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Finding Aid for the Livingston Gearhart Collection of Scores, 1930-1996

Mus. Arc. 23.2

State University of New York at Buffalo. Music Library


112 Baird Hall
Buffalo, New York 14260-4750
United States
Phone: 716 645-2924
Fax: 716 645-3906
Email: musique@buffalo.edu
URL: http://library.buffalo.edu/music/

Finding aid prepared by Jared Rex and John Bewley.
Finding aid encoded in EAD by Jared Rex, July 2012.
Finding aid written in English.
Finding aid prepared using DACS ( Describing Archives: A Content Standard ).

Please use the following URL when citing this document:
http://purl.org/net/findingaids/view?docId=ead/music/ubmu0023_2.xml

© 2012. State University of New York at Buffalo. All rights reserved.


Collection Overview

Title: Livingston Gearhart Collection of Scores, 1930-1996
Collection Number: Mus. Arc. 23.2
Creator: Gearhart, Livingston
Extent: 26 boxes (507 folders)
Language of Material: Collection material is music with accompanying notes in English and vocal texts in English and French.
Repository: State University of New York at Buffalo. Music Library
Abstract: The Livingston Gearhart Collection of Scores contains compositions and arrangements by Gearhart in published and manuscript forms, as well as sketches and incomplete works. It also contains published scores by other composers annotated by Gearhart.

Administrative Information

Preferred Citation

[Specified item], Livingston Gearhart Collection of Scores, 1930-1996, Music Library, The State University of New York at Buffalo.

Acquisition Information

Gift of Livingston, Pamela, and Fritz Gearhart.

Terms of Access

Materials can be examined by qualified researchers in the Music Library during hours of operation during which Music Librarians are present. In order to insure access, researchers are advised to contact the Music Library in advance of visits.

Copyright

Copyright for the materials in the collection does not reside with the Music Library. Therefore, patrons wishing to publish any item, or part of an item from this collection for any purpose, are responsible for securing requisite permissions.

Processing Information

Processed by Kathryn M. Blough, 1999; re-processed by Jared Rex, 2011-2012.

Accruals and Additions

No further accruals are expected to this collection.


Biographical Note

Livingston Gearhart was born in Buffalo, New York December 31, 1916. His mother was Lillian Hawley Gearhart, a pianist who had studied for a year under Theodor Leschetizky in Vienna. As a child Gearhart studied piano, oboe, violoncello, and sang in church choirs in Buffalo and New York City. He graduated from high school in East Orange, New Jersey in 1935. He entered Curtis Institute of Music in Philadelphia in 1935 as an oboe student of Marcel Tabuteau. In his second year he switched his major to study composition with Rosario Scalero and piano with Nadia Reisenberg.

Gearhart sailed to Paris aboard the Normandie in 1937. With generous support from a wealthy American expatriate, he was able to enroll at the Conservatoire Américain de Fontainebleau where he studied music theory and composition with Nadia Boulanger. He was awarded the school's 2nd prize (no first prize was awarded that year) in the Prix Stovall composition competition in 1937. While in Paris he also met Igor Stravinsky, Darius Milhaud, Robert Casadesus, pianist Isidore Philipp, and his future wife and duo-piano partner, Virginia Clotfelter. He and Virginia performed their debut in Paris February 1, 1939 at the Salle Chopin. They received good reviews and were then able to give concerts in other French and Swiss locations until the conditions of World War II caused them to return to the United States.

Virginia Clotfelter adopted the professional name Morley and married Gearhart February 28, 1940 in New York City. They worked at numerous venues, including the Hotel Brevoort and the club, Ruban Bleu, both operated by Herbert Jacoby. The pair spent the summers of 1942 and 1943 as Artists-in-Residence at Morley's alma mater, Mills College in Oakland, California. While there Gearhart was able to study composition with Darius Milhaud. The Budapest String Quartet was also in residence at Mills College during those years and Gearhart and Morley formed friendships with quartet members Alexander and Mischa Schneider. The Morley Gearhart duo was very successful, performing works by Milhaud, Norman Dello Joio, David Diamond, and Stravinsky's Concerto per due pianoforte soli.

The duo received contracts with Columbia Concerts and the Fred Waring Show that extended from 1943-1954. During 1941 to 1954, the two-piano team of Morley and Gearhart performed over 2000 concerts throughout the US and Canada in addition to recording for Columbia Masterworks and Decca Records. Included among the many concert dates was a performance by the duo at the White House for President Dwight D. Eisenhower in 1953. During this period Gearhart also worked as a staff arranger for the Fred Waring Show.

A two-CD retrospective released in 2001, Morley and Gearhart Rediscovered by Ivory Classics, features 22 of Gearhart's two-piano arrangements. Some of these arrangements survive at Penn State in their collection, Fred Waring's America. In many cases Gearhart never fully wrote out his part of a duo so no written arrangement survives.

Livingston Gearhart's output contains several collections written for pedagogical purposes. The first of Gearhart's these works to be published was Clarinet Sessions in 1945. That was followed by similar collections for trumpet, violin, flute, and duos. Gearhart's entire compositional and arranging output includes 400-500 works (counting individual works within the collections).

Gearhart returned to Buffalo in 1955 and was appointed to the faculty of the music department at the University of Buffalo. After a divorce from Virginia Morley, he married violinist and conductor Pamela Gerhart (not a misspelling) in 1955. He taught various courses in keyboard, theory, and orchestration until his retirement in 1985.

Livingston Gearhart had four children: Paul, born to Virginia Morley Gearhart; Kim, Martha, and Fritz, born to Pamela Gearhart. Livingston Gearhart died in Buffalo at the age of 79 on July 14, 1996.


Scope and Content Note

The collection contains 507 folders. There are 257 folders containing manuscript and published scores of Livingston Gearhart’s compositions and arrangements, 79 folders containing published scores by other composers annotated for performance by Gearhart, and 5 folders containing sketchbooks or workbooks with various musical exercises, sketches, and other works. Excluding the annotated scores, there are approximately 178 folders containing manuscript materials and 84 folders containing printed materials. Of the printed works, approximately 69 were published by Shawnee Press. Gearhart composed his works between 1930 and 1996 but five of his compositions in the collection were published after his death in 1997. His son Fritz Gearhart edited three of these publications.

The manuscript scores document Gearhart’s work from sketches through different versions to the finished, final version of a work. Most of these are in Gearhart’s hand with a small percentage being copied by other people. Many of the scores are accompanied by instrumental parts and explanatory notes of varying lengths by either Livingston or Pamela Gearhart. These notes often provide details about the background and history of works.

A major component of Gearhart’s output consists of his approximately 119 arrangements. These include arrangements chiefly made for didactic purposes for various instrumental combinations, arrangements for two pianos, many of which were used by Gearhart in his performances with Virginia Morley during their years as a piano-duo, choral arrangements, and arrangements for band or orchestra. There are other works by Gearhart that are difficult to classify strictly as arrangements due to the extent of Gearhart’s compositional reworking of the material. The titles identified as arrangements draw from a wide range of sources, including works by composers such as Arlen, Bach, Berlioz, Boccherini, Brahms, Brubeck, Debussy, Delius, Fauré, Johann Fischer, Haydn, Holst, J. Rosamond Johnson, Joplin, Lyadov, Macdowell, Mendelssohn, Mozart, Cole Porter, Serge Prokofiev, Purcell, Rachmaninoff, Ravel, Rimsky-Korsakov, Schubert, Stravinsky, and Wolf-Ferrari in addition to traditional and popular tunes such as We wish you a merry Christmas, Star spangled banner, Non nobis, Domine, and Au clair de la lune.

Gearhart’s pedagogical works include several compilations that consist of both original and arranged works. Most of these are in a series he titled Sessions: Bass Clef Sessions, Clarinet Sessions, Duet Sessions, Fiddle Sessions, Flute Sessions, Rhythm Sessions, Sax Sessions, Treble Clef Sessions, and Trumpet Sessions. Six of these titles were published by Shawnee Press. Many of the pieces within the compilations were written to provide practice in specific rhythmic and technical elements. Gearhart also devised sets of trick pieces and canons to assist with teaching. Another aspect of Gearhart’s pedagogical work is evident in the many pieces he arranged for use by his wife, Pamela Gearhart, in her work as conductor of the orchestra of the Community Music School of Buffalo and numerous string workshops and musical clinics. Gearhart also composed a set of nine pieces titled Extraits de mon cahier for pedagogical use by his teacher at Curtis Institute of Music, Marcel Tabuteau.

In addition to separate musical sketches, the collection also contains twelve sketchbooks or workbooks containing original compositions and arrangements as well as studies in harmony and counterpoint written while Gearhart was studying in Paris with Nadia Boulanger. An item of interest is a workbook titled Quodlibets research. It includes a comparative table containing chord structures of various pieces from the folk song, popular, and classical music repertoire. Another item of special interest is a sketchbook containing a two-piano arrangement of Mozart's Quintet in E-flat major K. 614. According to a note by Gearhart the arrangement is by pianist Robert Casadesus and was copied by Virginia Morley.



Container List

I    Compositions, 1930-2005
Folder 1-114

Arranged alphabetically by main entry (composer or title). Compositions by Gearhart are under his name alphabetically in the list and then arranged alphabetically by uniform title. Folk song arrangements are listed by the uniform title for the specific song. There are two other composers stated in the list, Philip Klein and Virginia (Morley) Waring. Gearhart was co-composer of both pieces. Those works are stated under the respective composer's name: Klein and Waring. Sketches of untitled or unidentified works are listed under Gearhart's name and then under titles beginning with the word unidentified or untitled.

The series includes arrangements of works such as folksongs and spirituals not attributed to a single composer. It also includes musical sketches of both complete and incomplete works, with and without titles.

