. Piano 2 score contains moderate performance
annotations in pencil and red pencil (tempo indications, phrase markings, and
fingerings).
|
||
| 24 | 471 |
Hindemith, Paul, 1895-1963 Uniform title: Sonatas, piano, 4 hands Sonata, Piano Duet (1938) 1 two-piano score |
|
Publisher: Schott
|
||
|
For 1 piano, 4 hands.
|
||
|
Cover of score signed in ink: "Gearhart." Score contains
moderate performance annotations in pencil (fingerings and expressive markings
in movements 1 and 2 only).
|
||
| 24 | 472 |
Infante, Manuel, 1883-1958 Uniform title: Danses andalouses. Gracia Danses Andalouses. III. Gracia (El Vito) 2 two-piano scores |
|
Publisher: Editions Salabert
|
||
|
For 2 pianos.
|
||
|
First score contains no performance annotations. Second score
contains few performance annotations in pencil.
|
||
| 24 | 473 |
Infante, Manuel, 1883-1958 Uniform title: Danses andalouses. Ritmo Danses Andalouses. I. Ritmo 3 two-piano scores |
|
Publisher: A.Z. Mathot
|
||
|
For 2 pianos, 4 hands.
|
||
|
Cover of first score signed "Morley + Gearhart." First and
second scores contain moderate performance annotations in pencil and red pencil
(fingerings, dynamic markings, and pedal markings). Third score contains few
performance annotations in pencil (primarily fingerings).
|
||
| 24 | 474 |
Keeney, Wendell, 1903-1989 Uniform title: Spanish capriccio Spanish Capriccio 2 two-piano scores |
|
Publisher: J. Fischer
|
||
|
Printed above caption title: "To Lillian and Livingston
Gearhart"
|
||
|
First score inscribed and signed by the composer in ink: "For
Livingston, wishing him the rich reward his many talents deserve and in
appreciation of the first performance this piece ever had." Inscription dated
Mar. 17, 1935. First score contains few performance annotations in pencil
(rehearsal letters and fingerings only). Second score only contains 2 markings
on p. 8 in pencil.
|
||
| 24 | 475 |
Kellogg, Kay Uniform title: Sea moods. Daybreak Two Sea Moods. Daybreak 2 parts |
|
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
|
||
|
Piano 1 part contains moderate performance annotations in
pencil. Piano 2 part contains no annotations.
|
||
| 24 | 476 |
Kellogg, Kay Uniform title: Sea moods. White caps Two Sea Moods. White Caps 2 parts |
|
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
|
||
|
Piano 1 part contains moderate performance annotations in
pencil (fingerings only). Piano 2 part contains moderate performance
annotations in pencil and blue ink (rehearsal letters and fingerings).
|
||
| 25 | 477 |
Milhaud, Darius, 1892-1974 Uniform title: Scaramouche Scaramouche, pour Deux Pianos 2 two-piano scores |
|
Publisher: Salabert
|
||
|
For 2 pianos, 4 hands.
|
||
|
First score contains fingerings in pencil on p. 25 only.
Second score contains fingerings in pencil on p. 25 and 27 only.
|
||
| 25 | 478 |
Milhaud, Darius, 1892-1974 Uniform title: Scaramouche Scaramouche (Suite pour Deux Pianos) 1 two-piano score |
|
Publisher: R. Deiss
|
||
|
For 2 pianos, 4 hands.
|
||
|
Score contains few performance annotations in pencil
(fingerings and dynamic markings).
|
||
| 25 | 479 |
Milhaud, Darius, 1892-1974 Uniform title: Songes (2-piano work) Songes, Suite for Two Pianos 1 two-piano score |
|
Publisher: R. Deiss
|
||
|
For 2 pianos, 4 hands. Printed above caption title: "à
Virginia Livingstone" (probably refers to Virginia and Livingston; should read
"à Virginia et Livingston").
|
||
|
Score contains few performance annotations (fingerings and
articulations).
|
||
| 25 | 480 |
Moscheles, Ignaz, 1794-1870 Uniform title: Hommage à Händel Homage à Haendel, Grand Duo pour deux Pianofortes. Revue et doigtée par C. Beving 2 parts |
|
Publisher: F. Kistner
|
||
|
For 2 pianos, 4 hands.
|
||
|
Both parts contain few performance annotations in pencil
(articulations and tempo indications).
|
||
| 25 | 481 |
Mozart, Wolfgang Amadeus, 1756-1791 Uniform title: Concertos, pianos (2), orchestra, K. 365, E♭ major Concert für 2 Pianoforte zu 4 Händen. Herausgegeben von Gust. F. Kogel 1 part |
|
Publisher: C. F. Peters
|
||
|
For 2 pianos and orchestra. Piano 1 part only.
|
||
|
Score contains moderate performance annotations in pencil and
blue pencil (rehearsal letters, fingerings, and dynamic markings).
|
||
| 25 | 482 |
Mozart, Wolfgang Amadeus, 1756-1791 Uniform title: Nozze di Figaro. Ouverture; arr. Figaro's Hochzeit. Ouverture 1 score |
|
Publisher: Breitkopf and Härtel
|
||
|
Originally for orchestra ; arranged for 1 piano, 4 hands.
|
||
|
Score contains few annotations in pencil (secondo part
only).
|
||
| 25 | 483 |
Mozart, Wolfgang Amadeus, 1756-1791 Uniform title: Sonatas, pianos (2), K. 448, D major Sonate und Fuge für 2 Klaviere zu 4 Händen [K 448 and K 426]. C. F. Peters. Revidierte Ausgabe von Adolf Ruthardt. 2 two-piano scores |
|
Publisher: C. F. Peters
|
||
|
First score signed "April 1939" on p. 3. Second score signed
"Gearhart" on cover. Second score dated "Dec. [19]48" on p. 14. First score
contains moderate performance annotations in pencil (fingerings and rehearsal
letters). Second score contains few performance annotations in pencil.
|
||
|
Bound with Mozart's Konzert für Zwei Klaviere. Herausgegeben von Adolf Ruthardt ©. F. Peters) |
||
| 25 | 484 |
Mozart, Wolfgang Amadeus, 1756-1791 Uniform title: Stücke, musical clock, K. 608, F minor; arr. Fantasia for Musical Clock Work, K. 608 2 two-piano scores |
|
Publisher: International Music Co.
|
||
|
Arranged for 2 pianos, 4 hands by Ferruccio Busoni.
|
||
|
First score contains moderate performance annotations in
pencil (fingerings only). Second score contains few performance annotations in
pencil.
|
||
| 25 | 485 |
Oesterle, Louis Uniform title: Four-hand collection for the piano Oesterle's four-hand collection for the piano: 42 Melodious and instructive duets for elementary and first grade by popular composers 1 score |
|
Publisher: G. Schirmer
|
||
|
For 1 piano, 4 hands. Cover and title page missing.
|
||
|
Score heavily annotated for performance in pencil (primo part
only, primarily fingerings).
|
||
| 25 | 486 |
Rachmaninoff, Sergei, 1873-1943 Uniform title: Rapsodie sur un thème de Paganini; arr. Rapsodie sur un Thème de Paganini, Op. 43, pour Piano et Orchestre. Réduction pour 2 Pianos à 4 mains par l'auteur 1 two-piano score |
|
Publisher: C. Foley
|
||
|
Signed in pencil on cover: "Gearhart." Score contains moderate
performance annotations in pencil.
|
||
| 25 | 487 |
Rachmaninoff, Sergei, 1873-1943 Uniform title: Suites, pianos (2), no. 1, op. 5 Fantasie (Tableaux) pour Deux Pianos, Op. 5 2 two-piano scores |
|
Publisher: A. Gutheil
|
||
|
For 2 pianos, 4 hands. Second score missing p. 1-19.
|
||
|
Cover of first score signed in ink: "Clotfetter." First score
contains no performance annotations. Second score contains few performance
annotations (dynamic markings and fingerings in movement 3).
|
||
|
Accompanied by 1 photocopy of second score. |
||
| 25 | 488 |
Ravel, Maurice, 1875-1937 Uniform title: Ma mère l'oye (Ballet). Danse du rouet; arr. Ma Mère L'Oye. Prélude et danse du Rouet. Transcription pour piano à 4 mains par Lucien Garban 1 two-piano score |
|
Publisher: Durand
|
||
|
Score contains few performance annotations in pencil.
|
||
| 25 | 489 |
Russell, Henry, 1812-1900 Uniform title: Witches flight Witches Flight. Galop Caprice 1 score |
|
Publisher: White-Smith
|
||
|
For 1 piano, 4 hands. Upper corner of p.11 torn off
|
||
|
Score contains few performance annotations in pencil (p. 4 and
8 only).