Box Folder Contents
1 001 Uniform title: Au clair de la lune (Song); arr.
Au clair de la lune
1947

1 ms. score ([5] p.) ; 32 cm.
Arranged for voice and piano. Cover title. Music formerly attributed to Jean-Baptiste Lully. "For Jacques [Bastard?], 1947"--Cover. Holograph (Pencil).
French words.
1 002 Can I go : spiritual, for two-part male voices with piano accompaniment
1960

1 score (8 p.) ; 27 cm.
Alternate title: First line of text: Lord, if I got my ticket.
Alternate title: Can I ride.
Caption title. Also known by the title, Can I ride. Includes tone syllables to be used as a choral enunciation aid. Duration: 2:45.
Delaware Water Gap, Pennsylvania : Shawnee Press
English words.
1 003 Chicka hanka
[between 1950 and 1970]

2 ms. scores ; 32 cm.
Alternate title: First line of text: Capt'n, go sidetrack yore train.
Alternate title: Captain, go sidetrack yore train.
Folk song arranged for tenor or baritone solo, TB chorus, and piano accompaniment. Caption title. The two scores differ in rhythmic setting and text. Verso of p. 2 in score B contains notes about harmonics on the string bass. Holograph (Pencil).
1 004 Christmas carols : arranged for piano, 4 hands
[194-?]

1 ms. score ([8] p.) ; 32 cm.
Title supplied by cataloger. Holograph (Pencil).

Contents: O come all ye faithful -- Silent night -- Hark the herald angels sing -- Bring a torch Jeanette, Isabella.

1 005 Gearhart, Livingston
Uniform title: Alabama fanfare
A la fanfare : trpt, horn, strgs
[1973 or 1974]

1 ms. score (8 p.) + 18 ms. parts ; 32 cm.
Alternate title: Ala fanfare.
Alternate title: Title on accompanying note by Pamela Gearhart: Alabama fanfare.
For trumpet, horn, and string orchestra. Cover title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by note from Pamela Gearhart about the history of the composition (1 leaf ; 28 cm) ; Fanfare (end revised) score for mm. 39-42 ([4 p.] ; 32 cm) ; photocopy of the score and revised ending (6 leaves ; 28 cm).
1 006 Gearhart, Livingston
Uniform title: Adventures of a theme (Sketches)
Adventures of a theme
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 28 x 31 cm.
Sketch, possibly for string quartet. Caption title. Based on London bridge. Holograph (Pencil).
1 007 Gearhart, Livingston
Uniform title: Air, oboe, English horn
Air : Bachianas Buffalorus #2 : for ob + c.a.
[between 1976 and 1996]

2 ms. scores ; 30 x 38-31 cm.
Alternate title: Bachianas Buffalorus #2.
Alternate title: Ricercare.
For oboes and English horn. Title from accompanying leaf by Pamela Gearhart. Originally received in a folder with Ricercare for 2 oboes and English horn. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil); Holograph (Photocopy). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
1 008 Gearhart, Livingston
Uniform title: Alligator
Alligator (see you later?)
[between 1940 and 1960?]

1 ms. score ([2] p.) ; 32 cm.
Alternate title: First line of text: To see an alligator.
For three solo voices (SSA) or women's choir with piano accompaniment. Caption title. Holograph (Pencil).
1 009 Gearhart, Livingston
American hymn
[between 1955 and 1958]

1 ms. score (14 leaves) ; 32 cm.
Alternate title: First line of text: America my native land.
For mixed chorus and piano or possibly organ. Caption title. Holograph (Pencil). Accompanied by: typescript poem titled "American Hymn" by Wihla Hutson with annotations in an unknown hand (1 leaf; 28 cm) ; typescript poem titled "Patriotic Theme" crossed out in pen and retitled "More American Hymn" with annotations in an unknown hand (1 leaf ; 28 cm) ; typescript letter titled "American Hymn" presumably from Livingston Gearhart explaining the composition with a response in an unknown hand dated "3/30/58" and "April 1 1958." (1 leaf ; 28 cm). Duration: ca. 3:30.
English words presumably by Livingston Gearhart; text setting incomplete.
1 010 Gearhart, Livingston
Bar'chu
[196-?]

1 ms. score ([2] p.) ; 32 cm.
Alternate title: First line of text: Bar'chu et adonay hamvorach.
For cantor, mixed chorus (SATB), and organ. Caption title. Holograph (Pencil).
Hebrew words.
1 011 Gearhart, Livingston
Bayom hahu
[196-?]

1 ms. score ([2] p.) ; 32 cm.
Alternate title: First line of text: Bayom hahu yih'yeh adonay.
For mixed chorus (SATB) and organ. Caption title. Holograph (Pencil).
Hebrew words.
1 012 Gearhart, Livingston
Brigg fair : folk song
[between 1940 and 1960?]

1 ms. score (3 leaves) ; 33 cm. + 1 ms. part ([1] leaf) ; 28 cm.
Alternate title: First line of text on score: It was on the fifth of August.
Alternate title: First line of text on vocal part: Gray the sullen sea beneath.
For STB chorus with piano accompaniment. Caption title. Part for solo voice signed by Wihla Hutson. Score and part have different texts. Text of part presumably by Wihla Hutson. Holograph (Pencil).
1 013 Gearhart, Livingston
Canon at major 3rd
[between 1976 and 1996]

1 ms. score (1 leaf) ; 30 x 38 cm. + 1 ms. part (1 leaf) ; 28 cm.
Alternate title: Canon at major third.
Instrumentation not specified on score. Suggested instrumentation at bottom of part: oboe d'amore or clarinet in A with English horn. Caption title from part. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil); holograph part (Photocopy). Accompanied by: list written by Pamela Gearhart of canons by Livingston Gearhart (1 leaf).
1 014 Gearhart, Livingston
Canon at major 6th
[between 1976 and 1996]

1 ms. score (1 leaf) ; 31 x 46 cm. + 2 ms. parts ; 28 cm.
Alternate title: Canon at major sixth.
Instrumentation suggested at bottom of score: oboe and alto saxophone or English horn, or alto flute and tenor saxophone, or clarinet in A or oboe d'amore and viola. Title from lower margin of score. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil) ; holograph part (Photocopy). Accompanied by: 2 photocopies of untransposed part (1 leaf each) ; list written by Pamela Gearhart of canons by Livingston Gearhart (1 leaf).
1 015 Gearhart, Livingston
Canon at minor 3rd
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 30 x 38 cm. + 2 ms. parts ; 28 cm.
Alternate title: Canon at minor third.
Instrumentation not specified on score. Suggested instrumentation from caption: for oboe d'amore or A clarinet and oboe or oboe and E♭ clarinet. Caption title from part (Photocopy). "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil); titled part consists of 1 leaf pencil ms. and 1 leaf photocopy of ms. Accompanied by: list written by Pamela Gearhart of canons by Livingston Gearhart (1 leaf ; 30 cm.).
1 016 Gearhart, Livingston
Canon in augmentation on the King's theme
[1988]

2 ms. scores ; 35 cm. + 1 ms. part ; 32 cm.
Alternate title: Caption title from part: Canon on King's theme.
Instrumentation not specified on score; suggested instrumentation from caption: for 2 violins or 2 clarinets. Title from caption on score. Based on the theme from The musical offering by J. S. Bach. Two scores include the theme written out on a single staff followed by a version on two staves with the rhythmically augmented line written out. The two scores are written using different rhythmic values. "J.Z. Bach"--Caption of part. "LG 1988"--At bottom of score. "Livingston Gearhart 1996"--Copyright stamp on every page. Includes photocopies of both scores and the part. Holograph (Pencil).
1 017 Gearhart, Livingston
Uniform title: Canons, clarinets (2)
Canon for B♭ + A clarinets
[1988]

[2] p. of ms. music ; 32 cm.
Title from caption on part. "Livingston Gearhart 1996"--Copyright stamp on every page. "Revision 11/88"--Caption. Holograph (Pencil). Accompanied by: 4 photocopied parts (2 p. each) ; list written by Pamela Gearhart of canons by Livingston Gearhart (1 p.).
1 018 Gearhart, Livingston
Uniform title: Canons, woodwinds (2)
Misc. canons for two winds
[between 1976 and 1996]

1 folder (3 ms. scores) ; 25 x 31, 28-34 cm.
Alternate title: Miscellaneous canons for two winds.
Alternate title: Rondo.
Title from accompanying leaf. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).

Contents: Rondo for alto and tenor sax -- Untitled canon for oboe d'amore or clarinet in A and oboe or flute, or oboe or flute and E♭ clarinet -- Untitled canon with instrumentation not specified.

1 019 Gearhart, Livingston
Dese bones gwine to rise again : a story of Adam and Eve ; cantata jazza : S.A.T.B. with narrator and soloists
1946

1 score (24 p.) ; 27 cm.
For SATB chorus with narrator and various soloists with piano accompaniment. Performance notes precede score.
East Stroudsburg, Penna. : Shawnee Press
1 020 Gearhart, Livingston
Diogenes : for mixed voices (S.A.T.B.)
1971

1 score (8 p.) ; 27 cm.
For mixed voices (SATB) and optional solos with piano and optional guitar accompaniment. Cover title. Includes chord symbols. Duration: ca. 3:00.
Delaware Water Gap, Pennsylvania : Shawnee Press
1 021 Gearhart, Livingston
English dance
[1930?]

1 ms. score ([1] leaf) ; 28 cm.
Instrumentation not specified on score; possibly a treble C instrument with keyboard accompaniment. Caption title. "1930?"--Lower margin. Holograph (Pencil).
1 022 Gearhart, Livingston
Extraits de mon cahier : (1937 à 1941)
[between 1937 and 1941]

1 folder (8 ms. scores) ; 32 cm.
Folder contains 9 pieces (solos, duets, trios, and a quintet) for various woodwind combinations. Title from additional cover leaf. "From Tabuteau"--Folder. Holograph (Ink); Holograph (Photocopy). Includes a photocopy of Over a fragment of Franck for 2 unspecified treble instruments (1 leaf ; 43 cm.).

Contents: Mild delirium (for 2 clarinets) -- Dialogue (for 2 oboes) -- Sad improvisation (for 2 oboes) -- Invention (for two oboes) -- Lament (for 3 oboes) -- Tune (for oboe) -- Dance (for two flutes) -- Song without words (II) (for English horn, 2 clarinets and 2 bassoons).

1 023 Gearhart, Livingston
Fanfare in stilo Milhaud
[1975]

1 ms. score ([4] p.) ; 48 cm. + 8 ms. parts ; 32 cm.
Alternate title: Caption title from last page of score: Fanfare 7.1.
For 3 trumpets, 3 trombones, optional French horn, and percussion. Caption title.* "L Gearhart 1975"--Caption. "Livingston Gearhart 1996"--Copyright stamp on every page. Accompanied by: letter from Livingston Gearhart to Jim (1 leaf) ; 1 note from Livingston Gearhart about the piece (1 leaf) ; 1 note presumably from Pamela Gearhart (1 leaf). Holograph (Pencil).
1 024 Gearhart, Livingston
Uniform title: Fanfares, pianos (2), 8 hands, percussion
Fanfare
[1938]

2 ms. scores + 9 ms. parts ; 35 cm.
Alternate title: Gigue.
Alternate title: Prelude.
For 2 pianos (8 hands) and percussion. Title from cover of 1st piano part. One score includes piano parts and percussion; second score contains percussion parts only. Note from Pamela Gearhart indicates this could be performed as part of a suite. The other works, Gigue and Prelude, are for similar instrumentations. "To Annette Dieudonné, 1938 Paris"--Note from Pamela Gearhart. "Some of the parts copied by Annette Dieudonné, [Nadia] Boulanger's life long assistant"--Note from Pamela Gearhart. Attached to the tambourine part is Marche du Roi William by Jeremiah Clarke, arranged for piano. Manuscript (Ink) and (Pencil) with annotations in red pencil. Accompanied by one note (1 leaf) from Pamela Gearhart.
1 025 Gearhart, Livingston
Uniform title: Fanfares, unspecified instruments (4)
Fanfare : concert pitches
[between 1976 and 1996]

2 ms. scores ; 28-32 cm. + 4 ms. parts ; 29-35 cm.
Alternate title: Title on trumpet part: Fanfare : canon 4-in-2.
Alternate title: Habañera de Honolulu.
Alternate title: Sicilienne.
Instrumentation not specified on score. Suggested instrumentation from captions of parts: for pairs of: flutes and alto flutes, alto and tenor saxophones, or trumpets and horns. Caption title from smaller score. Parts written on double staves. Note from Pamela Gearhart, filed with Sicilienne, indicates this could be performed as part of a suite. The other works include Habañera de Honolulu and Sicilienne, both of which are for similar suggested instrumentations. "Livingston Gearhart 1996"--Copyright stamp on every page. "1995 revision. LG"--At bottom of score. Holograph (Pencil), one part with no instrumentation designated is a photocopy. Accompanied by: 2 notes from Pamela Gearhart (1 leaf each ; 30 cm).
1 026 Gearhart, Livingston
For the birds : 2 picc
[1988]

1 ms. score ([2] leaves) ; 30 x 38 cm.
Caption title. "LG 7/88"--At bottom of leaf [2] of score. "Livingston Gearhart 1996"--Copyright stamp on every page. Accompanied by: 1 ms. score ([4] leaves ; 31 cm.) copied in another hand ; 5 leaves of ms. sketches (30 x 38 - 31 x 46 cm) ; note from Pamela Gearhart (1 leaf). Holograph (Pencil).
1 027 Gearhart, Livingston
Fuga subverta : trio
[between 1940 and 1960?]

1 ms. score ([2] p.) ; 32 cm.
Instrumentation not specified on score. Caption title. "Palestrina"--Inscription in caption but a source in Palestrina's works cannot be identified. "For 3 #2"--Caption. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).
1 028 Gearhart, Livingston
Uniform title: Gigue, pianos (2), 8 hands, percussion
Gigue
[1938]

1 ms. score (5 p.) + 3 ms. parts ; 35 cm.
Alternate title: Fanfare.
Alternate title: Prelude.
For 2 pianos (8 hands) and percussion. Title from cover of 1st piano part. Note filed with Fanfare from Pamela Gearhart indicates this could be performed as part of a suite. The other works, Fanfare and Prelude, are for similar instrumentations. "For Annette Dieudonnè, Paris, June 1938"--Colophon of score. Holograph score (Ink); Manuscript parts (Ink). Accompanied by 7 p. of ms. sketches (35 cm.) ; 1 photocopied note from Pamela Gearhart (1 leaf).
1 029 Gearhart, Livingston
The goat : (Butt me no butts)
[between 1950 and 1970?]

1 ms. score ([2] p.) ; 32 cm.
Alternate title: First line of text: Goat has methods devious.
Instrumentation not specified on score. Possibly for 3-part women's choir with piano accompaniment. Caption title. Holograph (Pencil).
1 030 Gearhart, Livingston
Gospel train : based on a Negro spiritual : for three-part men's voices (T.B.B.)
1959

1 score (8 p.) ; 27 cm.
Accompaniment for piano, or for piano, 4 hands. Cover title.
Delaware Water Gap, Pennsylvania : Shawnee Press
2 031 Gearhart, Livingston
Habañera de Honolulu : score
[between 1976 and 1996]

5 ms. scores ; 35, 30 x 38-31 x 46 cm. + 3 ms. parts ; 32-35 cm.
Alternate title: Caption title on flute part: Habanera de Honolulu : canon 4-in-2.
Alternate title: Fanfare.
Alternate title: Sicilienne.
Instrumentation not specified on score. Suggested instrumentation from captions of parts: for pairs of: flutes and alto flutes, alto and tenor saxophones. Caption title from score. Parts written on double staves. Note from Pamela Gearhart, filed with Sicilienne, indicates this could be performed as part of a suite. The other works include Fanfare and Sicilienne, both of which are for similar suggested instrumentations. "Livingston Gearhart 1996"--Copyright stamp on every page. "Revision 91"--Caption title of incomplete score. "LG Final: 1995"--At bottom of flute part. Holograph (Pencil). Accompanied by: 2 notes from Pamela Gearhart (1 leaf each ; 28-38 cm.).
2 032 Gearhart, Livingston
Hommage à A. C.
[between 1960 and 1977]

3 ms. scores ; 32, 31 x 46 cm. + 6 ms. parts ([1] leaf) ; 11 x 23 - 21 x 23 cm.
Alternate title: Hommage à Aaron Copland.
For flute, clarinet, English horn, bassoon or cello, violin and viola. Caption title from score. "Livingston Gearhart 1996"--Copyright stamp on every page. Composed for the 60th birthday of Aaron Copland. Three holograph scores in pencil 1960, 2/77, and undated ms. The 1977 score includes an incomplete keyboard reduction in addition to the full score. Also includes 1 typescript leaf note about the score dated 9/15/80 from Gearhart to James Coover and Carol Bradley, two typescript index cards with notes by Gearhart, and one handwritten note from Pamela Gearhart (1 leaf).
2 033 Gearhart, Livingston
Hommage a Suzuki
[197-?]

1 ms. score ([15] leaves) ; 30 x 38 cm.
Alternate title: Caption title on violin 1 part: Suzuki variations.
Instrumentation varies by movement. For string orchestra. Title from typescript note from Livingston Gearhart. Based on Twinkle, twinkle, little star as performed in the Suzuki method. "Livingston Gearhart 1996"--Copyright stamp on every page. Score markings indicate revisions in 6/87 and 1993. Also includes three typescript leaves (some ms. annotations) of explanatory notes. Holograph (Ink). Accompanied by five additional ms. scores in pencil for revised version of 1993 for Praeludium (photocopy with new bass part added in pencil), Minuet, Air, Scherzo, and Nocturne, for which 5 ms. string parts are also included. Includes handwritten note from Pamela Gearhart (1 leaf).

Contents: Praeludium (Variation I) -- Minuet (Variation II) -- Air (Variation III) -- Scherzo (Variation IV) -- Nocturne (Variation V) -- Marche Quelconque (Variation VI) -- Lullaby of Matsumoto (VII) -- Epilogue (Variation VIII).

2 034 Gearhart, Livingston
I'll never try this again :canon in double-augmentation
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 35 cm.
Alternate title: Canon in double-augmentation.
For flute or oboe, violin and viola. Caption title. Complete melody line followed by score setting. "Livingston Gearhart 1996"--Copyright stamp. Holograph (Pencil).
2 035 Gearhart, Livingston
Uniform title: In memorium M.L.K.
In memorium M[artin] L[uther] K[ing, Jr.] : We shall overcome
[1968]

1 ms. score (3 p.) ; 30 cm.
Alternate title: We shall overcome.
Arranged for string orchestra.. Cover title. Holograph score (Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf).
2 036 Gearhart, Livingston
A jingle-bell travelogue
1962

1 score (11 p.) ; 27 cm.
For S.A.T.B. with piano accompaniment. Cover title. Based on the well-known song by J. Pierpont.
Delaware Water Gap, Pennsylvania : Shawnee Press
2 037 Gearhart, Livingston
Uniform title: Kyrie for strings
Larghetto
[196-]

1 ms. score ([7] p.) ; 32 cm.
Alternate title: Caption title: Kyrie for strings.
For string orchestra. Cover title. "Originally title Larghetto; later changed to Kyrie for strings"--Accompanying note from Pamela Gearhart. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf); 1 newspaper clipping with photocopy of Buffalo Courier Express April 6, 1969 regarding a performance of the piece (1 leaf each); 1 photocopy ms. score (6 p.) dated 1976 of the next-to-last revision of the work with Livingston Gearhart's annotations.
2 038 Gearhart, Livingston
Uniform title: Lament, soprano, oboe, violoncello
Lament : canon at the diminished 5
1938

1 ms. score ([2] p.) ; 35 cm.
Alternate title: Canon at the diminished 5.
Alternate title: First line of text: Alas, alas, no words can tell.
For soprano, oboe, and cello. Caption title. Holograph (Ink). "Gargenville January 1938"--Colophon.
English words.
2 039 Gearhart, Livingston
Uniform title: Lament, wind quintet
Lament
[1937]

1 ms. score (5 p.) ; 32 cm.
For flute, oboe, clarinet, horn, and bassoon. Caption title. Manuscript (Ink). "Gargenville. unrevised version"--At end of score in pencil. Accompanied by 1 note from Livingston Gearhart about the piece (1 leaf ; 28 cm.) and 1 additional note with the text "Boulanger clef" in blue ink (1 leaf ; 13 cm.).
2 040 Gearhart, Livingston
Uniform title: Lament, wind quintet
Lament : woodwind quintet
[193-?]