|
||
|
Accompanied by [1] p. of ms. music in Gearhart's hand: "Sketch of last 17 meas for Secondo" ; 1 photocopied score. |
||
| 25 | 490 |
Saint-Saëns, Camille, 1835-1921 Uniform title: Carnaval des animaux Le Carnaval des Animaux 2 parts |
|
Publisher: Durand
|
||
|
For 2 pianos and chamber orchestra.
|
||
|
Parts for 2 pianos only.
|
||
|
Both parts heavily annotated for performance in pencil (tempo
indications, rewritten passages, and cuts).
|
||
| 25 | 491 |
Saint-Saëns, Camille, 1835-1921 Uniform title: Danse macabre (Symphonic poem); arr. Danse Macabre (op. 40). À 2 Pianos par l'Auteur 2 parts |
|
Publisher: A. Durand
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Piano 1 part heavily annotated for performance in pencil and
blue pencil (primarily phrasing markings, dynamics, and fingerings). Piano 2
part contains moderate performance annotations in pencil (phrase and
articulation markings).
|
||
| 25 | 492 |
Saint-Saëns, Camille, 1835-1921 Uniform title: Points d'orgue Points D'Orgue pour le Concerto en Mi b à 2 Pianos de Mozart 2 two-piano scores |
|
Publisher: A. Durand
|
||
|
Cadenzas by Saint-Saens for Mozart's Concerto for 2 pianos in
E-flat major, K. 365.
|
||
|
Cover of first score signed "Gearhart." Both scores contain
moderate annotations for performance in pencil (fingerings and dynamic
markings). First score contains a rewritten passage in blue ink (p. 3).
|
||
| 26 | 493 |
Schubert, Franz, 1797-1828 Uniform title: Fantasien, piano, D. 760, C major; arr. Fantasia, Op. 15. Arrangement for two pianos [by] Franz Liszt. Edited and revised by Rafael Joseffy. 2 two-piano scores |
|
Publisher: G. Schirmer
|
||
|
For 2 pianos, 4 hands.
|
||
|
First score contains no annotations. Second score contains few
performance annotations in blue pencil (dynamic markings on p. 48 -63
only).
|
||
| 26 | 494 |
Schubert, Franz, 1797-1828 Uniform title: Symphonies, D. 759, B minor; arr. H-moll Symphonie für Pianoforte zu vier Händen. Bearbeitet von Hugo Ulrich 1 score |
|
Publisher: C. F. Peters
|
||
|
For 1 piano, 4 hands.
|
||
|
Score contains few performance annotations in pencil
(fingerings).
|
||
|
Accompanied by 1 photocopied score. |
||
| 26 | 495 |
Schumann, Robert, 1810-1856 Uniform title: Andante und Variationen, pianos (2), horn, violoncellos (2), B♭ major; arr. Andante et Variations pour deux Pianos, Op. 46 2 two-piano scores |
|
Publisher: A. Durand
|
||
|
Caption of first score signed "Gearhart." Both scores contain
moderate annotations for performance in pencil (primarily fingerings).
|
||
| 26 | 496 |
Schumann, Robert, 1810-1856 Uniform title: Andante und Variationen, pianos (2), horn, violoncellos (2), B♭ major; arr. Andante and Variations for Two Pianos, Op. 46. Edited by Edwin Hughes 2 two-piano scores |
|
Publisher: G. Schirmer
|
||
|
For 2 pianos, 4 hands.
|
||
|
Cover of second score signed "Webb." Both scores contain few
performance annotations in pencil and red pencil (primarily durations).
|
||
| 26 | 497 |
Strauss, Johann, 1825-1899 Uniform title: An der schönen, blauen Donau; arr. Blue Danube Waltzes. Freely adapted and arranged for two pianos by Abram Chasins 2 two-piano scores |
|
Publisher: J. Fischer
|
||
|
For 2 pianos, 4 hands. "Based on the Schultz-Evler
transcription"--Cover of second score.
|
||
|
First score missing p. 7-8. First score contains few
performance annotations in red pencil and pencil (primarily dynamic markings).