5 ms. parts ; 32 cm.
Title from accompanying leaf. Holograph (Pencil). Duration from flute part: 2:15.
2 041 Gearhart, Livingston
The little black train
1971

1 score (8 p.) ; 32 cm.
Alternate title: First line of text: There's a little black train acomin'.
For SA, TB, or SATB chorus with piano accompaniment. Cover title. Duration: ca. 2:15.
Delaware Water Gap, Pennsylvania : Shawnee Press
2 042 Gearhart, Livingston
Odd promenade
[1975 or 1976]

1 ms. score (8 p.) ; 35 cm.
For orchestra. Cover title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). "Composed for Junior high orch of specific dimensions. Commissioned by Martha Gearhart (13)"--Accompanying index card. Accompanied by additional leaf with composition date from Pamela Gearhart.
2 043 Gearhart, Livingston
Oh, what a Saturday night! : traditional calypso : for two-part voices (S.A. or T.B.)
1971

1 score (7 p.) ; 27 cm.
Accompaniment for piano, with optional guitar, maracas, and finger cymbals. Cover title. Duration: 2:20.
Delaware Water Gap, Pennsylvania : Shawnee Press
2 044 Gearhart, Livingston
Uniform title: Old incomplete chorals (Sketches)
Old incomplete chorals sketches
[between 1950 and 1970]

1 folder (6 ms. sketches) ; 10-32 cm.
Alternate title: First line of text of So they say: Early to bed, an' early to rise.
Alternate title: First line of text of Desertion: My wife, Isabelle, having left my bed and board.
Alternate title: Poor little Jesus.
Alternate title: So they say.
Alternate title: Desertion.
Title from accompanying leaf. Holograph (Pencil).

Contents: So they say (?) [complete melody line with words and chord symbols (1 leaf)] -- Poor little Jesus (Po' li'l Jesus) [for chorus and piano adapted from melody in R.E. Kennedy's collection, Mellows, 1925 (1 leaf)] -- Madrigals: Desertion, old style [for TBB and piano (1 leaf)] -- Three untitled fragments (3 leaves).

2 045 Gearhart, Livingston
Overture on Jewish themes
[196-]

1 ms. score (26 p.) ; 34 cm.
For orchestra. Cover title. Holograph (Pencil). Also on cover: "Kabalevsky"; accompanying note (1 leaf) from Pamela Gearhart explains the background of the piece, including the composer's choice of ascribing the work to Kabalevsky. Accompanied by ms. (1 leaf) additional page of music with additions to the harp part.
2 046 Gearhart, Livingston
Overture on Jewish themes : Tzena, tzena, Artza alinu, Havah nagiela
1974

1 score (31 p.) + 35 parts ; 28 cm.
Alternate title: Tzena, tzena, Artza alinu, Havah nagiela.
Alternate title: Tzena, tzena.
Alternate title: Artza alinu.
Alternate title: Havah nagiela.
"Arrangement ... for an orchestra with less than complete instrumentation." Duration: ca. 4:40.
Delaware Water Gap, Pennsylvania : Shawnee Press
3 047 Gearhart, Livingston
Parade of the cliches
1961

1 score (32 p.) ; 31 cm.
For band. Cover title. Duration: ca. 4:15.
Delaware Water Gap, Pennsylvania : Shawnee Press
3 048 Gearhart, Livingston
Parade of the cliches
1961

1 condensed score (11 p.) ; 19 cm.
For band. Cover title. Duration: ca. 4:15.
Delaware Water Gap, Pennsylvania : Shawnee Press
3 049 Gearhart, Livingston
Uniform title: Pieces, violin, piano
4 pieces for vln and piano
[between 1976 and 1996?]

1 ms. score ([4] leaves) ; 31-32 cm.
Alternate title: Four pieces for violin and piano.
Alternate title: Pieces for violin and piano.
Title from accompanying folder. Holograph (Ink) and (Pencil).

Contents: Duettino on the theme F-G (For Fritz) -- Duettino on a name (For Pamela) -- Duettino on M(I)-A-G (For Martha) -- Alla siciliana.

3 050 Gearhart, Livingston
Polygamy
[195-?]

1 ms. score (6 p.) ; 32-33 cm.
Alternate title: First line of text: Down in Eyeran.
For SSA chorus with piano accompaniment and optional prepared piano primo part. Caption title. "From Ippolitov-Ivanov"--Caption from p. 1. "To John Cage"--Dedication from caption of p. 1. Holograph (Pencil). Accompanied by 3 typed index cards (1 leaf each) and 1 handwritten index card (1 leaf) from Livingston Gearhart.
3 051 Gearhart, Livingston
Uniform title: Polygamy (Sketches)
Polygamy
[195-?]

[1] leaf of ms. music ; 32 cm.
Alternate title: First line of text: Once on a time down in Iran.
Alternate title: Harem blues.
Alternate title: Hilarity in the harem.
Sketch for treble voice. Caption title. Possible alternative titles in caption: Harem blues ; Hilarity in the harem. Originally attached to full score of Polygamy for Livingston Gearhart for 3-part women's chorus and piano accompaniment. Other sketches indicate that this is based on the Procession of the Sardar by Ippolitov-Ivanov. Holograph (Pencil). Accompanied by 1 typescript (1 leaf) of words by Jay Johnson.
3 052 Gearhart, Livingston
Uniform title: Polygamy (Sketches)
Baghdad blues for me
[195-?]

1 ms. score ([2] leaves) ; 32 cm.
Alternate title: First line of text: Here comes the sheik.
Alternate title: Harem blues.
Alternate title: Harem scarum.
Alternate title: Arabian nights.
Alternate title: Persian aversions.
Alternate title: Iraqi rock.
For three part women's chorus with piano accompaniment. Caption title. Possible alternative titles in caption: Harem blues? ; Harem scarum? ; Arabian nights? ; Persian aversions ; Iraqi "Rock." Sketches originally attached to score of Polygamy by Livingston Gearhart. Holograph (Pencil). "Orig: Procession of the Sardar--Ippolitov-Ivanov"--Caption from p. [2] of ms. score.
3 053 Gearhart, Livingston
Uniform title: Polygamy (Sketches)
The harem scarem blues
[195-?]

[1] leaf of ms. music ; 32 cm.
Alternate title: First line of text: There is a tale told in the East.
Sketch for treble voice. Single melody line with interlinear text. Caption title. Holograph (Pencil). "Leo Israel"--Partially erased signature on typescript. Possibly lyricist. Originally attached to full score of Polygamy for Livingston Gearhart for 3-part women's chorus and piano accompaniment. Other sketches indicate that this is based on the Procession of the Sardar by Ippolitov-Ivanov. "From Ippolitov-Ivanov"--Caption from ms. score. Accompanied by 1 typescript (1 leaf) of text with pencil annotations.
3 054 Gearhart, Livingston
Uniform title: Postlude (Sketches)
Postlude
[between 1940 and 1960]

1 ms. score ([1] leaf) ; 28 cm.
Possibly for string orchestra. Title from accompanying leaf. Holograph (Pencil).
3 055 Gearhart, Livingston
Praise God from whom all blessings flow : fantasia on Old Hundredth, for mixed voices, S.A.T.B.
1955

1 score (12 p.) ; 27 cm.
Anthem. For chorus (SATB) and organ.
Delaware Water Gap, Pennsylvania : Shawnee Press
Includes text in phonetic syllables.
3 056 Gearhart, Livingston
Uniform title: Prelude on Foundation
Prelude on hymn-tune "Foundation"
[197-?]

[3] p. of ms. music ; 28 cm.
Alternate title: Prelude on "Foundation".
For keyboard instrument (piano or organ). Cover title. Holograph (Photocopy). Contains pencil annotations in Livingston Gearhart's hand.
3 057 Gearhart, Livingston
Uniform title: Prelude on Foundation; arr.
Prelude on hymn-tune "Foundation"
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 41 cm.
For saxophone quartet. "Saxes, Misc."--Pencil note in caption. Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp. Holograph (Pencil). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
3 058 Gearhart, Livingston
Uniform title: Preludes, pianos (2), 8 hands
Prélude
[1937]

2 ms. scores ([4] p. each) + 5 ms. parts ; 32-36 cm.
Alternate title: Fanfare.
Alternate title: Gigue.
For 2 pianos (8 hands). Title from cover of 1st piano part. Note filed with Fanfare from Pamela Gearhart indicates this could be performed as part of a suite. The other works, Fanfare and Prelude, are for 2 pianos (8 hands) with percussion. Holograph score (Ink); Manuscript and holograph parts (Ink). There are slight differences between the two scores. Accompanied by 2 notes from Pamela Gearhart (1 leaf each).
3 059 Gearhart, Livingston
Resultant tones (?)
[between 1976 and 1996]

1 ms. score ([2] leaves) ; 28-31 cm.
For 2 unspecified treble instruments. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Third stave with resultant tones is taped onto the score. Holograph (Pencil).
3 060 Gearhart, Livingston
Uniform title: Ricercare, oboes (2), English horn
Ricercare : 2 ob. + c.a.
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 31 cm.
Alternate title: Air.
Alternate title: Bachianas Buffaloras.
For 2 oboes and English horn. Caption title. Originally received in a folder with Air (Bachianas Buffaloras) for oboe and English horn. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil); Holograph (Photocopy). Second page of ms. score missing; accompanied by 1 ms. photocopy of score ([2] p.) which includes the second page. Accompanied by index card from Pamela Gearhart (1 leaf).
3 061 Gearhart, Livingston
Uniform title: Sambo (Sketches)
Little red riding, or Black Sambo : accumulate
[between 1940 and 1960]

1 folder ([6] ms. sketches) ; 32 cm.
Alternate title: Accumulate.
Alternate title: Little red riding hood.
Alternate title: Little black sambo.
Alternate title: Black sambo.
Instrumentation not specified on score. Suggested instrumentation from caption of 4th sketch: 3 trombones, trumpet, bass sax. Other instrumentations from sketches include child's voice, woman's voice, clarinet, and bass clarinet. Caption and uniform titles from accompanying leaf from Pamela Gearhart. Other titles include Orig. Sambo sketches ; Little red riding hood (formerly Sambo). Holograph (Pencil). Accompanied by 1 typescript ([1] leaf) of monologue to be read by [Bill] Bivens ; 1 typescript of story ([6] p).
3 062 Gearhart, Livingston
Uniform title: Shiru (Sketches)
Shiru
[between 1940 and 1960]

1 ms. score ([3] p.) ; 28 cm.
Alternate title: First line of text: Mizmore: Shiru ladonay.
Possibly for cantor, chorus, and organ. Caption title. Holograph (Pencil).
3 063 Gearhart, Livingston
Short suite
[1966]

1 ms. score (5 p., [5] p.) ; 32 cm. + 5 ms. parts ; 34 cm.
For string orchestra. Cover title from score Parts reproduced from holograph. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil); Holograph parts (Ozalid reproductions). Accompanied by 1 pamphlet about Baird Youth Chamber Players ; 6 photocopied newspaper clippings from August 8, 1966, Thursday, August 11, 1996, August 12, 1966, and August 19, 1966.