Second score contains no annotations.
|
||
| 26 | 498 |
Strauss, Johann, 1825-1899 Uniform title: Künstlerleben; arr. Artist's Life (Künsterleben) Waltz. Transcribed for two pianos, four hands, by Abram Chasins 2 two-piano scores |
|
Publisher: J. Fischer
|
||
|
Both scores contain few performance annotations in pencil
(rewritten passages and cuts).
|
||
| 26 | 499 |
Stravinsky, Igor, 1882-1971 Uniform title: Concertos, orchestra, E♭; arr. Dumbarton Oaks, 8-V-38, Concerto en mi b pour Orchestre de Chambre. Réduction pour 2 pianos à 4 mains par l'auteur 1 two-piano score |
|
Publisher: Schott
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Cover of score signed "Gearhart." Score contains few
annotations for performance in pencil (fingerings on p. 1-8 only).
|
||
| 26 | 500 |
Stravinsky, Igor, 1882-1971 Uniform title: Concertos, pianos (2) Concerto per due Pianoforti Soli 1 two-piano score |
|
Publisher: Schott
|
||
|
For 2 pianos, 4 hands, unaccompanied.
|
||
|
Score contains moderate performance annotations in pencil
(primarily phrase markings).
|
||
| 26 | 501 |
Stravinsky, Igor, 1882-1971 Uniform title: Scherzo à la russe; arr. Scherzo à la Russe for Orchestra. Transcribed for two pianos by the composer 2 two-piano scores |
|
Publisher: Associated Music
|
||
|
Title page of second score signed "L. Gearhart" in pencil.
First score contains fingerings in pencil on p. 3 and 14 only. Second score
contains two annotations in pencil on p. 14 only.
|
||
| 26 | 502 |
Stravinsky, Igor, 1882-1971 Uniform title: Sonatas, pianos (2) Sonata for Two Pianos 1 two-piano score |
|
Publisher: Associated Music
|
||
|
Score contains few annotations for performance in pencil
(fingerings only).
|
||
|
Errata slip enclosed ([1] p.). |
||
| 26 | 503 |
Stravinsky, Igor, 1882-1971 Uniform title: Vesna sviashchennaia; arr. Sacre du Printemps. Réduction pour piano à quatre mains par l'auteur. 1 score |
|
Publisher: Édition Russe de Musique
|
||
|
Arranged for 1 piano, 4 hands.
|
||
|
Signed by Gearhart on cover and dated "Paris 1937"; also
signed in cyrillic alphabet by Nicolas Roerich. Score contains few annotations
for performance (primarily phrase markings).
|
||
| 26 | 504 |
Talma, Louise, 1906-1996 Uniform title: Four-handed fun Four-Handed Fun 2 two-piano scores |
|
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
|
||
|
Caption of first score signed "For Livingston and Virginia,
with much affection, Louise, 11/14/47" in ink. First score contains few
performance annotations in pencil. Second score contains no performance
annotations.
|
||
| 26 | 505 |
Tansman, Alexandre, 1897-1986 Uniform title: Sonatas, pianos (2) Sonate pour 2 Pianos 2 two-piano scores |
|
Publisher: Associated Music
|
||
|
For 2 pianos, 4 hands. Holograph (Ozalid reproduction). At end
of score: "Alexandre Tansman…1940."
|
||
|
Both scores contain markings in pencil on p. 7 and 17
only.
|
||
| 26 | 506 |
Tchaikovsky, Peter Ilich, 1840-1893 Uniform title: Shchelkunchik. Marsh; arr. Casse-noisette. Marche. Réduction par Léon Conus 2 two-piano scores |
|
Publisher: P. Jurgenson
|
||
|
Arranged for 2 pianos, 4 hands.
|
||
|
Annotations on covers of scores only.
|
||
| 26 | 507 |
Wier, Albert E. (Albert Ernest), 1879-1945 Uniform title: Pieces for two pianos Pieces for Two Pianos. Selected and edited by Albert E. Wier 1 part |
|
Publisher: Harcourt, Brace and Company
|
||
|
Piano II part only.
|
||
|
Score contains moderate performance annotations in pencil,
blue pencil, and red pencil (tempo indications, durations, and fingerings).
|
||
The following terms have been used to index the description of this collection in the Library's online catalog.
All scores in the collection are cataloged in WorldCat and are available in the online catalog for the University at Buffalo Libraries by performing a "Title begins with" search under "Livingston Gearhart Collection of Scores".
Related ResourcesRelated Resources in the Music Library