Contents: Energico -- Siciliano one -- Siciliano two -- Energico.

3 064 Gearhart, Livingston
Sicilienne
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 35 cm. + 2 ms. parts ; 35, 29 x 38 cm.
Alternate title: Caption title from ms. part: Sicilienne : canon 4-in-2.
Alternate title: Fanfare.
Alternate title: Habañera de Honolulu.
Instrumentation not specified on score. Suggested instrumentation from bottom of "Revision 91" part: for pairs of: flutes and alto flutes, alto and tenor saxophones, clarinets and English horns, E♭ and B♭ clarinets, clarinets and alto saxes. Caption title from part. Parts written on double staves. Includes note from Pamela Gearhart indicating this could be performed as part of a suite. The other works include Fanfare and Habañera de Honolulu, both of which are for similar suggested instrumentations. "Livingston Gearhart 1996"--Copyright stamp on every page. "Revision 91"--Caption title of oblong score. "LG 1995 final"--At bottom of part in alternate key. Holograph (Pencil). Accompanied by: 2 photocopied parts in original key ([2] leaves); 1 photocopied score with extra stave ([1] leaf); 2 notes from Pamela Gearhart (1 leaf each).
3 065 Gearhart, Livingston
Uniform title: Silent (Sketches)
Silent : may the wds.
[between 1940 and 1960]

1 ms. score ([3] p.) ; 28 cm.
Alternate title: May the wds.
Alternate title: May the words.
Sketch lacks instrumentation. Title from accompanying leaf. Holograph (Pencil).
3 066 Gearhart, Livingston
Siloloquoy [sic]
[194-?]

[1] leaf of ms. music ; 36 cm.
For oboe. Caption title. Holograph (Ink).
3 067 Gearhart, Livingston
Uniform title: Sonatas, oboes (2) (1940)
Sonata for 2 oboes
[1940]

1 ms. score ([7] p.) ; 35 cm.
Caption title. Manuscript (Ink). Accompanied by note (1 leaf) outlining the history of the piece.
3 068 Gearhart, Livingston
Uniform title: Sonatas, oboes (2) (1942)
Sonata in stilo eclectigo : 4 movements : for 2 oboes or 2 saxophones
1942

1 ms. score ([6] leaves, 4 p.) ; 32-33 cm.
Alternate title: Title from accompanying note from Pamela Gearhart: Sonata for 2 oboes.
Cover title. Based on Gearhart's Sonata for 2 oboes from 1940. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Ink); Holograph (Pencil). Accompanied by 1 photocopy of ms. score with Livingston Gearhart's annotations for saxophone duo; note from Pamela Gearhart (1 leaf).
3 069 Gearhart, Livingston
Song of the train
[between 1940 and 1960]

1 ms. score ([3] p.) ; 35 cm.
Alternate title: First line of text: Clickety clack, clickety clack, racing down the railroad track.
For voice, 2 violins and 2 violoncelli. Caption title. Holograph (Pencil).
3 070 Gearhart, Livingston
Studies on intervals of the scale
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 30 cm.
For two treble instruments with B♭ and A instrument transpositions. Title from inscription in caption. Incomplete ; appears to be final page of work of unknown length. "Livingston Gearhart 1996"--Copyright stamp. Holograph (Photocopy).
3 071 Gearhart, Livingston
Uniform title: Study, pianos (2), 8 hands
Study : 2 pianos, 8 hands
[between 1976 and 1996]

1 ms. score (1 leaf) ; 31 x 46 cm. + 2 ms. parts ; 31 cm.
Title from accompanying leaf from Pamela Gearhart. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by a note from Pamela Gearhart (1 leaf).
3 072 Gearhart, Livingston
Suite from "Retchworth"
[between 1950 and 1962]

1 ms. score ([6] leaves) ; 32 cm.
For two violas. Title from first page. Reproduced from holograph. Holograph (Photocopy). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).

Contents: I kid you not / H.O. Brown -- Petite valse / U.G.H. Puccini -- Three fingers of wry / I.W. Harper -- The Martyr-wagon / O.F.F. Tophead.

4 073 Gearhart, Livingston
Unidentified incomplete musical part for piano
[between 1940 and 1960?]

[2] p. of ms. music ; 32 cm.
Sketches in piano format; intended instrumentation unknown. Title supplied by cataloger. Holograph (Pencil).
4 074 Gearhart, Livingston
Unidentified musical part in treble clef
[between 1940 and 1960?]

[1] leaf of ms. music ; 32 cm.
With cues for piano accompaniment. ; intended instrumentation unknown. Title supplied by cataloger. Manuscript (Ink).
4 075 Gearhart, Livingston
Unidentified musical sketch for orchestra
[between 1940 and 1960?]

1 ms. score ([3] p.) ; 34 cm.
Sketch for orchestra. Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp. Holograph (Pencil).
4 076 Gearhart, Livingston
Unidentified musical sketches
[between 1940 and 1960?]

1 folder (4 fascicles).
Sketches in piano format; instrumentation not specified on score. Title supplied by cataloger. Holograph (Pencil).

Contents: Fascicle 1. 6 notated pages of ms. sketches, possibly an arrangement for two pianos of an existing work -- Fascicle 2. 4 pages numbered 11-14 of ms. sketches, either an altered version of a solo piano part for a work for piano and accompaniment, or a single piano part for a two-piano arrangement of an existing work -- Fascicle 3. 3 pages numbered 1-3 of ms. sketches for what may be a complete solo piano work or a single piano part for a two-piano arrangement -- Fascicle 4. 6 pages of ms. sketches possibly for a complete work for solo piano.

4 077 Gearhart, Livingston
Unidentified musical sketches for bass clef instrument and piano
[between 1940 and 1960?]

2 ms. scores ; 35 cm.
Sketches possibly for bass clef instrument with piano accompaniment; same melodic line with two different accompaniments. Title supplied by cataloger. Holograph (Pencil).
4 078 Gearhart, Livingston
Unidentified musical sketches for two pianos
[19--]

1 folder.
Sketches for 2 pianos. Title supplied by cataloger. Holograph (Pencil).

Contents: [Gigue from French suite no. 5, BWV 816 / Johann Sebastian Bach -- Flight of the bumblebee / Rimsky-Korsakov] -- Waitin' for the evenin' mail -- [Untitled sketch -- We three kings].

4 079 Gearhart, Livingston
Unidentified musical sketches in two stave, piano format
[between 1940 and 1960?]

1 folder ([8] p. of ms. music) ; 32-34 cm.
Intended instrumentation unknown. Title supplied by cataloger. Holograph (Pencil).
4 080 Gearhart, Livingston
Unidentified musical sketches possibly for piano
[between 1940 and 1950?]

[3] leaves of ms. music ; 32 cm.
Sketches chiefly in piano format; instrumentation not specified on score. Title supplied by cataloger. Holograph (Pencil).
4 081 Gearhart, Livingston
Unidentified musical sketches possibly for woodwinds
[between 1950 and 1970?]

1 folder (3 ms. scores).
Interlude is for 2 oboes and English horn. Instrumentation for Epilogue not specified on score. Untitled piece in condensed score format possibly for woodwind quintet. Title supplied by cataloger. Holograph (Pencil).

Contents: Interlude -- Epilogue -- [Untitled piece].

4 082 Gearhart, Livingston
Unidentified sketches, commercial + jazz : piano + instrumental
[between 1940 and 1960?]

1 folder (27 notated pages).
Various musical sketches for unspecified instrumentations. Title from accompanying leaf. Holograph (Pencil).
4 083 Gearhart, Livingston
Unidentified transcription or arrangement for string orchestra
[between 1960 and 1980?]

1 ms. score ([1] leaf) ; 34 cm.
Sketch possibly for string orchestra ; instrumentation not specified on score. Title supplied by cataloger. Features tutti and solo passages. Holograph (Pencil).
4 084 Gearhart, Livingston
Untitled musical piece for AATT saxophones
[between 1976 and 1996]

1 ms. score (4 leaves) ; 30 x 38 cm.
Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
4 085 Gearhart, Livingston
Untitled musical piece for band
[between 1950 and 1970?]

1 ms. score (10 p.) ; 51 cm.
Title supplied by cataloger. Holograph (Pencil).
4 086 Gearhart, Livingston
Untitled musical piece for four saxophones
[between 1976 and 1996]

1 ms. score ([3] leaves) ; 31 x 46 cm + 4 ms. parts ; 32 cm.
For soprano, alto, tenor, and baritone saxophones. Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
4 087 Gearhart, Livingston
Untitled musical work for piano in B-flat minor
[between 1940 and 1960?]

[8] p. of ms. music ; 35 cm.
Alternate title: Title from caption: Adagio.
Title supplied by cataloger. Holograph (Pencil)
4 088 Gearhart, Livingston
Untitled musical work for two pianos
[between 1940 and 1960?]

2 ms. scores + 2 ms. parts ; 35 cm.
Two fragments from an unidentified work. Fragment one bears a note which refers to the score as an overture ; there are additional notes indicating stage actions. The parts for second piano. Title supplied by cataloger. Holograph (Pencil); Holograph (Ink). Accompanied by 2 additional ms. sketches.
4 089 Gearhart, Livingston
Variations on an American air
[1962?]

1 score ([3], 16, 10, 7, 11, 5 p.) ; 33 cm.
For orchestra. Reproduced from holograph. "Supplied on loan only"--Cover. Accompanied by 3 p. of photocopied newspaper clippings from Aug. 14, 1962 from the Chautauquan Daily, Oct. 17, 1962, Dec. 29, 1962, Jan. 6, 1963 from the Buffalo Courier-Express, Jan. 7, 1963, Feb. 1963 ; 1 photocopied catalog from Music Sales Group.
[Delaware Water Gap, Pennsylvania] : Shawnee Press

Contents: In the style of : Minuet from Suite in D minor / J.S. Bach (1:45) ; Finale, Symphony #1775 / F.J. Haydn (2:10) ; Epilogue, Aus "Jaencke Der Dudelsackspieler" / J. Brahms (2:35) ; Janko Dudonov Overture to Act XXIV / M. Moussorgsky (1:10) ; Piece en Forme De Bolero / M. Ravel (2:30) ; "Stop yanking my heart" / G. Gershwin (1:30).

4 090 Gearhart, Livingston
Uniform title: Variations on an American air. Walk-on music
"Walk-on music" :(Intro) : for Variations on an American air
[1962?]

1 score (3 p.) + 18 parts ; 32 cm.
For orchestra. Cover title. Based on Yankee Doodle. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Photocopy).
4 091 Gearhart, Livingston
Uniform title: Variations on London bridge, flutes (3)
Variations on London bridge
[between 1950 and 1970]

1 ms. score ([6] leaves) ; 32 cm.
For 3 flutes. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).

Contents: Low bridge blues I -- Low bridge blues 2 -- Allegretto from the "Suspension" Symphony / nach F.J. Haydn.

5 092 Gearhart, Livingston
Uniform title: Variations on London bridge, string orchestra
Variations on London bridge
[between 1990 and 2004]

1 folder (11 scores ; 10 sets of parts (5 each)).
Alternate title: London bridge is falling down.
For string orchestra. Caption title. Scores vary in format from 46 cm. oblong to 41 cm. The Stravinsky variation was completed by Fritz Gearhart in 2004. Folder lacks parts for Stravinsky variation. Holograph (Pencil). Accompanied by 2 leaves of ms. sketches.

Contents: Fuga sopra Pons Londinii Cadit -- Handel -- Haydn -- Fileuse (on Perpetuum mobile) -- Brahms -- Chopin -- Rachmaninoff -- Ravel -- Feierlich [in the style of] Hindemith -- [Johann] Strauss -- Stravinsky.

5 093 Gearhart, Livingston
Victimae pascale laudes : organ
[between 1976 and 1996?]

3 leaves of ms. music ; 32 cm.
Cover title. "For Michael [Burke]"--Cover. Holograph (Pencil). Accompanied by [4] leaves of ms sketches ; [1] leaf of ms. music of the original chant ; 1 photocopied score of original chant (1 leaf).
5 094 Gearhart, Livingston
Uniform title: V'sham'ru (Sketches)
V'sham'ru
[between 1940 and 1960]

1 ms. score ([3] p.) ; 28 cm.
Alternate title: First line of text: V'sham'ru v'nay yisraaye.
Possibly for cantor and organ. Caption title. Holograph (Pencil).
5 095 Gearhart, Livingston
Where are y' goin'? : for mixed voices (S.A.T.B.)
1957

1 score (7 p.) ; 27 cm.
Alternate title: First line of text: Where a y' goin', my pretty little miss.
With piano accompaniment. Cover title. Duration: ca. 1:50.
Delaware Water Gap, Pennsylvania : Shawnee Press
5 096 Gearhart, Livingston
Uniform title: Whimsies (Sketches)
Three whimsies
[between 1940 and 1960]

1 folder ([5] ms. sketches) ; 32-35 cm.
Alternate title: Whimsies.
Alternate title: Title from sketch: Begin the begine.
Possibly for piano solo or 6 clarinets and string bass. Caption title. Holograph (Pencil); Manuscript (Ink).
5 097 Hosianna! : S.A.T.B. accompanied : Swedish tune
1956

1 score (8 p.) ; 27 cm.
Caption title.
Delaware Water Gap, Pennsylvania : Shawnee Press
English words with tone syllables.
5 098 Uniform title: Jan Pieriewiet; arr.
Jan Pieriewiet
[between 1950 and 1970?]

1 ms. score ([2] folded leaves) ; 32 cm.
For 3 voices with piano accompaniment. Caption title. Caption: So. Africa (Marais: p.10). Probable source: Songs from the veld : fourteen songs from South Africa / arranged by Josef Marais. Holograph (Pencil). Accompanied by 1 note from Livingston Gearhart (1 leaf).
5 099 Just as the tide was flowing : Eng. folk song
[between 1966 and 1986?]

1 ms. score (3 p.) ; 32 cm.
Alternate title: First line of text: One morning in the month of May.
Instrumentation not specified on score. Possibly for 3-part women's choir with piano accompaniment. Caption title. Holograph (Pencil). Accompanied by 1 note from Livingston Gearhart (1 leaf) dated Aug. 22, 1986.
5 100 Klein, Philip G
Had a lot o' help from the Lord
1965

1 score (8 p.) ; 27 cm.
Alternate title: First line of text: Now, David did Goliath slay without a shining sword.
For SATB chorus with piano accompaniment. Cover title. Duration: ca. 2:30.
Delaware Water Gap, Pennsylvania : Shawnee Press
5 101 The lights of Hanukah
1971

1 score (11 p.) ; 27 cm.
With piano accompaniment. Caption title.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Hanukah candles / text by Joyce Merman -- The lights of Hanukah -- Kindle the taper / text adapted by Emma Lazarus.

5 102 Uniform title: Marines' hymn; arr.
Marine's hymn
[between 1940 and 1950]

1 ms. score (3 leaves) ; 32 cm.
Alternate title: First line of text: From the halls of Montezuma.
For TB chorus with piano accompaniment. Caption title. Holograph (Pencil) Accompanied by 1 note from Pamela Gearhart (1 leaf).
5 103 Mr. Frog a courtin' he did ride : Appalachian folk song : for mixed chorus (SATB)
1948

1 score (15 p.) ; 27 cm.
Alternate title: Mister Frog a courting he did ride.
Accompaniment for piano, or for piano, 4 hands, and for fiddle ad lib. Cover title. "The four-hand accompaniment is arranged so that it can be played by one pianist"--Caption.
Delaware Water Gap, Pennsylvania : Shawnee Press
5 104 My train
1971

1 score (7 p.) ; 27 cm.
Alternate title: First line of text: My train is bound for glory, my train.
Alternate title: This train is bound for glory.
For SA, TB, or SATB voices with piano and optional guitar. Includes chord symbols. Cover title. Also known by This train is bound for glory.
Delaware Water Gap, Pennsylvania : Shawnee Press
5 105 Uniform title: Non nobis, Domine; arr.
In nobis nomine? Non nobis domine?
[between 1976 and 1996?]

1 ms. score ([1] leaf) ; 31 cm.
Alternate title: In nobis nomine.
Alternate title: Non nobis Domine.
For alto, tenor, and baritone saxophones. Previous attributed to William Byrd, "Livingston Gearhart 1996"--Copyright stamp. Holograph (Pencil).
5 106 The saga of the grey goose : choral
[between 1940 and 1960?]

1 ms. score ([24] p.) ; 31 cm.
Alternate title: First line of text: Well, now, las' Monday mornin', bless my soul.
For SATB chorus with piano accompaniment. Caption title. Holograph (Pencil).
5 107 Sh'ma
[196-?]

1 ms. score ([3] p.) ; 32 cm.
Alternate title: First line of text: Sh'ma yisraayl.
For cantor, mixed chorus (SATB), and organ. Caption title. Holograph (Pencil).
Hebrew words.
5 108 Uniform title: Star-spangled banner (Song); arr.
Whoop de do in B♭
[1977]

1 ms. score ([4] p.) ; 48 cm. + 24 ms. parts ; 8-32 cm.
Alternate title: Star-spangled banner.
Arranged for orchestra. Caption title. Words by Francis Scott Key, tune based on John Stafford Smith's To Anacreon in heaven. Holograph score (Pencil) ; Holograph parts (Ink).
6 109 Uniform title: Star-spangled banner (Song); arr.
Star spangled banner
2005

1 score (8 p.) + 58 parts ; 28 cm.
Caption title.
Grafton, Ohio : Ludwig Music Pub. Co.
6 110 Waring, Virginia
Baby boogie : for two pianos
1958

2 scores (10 p. each) ; 28 cm.
Cover title.
New York : Shawnee Press
6 111 Uniform title: We shall overcome; arr.
We shall overcome
[1968]

1 ms. score (9 p.) ; 35 cm + 28 ms. parts ; 31-33 cm.
Arranged for chorus and orchestral accompaniment. Cover title. Duration: ca. 2:20. Holograph score and part (Pencil) ; Manuscript parts (Ink). Accompanied by 1 photocopied score (9 p.) with performance annotations ; 1 note with performance instructions from Livingston Gearhart (1 leaf) ; 1 note from Pamela Gearhart (1 leaf).
6 112 Uniform title: We wish you a merry Christmas; arr.
We wish you a merry Christmas : SATB with piano accompaniment
1959

1 score (8 p.) ; 27 cm.
Caption title. Duration: ca. 1:40.
Delaware Water Gap, Pennsylvania : Shawnee Press
6 113 Uniform title: We wish you a merry Christmas; arr.
We wish you a merry Christmas : SSA with piano accompaniment
1959

1 score (7 p.) ; 27 cm.
Caption title. Duration: ca. 1:40.
Delaware Water Gap, Pennsylvania : Shawnee Press
6 114 Who built the ark? : for mixed voices and narrator, with piano, hammer and saw
1958

1 score (16 p.) ; 27 cm.
Alternate title: First line of text: Tell me who.
"[Hammer part] to be played by a timpanist with one or two hammers.... At the other end of the plank, the sawer ... saws off small blocks...."--p.2. Caption title. Based on a spiritual. Duration: ca. 3:00.
Delaware Gap, Pennsylvania : Shawnee Press
Box Folder Contents
6 115 Andersen, Eric
Uniform title: Why does the bumblebee fly; arr.
Why does the bumblebee fly?
1964

1 score (8 p.) ; 27 cm.
For mixed voices (SATB) with piano accompaniment. Cover title. Duration: ca. 2:15.
Delaware Water Gap, Pennsylvania : Shawnee Press
6 116 Arlen, Harold, 1905-1986.
Uniform title: Here come the Waves. Ac-cent-tchu-ate the positive; arr.
Ac-cent-tchu-ate the positive
1959

1 score (8 p.) ; 27 cm.
Alternate title: Accentuate the positive.
Song from the motion picture Here come the waves. Arranged for SATB chorus with piano accompaniment. Cover title. Contains tone syllables for choral enunciation.
No location stated : E.H. Morris ; Delaware Water Gap, Pennsylvania : Sole selling agent for this arrangement, Shawnee Press
6 117 Bach, Johann Sebastian, 1685-1750.
Uniform title: Brandenburgische Konzerte. Nr. 1. Adagio; arr.
Adagio : Brandenburg no. I
[between 1940 and 1960]

[6] p. of ms. music ; 35 cm.
Originally for chamber orchestra ; arranged for piano. Cover title. Holograph (Pencil).
6 118 Bach, Johann Sebastian, 1685-1750.
Uniform title: Choräle von verschiedener Art, BWV 651-668. Nun komm, der Heiden Heiland, BWV 659; arr.
Fantasia on Nun komm, der Heiden Heiland
[196-]

1 ms. score ([6] p.) + 6 ms. parts ; 9-34 cm.
Alternate title: Caption title on parts: Fantasia on a chorale.
Alternate title: Nun komm, der Heiden Heiland.
Originally a chorale prelude for organ; arranged for one solo instrument (oboe or various B♭ and C instruments) and string orchestra. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Manuscript (Ink); Manuscript (Ozalid). Accompanied by 1 note from Pamela Gearhart (1 leaf).
6 119 Bach, Johann Sebastian, 1685-1750.
Uniform title: Concertos, harpsichord, string orchestra, BWV 1056, F minor. Largo; arr.
Arioso
[between 1960 and 1980?]

1 ms. score ([3] p.) ; 35 cm.
Originally for solo harpsichord with string orchestra ; arranged for solo or multi solo celli or violi and string orchestra. Caption title. Holograph (Pencil).
6 120 Bach, Johann Sebastian, 1685-1750.
Uniform title: Concertos, harpsichord, string orchestra, BWV 1056, F minor. Largo; arr.
Arioso : viola or cello solo (single or multiple players) with string orchestra
1995

1 score (5 p.) + 34 parts ; 31 cm.
Originally for solo harpsichord with string orchestra. Caption title. Performance instructions by Fritz Gearhart precede score.
[Miami, Fla.] : Warner Bros.
6 121 Bach, Johann Sebastian, 1685-1750.
Uniform title: Concertos, harpsichord, string orchestra, BWV 1056, F minor. Selections; arr.
Concerto in F minor : orchestra
[between 1950 and 1970?]

[4] p. of ms. music ; 32 cm.
Orchestral accompaniment arranged for keyboard instrument. Contains first two movements of the concerto only. The first movement is incomplete. Caption title. Holograph (Pencil).
6 122 Bach, Johann Sebastian, 1685-1750.
Uniform title: Concertos, harpsichords (2), string orchestra, BWV 1061, C major. Adagio ovvero largo
Adagio ovvero largo
[between 1950 and 1970?]

3 ms. parts ; 31 cm.
Movement originally for two harpsichords ; parts for two violins and cello as an added accompaniment. Caption title from Violin 1 part. Holograph (Ink).
6 123 Bach, Johann Sebastian, 1685-1750.
Uniform title: Inventions, harpsichord, BWV 795, F minor; arr.
3-part invention
[between 1976 and 1996]

1 folder (3 ms. scores) ; 30-31 x 38-46, 32 cm.
Originally for harpsichord. Folder contains three arrangements: one for three saxophones, one for oboe, English horn, and French horn. Instrumentation not specified on third arrangement. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by note from Pamela Gearhart (1 leaf).
6 124 Bach, Johann Sebastian, 1685-1750.
Uniform title: Kunst der Fuge. Contrapunctus, no. 3; arr.
Art of fugue
[between 1950 and 1970?]

1 ms. score (12 p.) ; 32 cm.
Original instrumentation unspecified; arranged for orchestra. Title from accompanying leaf. Movement is unfinished. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by one note from Pamela Gearhart (1 leaf).
6 125 Bach, Johann Sebastian, 1685-1750.
Uniform title: Masses, BWV 232, B minor. Crucifixus; arr.
Passacaglia : from the B minor Mass ("Crucifixus")
[between 1950 and 1970]

1 ms. score (9 p.) ; 34 cm. + 19 ms. parts ; 31-34 cm.
Alternate title: Crucifixus.
Originally for soprano, chorus, and chamber orchestra ; arranged for orchestra. Cover title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Ink) ; Manuscript parts (Ink). Accompanied by 1 note from Pamela Gearhart (1 leaf).
6 126 Bach, Johann Sebastian, 1685-1750.
Uniform title: Orgelbüchlein. Alle Menschen müssen sterben; arr.
Chorale prelude
[between 1950 and 1970]

1 ms. score ([2] p.) ; 35 cm.
Originally for organ ; arranged for string orchestra. Caption title. Holograph (Pencil).
6 127 Bach, Johann Sebastian, 1685-1750.
Uniform title: Orgelbüchlein. Alle Menschen müssen sterben; arr.
Chorale prelude
1995

1 score (2 p.) + 41 parts ; 31 cm.
Originally for organ ; arranged for string orchestra. Caption title. Performance notes by Fritz Gearhart precede score.
[Miami, Fla.] : Warner Bros.
6 128 Bach, Johann Sebastian, 1685-1750.
Uniform title: Orgelbüchlein. Ich ruf' zu dir, Herr Jesu Christ; arr.
Ich ruf zu dir
[193-]

2 ms. parts ; 36 cm.
Originally for organ ; arranged for two pianos. Cover title from Piano 1 part. Holograph (Pencil). Accompanied by 1 index card (1 leaf) from Livingston Gearhart.
6 129 Bach, Johann Sebastian, 1685-1750.
Uniform title: Orgelbüchlein. In dir ist Freude; arr.
In dir ist Freude
[193-]

1 ms. part ; 36 cm.
Part for 2nd piano only. Originally for organ ; possibly arranged for two pianos. Caption title. Holograph (Pencil). Accompanied by 1 index card (1 leaf) presumably from Livingston Gearhart.
6 130 Bach, Johann Sebastian, 1685-1750.
Uniform title: Orgelbüchlein. In dulci jubilo; arr.
In dulci jubilo
[193-?]

1 folder (4 ms. parts) ; 36 cm.
Folder contains two settings of the chorale prelude for two pianos. Originally for organ. Caption title. Holograph (Pencil). Accompanied by [2] leaves of ms. sketches (36 cm.)
6 131 Bach, Johann Sebastian, 1685-1750.
Uniform title: Sonatas, flute, harpsichord, BWV 1031, E♭ major. Siciliano; arr.
Sicilienne
[between 1940 and 1960]

[2] p. of ms. music ; 35 cm.
Arranged for 2 pianos ; part for Piano 1 only. Caption title. Holograph (Pencil).
6 132 Bach, Johann Sebastian, 1685-1750.
Uniform title: Suites, orchestra, BWV 1067, B minor. Sarabande; arr.
B minor suite for flute : 4 voices reduced to 3
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 31 x 46 cm.
Instrumentation not specified on score. Originally for orchestra ; possibly for woodwinds. Caption title from accompanying photocopy of score. Holograph (Pencil). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
6 133 Bach, Johann Sebastian, 1685-1750.
Uniform title: Suites, violoncello, BWV 1007, G major. Allemande; arr.
Praeludium : Gregor and Jascha / Bach ; [arranged by Livingston Gearhart].
[198-]

2 ms. scores + 1 ms. part ; 32 cm.
Originally for solo violoncello ; arranged for violoncello with either violin or viola accompaniment. Cover title. Part for violin. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 2 photocopied scores prepared for use as parts ; 1 note from Pamela Gearhart (1 leaf).
6 134 Bach, Johann Sebastian, 1685-1750.
Uniform title: Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Kyrie, Gott heiliger Geist, BWV 671 (Sketches); arr.
Kyrie, Gott heiliger Geist
[194-]

2 ms. parts ; 35 cm.
Originally for organ ; arranged for two pianos. Caption title. Arrangement is unfinished and consists of the opening 5 measures. Holograph (Pencil).
7 135 Bach, Johann Sebastian, 1685-1750.
Uniform title: Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Wir glauben all an einen Gott, BWV 680; arr.
Praeludium
[between 1950 and 1970?]

1 ms. score (20 p.) ; 35 cm.
Originally for organ ; arranged for orchestra. Caption title. Holograph (Pencil).
7 136 Bach, Johann Sebastian, 1685-1750.
Uniform title: Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Wir glauben all an einen Gott, BWV 680; arr.
Praeludium
1976

1 score (22 p.) + 59 parts ; 28 cm.
Originally for organ ; arranged for orchestra. Cover title from score. Duration: ca. 3:45. Program and biographical notes precede score.
Delaware Water Gap, Pennsylvania : Shawnee Press
7 137 Bach, Johann Sebastian, 1685-1750.
Uniform title: Widerstehe doch der Sünde. Widerstehe doch der Sünde; arr.
Keep on fighting sin : Cantata #54
[between 1980 and 1982]

1 ms. score ([7] p.) + 8 ms. parts ; 32 cm.
Originally for alto solo and string orchestra ; arranged for solo instrument (voice, horn, English horn, or alto saxophone) with string orchestra. Caption title from score. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil) ; Holograph (Ink). Accompanied by 1 note from Pamela Gearhart (1 leaf).
7 138 Berlioz, Hector, 1803-1869.
Uniform title: Benvenuto Cellini. Selections; arr.
Selections from Benvenuto Cellini : arranged for two pianos, four hands
[193-]

1 ms. score ([21] p.) ; 33-35 cm. + 1 ms. part (17 p.) ; 35 cm.
"2 or 3 excerpts from Benvenuto Cellini (Berlioz) to replace orch. (with 2 pianos) at a Boulanger event"--Accompanying note from Pamela Gearhart. Title supplied by cataloger. Part for second piano only, the part contains music missing from the score. Holograph (Pencil).
7 139 Boccherini, Luigi, 1743-1805.
Uniform title: Quintets, violins, viola, violoncellos, G. 310, C major. Rondeau; arr.
Quintet in C (Finale) as a Konzertstück
[197-]

1 ms. score (14 p.) + 7 ms. parts ; 32 cm.
Originally for string quintet ; parts composed for string orchestra to accompany the 1st violoncello part ; there is no part for the solo violoncello included. Cover title from score. "Livingston Gearhart 1996"--Copyright stamp on every page.. Holograph score (Pencil) ; Manuscript parts (Ink). Accompanied by 1 note from Pamela Gearhart (1 leaf).
7 140 Brahms, Johannes, 1833-1897.
Uniform title: Canons, women's voices, op. 113. No. 1; arr.
Canon, op. 114 [i.e. op. 113, no. 1]
[between 1970 and 1990]

1 ms. score ([6] p.) ; 35 cm.
Originally for women's voices ; arranged for orchestra. Cover title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).
7 141 Brahms, Johannes, 1833-1897.
Uniform title: Quintets, violins, violas, violoncello, op. 111, G major. Adagio; arr.
Adagio, op. 111
1973

1 score (18 p.) + 1 condensed score (8 p.) + 29 parts ; 28 cm.
Originally for string quintet ; arranged for orchestra. Cover title. Duration: ca. 6:15. Note about the transcription on p. [2] of score.
Delaware Water Gap, Pennsylvania : Shawnee Press
7 142 Broadway threesome
[197-?]

1 ms. score (7 leaves) ; 30 x 38 cm.
Medley arranged for oboe and string quartet from the songs I loves you, Porgy, by George Gershwin, All the things you are, by Jerome Kern, and Fascinating rhythm, by George Gershwin. Title from additional leaf. Includes additional leaf with title of collection and songs as well as a ms. sketch of the final measures. "Written for Ronald Richards"--Enclosed slip. Holograph (Pencil).
7 143 Brubeck, Dave
Uniform title: Nomad; arr.
Nomad : orchestration
[196-]

1 ms. score (14 p.) ; 34 cm. + 21 ms. parts ; 28 cm.
Originally for clarinet, trombone, and bass ; arranged for orchestra. Cover title. Holograph score (Pencil) ; Photocopied parts reproduced from holograph. Accompanied by 1 score (only 1 page partially completed) with unfinished changes for revision ; 1 color photocopy of score (14 p.) ; 1 letter from Dave Brubeck to Pamela Gearhart (1 leaf) ; 2 notes from Pamela Gearhart (1 on envelope ; 1 leaf each).
7 144 Brubeck, Dave
Uniform title: Ostinato; arr.
Ostinato
[196-]

1 ms. score ([18] p.) ; 49 cm.
Arranged for orchestra. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note presumably from Livingston Gearhart (1 leaf) ; 1 index card from Pamela Gearhart (1 leaf).
7 145 Brubeck, Dave
Uniform title: Watusi drums; arr.
Watusi drums
1966

1 score (24 p.) ; 28 cm. + 2 condensed scores (8 p. each) ; 18-28 cm. + 58 parts ; 28 cm.
Cover title. Duration: ca. 3:00. Accompanied by 1 note from Dave Brubeck to Livingston Gearhart dated Sept. 2, 1965 (1 leaf).
Delaware Water Gap, Pennsylvania, Shawnee Press
8 146 Chausson, Ernest, 1855-1899.
Uniform title: Poème, violin, orchestra; arr.
Poème
[1989]

1 ms. score (26 p.) ; 31-32 cm.
Originally for violin and orchestra; arranged for violin and piano. Cover title. Holograph (Pencil). Accompanied by 1 letter from Fritz Gearhart (1 leaf).
8 147 Chausson, Ernest, 1855-1899.
Uniform title: Poème, violin, orchestra; arr.
Poème for violin and piano
2009

1 score (26 p.) ; 28 cm.
Originally for violin and orchestra; arranged for violin and piano. Cover title. "The piano reduction was written by Livingston Gearhart in 1989"--Notes on cover verso.
[United States] : Anyares Pub.
8 148 Christy, Edwin Pearce, 1815-1862.
Uniform title: Good night, ladies; arr.
Good night, ladies : for SAB with four-hand piano accompaniment
1964

1 score (7 p.) ; 27 cm.
Alternate title: Farewell ladies.
Caption title. Words and melody by Edwin Pearce Christy, also know by the title Farewell ladies. Duration: ca. 2:15.
Delaware Water Gap, Pennsylvania : Shawnee Press
8 149 De Curtis, Ernesto, 1875-1937.
Uniform title: Torna a Surriento; arr.
Come back to Sorrento?
[between 1976 and 1996]

1 ms. score ([3] p.) ; 35 cm.
For alto, tenor, and baritone saxophones. Caption title. "Not sure"--Caption. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).
8 150 Debussy, Claude, 1862-1918.
Uniform title: Dances, piano; arr.
Danse : orchestration
[196-]

1 ms. score (44 p.) ; 35 cm. + 28 ms. parts ; 31-33 cm.
Originally for piano ; arranged for orchestra. Cover title. "For U.B. orch. -- late 60's (we had good French horns!). Used for Ithaca College -- 1975? Used for Community Music School orch -- 60s"--Accompanying leaf. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil), additional annotations in red and blue pencil. Includes 4 ms. leaves of revisions dated 1976.
8 151 Debussy, Claude, 1862-1918.
Uniform title: Mandoline; arr.
Mandoline
[between 1960 and 1980?]

1 ms. score (14 p.) ; 32 cm.
Originally for voice and piano ; arranged for low voice and string orchestra. Cover title. Holograph (Pencil). Accompanied by 1 typewritten note (1 leaf) presumably from Livingston Gearhart.
Score lacks words ; presumably meant to be sung in French.
8 152 Debussy, Claude, 1862-1918.
Uniform title: Preludes, piano, book 1. Fille aux cheveux de lin; arr.
La fille aux cheveux du lin
[between 1977 and 1978]

1 ms. score ([4] p.) + 7 ms. parts ; 32 cm.
Originally for solo piano ; arranged for solo violin with string orchestra accompaniment. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf).
8 153 Delius, Frederick, 1862-1934.
Uniform title: Brigg Fair; arr.
Brigg fair : for two pianos, four hands
[between 1940 and 1960?]

1 ms. score ([4] p.) ; 34 cm.
Originally for orchestra. Title supplied by cataloger. Arrangement is unfinished. Holograph (Pencil).
8 154 Farnaby, Giles, ca. 1565-1640.
Uniform title: For two virginals
For 2 virginals
[between 1935 and 1940]

1 ms. score ([1] leaf) ; 34 cm.
For two pianos. Caption title. Holograph (Pencil).
8 155 Fattorini, Gabriele
Uniform title: Ricercare del nono tono
Ricercar
[between 1976 and 1996]

1 ms. score ([1] leaf) ; 35 cm.
Transcribed for SATT saxophones. Caption title. "Livingston Gearhart 1996"--Copyright stamp. Holograph (Pencil).
8 156 Fauré, Gabriel, 1845-1924.
Uniform title: Pavan, orchestra, op. 50, F♯ minor; arr.
Pavane, op. 50
[between 1960 and 1972]

1 ms. score ([16] p.) ; 32 cm.
Originally for chorus and orchestra ; arranged for orchestra. Caption title. Reproduced from holograph. Accompanied by 1 typescript (1 leaf) of technical information from Livingston Gearhart ; 1 analysis of the work (1 leaf) by Livingston Gearhart.
8 157 Fauré, Gabriel, 1845-1924.
Uniform title: Pavan, orchestra, op. 50, F♯ minor; arr.
Pavane
1972

1 score (20 p.) + 50 parts ; 29 cm.
Cover title. Arrangement simplified for youth orchestra. Arrangement supplied for the Community Music School Orchestra, Buffalo, N.Y. Includes note on the transcription by the publisher. Duration: ca. 6:00.
Delaware Water Gap, Pennsylvania : Shawnee Press
8 158 Fauré, Gabriel, 1845-1924.
Uniform title: Pavan, orchestra, op. 50, F♯ minor; arr.
Pavane
1972

1 condensed score (8 p.) ; 17 cm.
Cover title. Arrangement simplified for youth orchestra. Arrangement supplied for the Community Music School Orchestra, Buffalo, N.Y. Includes note on the transcription by the publisher. Duration: ca. 6:00.
Delaware Water Gap, Pennsylvania : Shawnee Press
8 159 Fauré, Gabriel, 1845-1924.
Uniform title: Pièces brèves. Adagietto; arr.
Elegie, op. 84
[1972]

1 ms. score ([5] p.) + 2 ms. parts ; 32 cm.
Originally for piano ; arranged for string orchestra. Cover title. Parts for violoncello and bass only. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil) ; Bass part reproduced from holograph. Accompanied by 1 note from Pamela Gearhart (1 leaf).
8 160 Ferling, Franz Wilhelm, 1796-1874.
Uniform title: Etudes, oboe, op. 31. Selections; arr.
Four etudes for oboe and piano
[between 1995 and 1996]

4 ms. scores ; 35 cm.
Originally for solo oboe ; arranged for oboe with piano accompaniment. Includes #1, #5, #13, and #27. Title supplied by cataloger. Holograph (Pencil). Accompanied by 3 photocopied letters (1 leaf each) from John de Lancie ; 1 photocopied note from Pamela Gearhart (1 leaf) ; 1 photocopy of Ferling's published score (3 leaves) ; 1 photocopied note from Livingston Gearhart (1 leaf) ; 1 photocopied score of Etude #1 with annotations (3 leaves).
9 161 Fischer, Johann, 1646-1716 or 17.
Uniform title: Tafel-Musik. No. 14; arr.
Antiques refinished : Marche
[1978]

5 ms. parts ; 32 cm.
Alternate title: Antiques refinished for wind quartet [i.e. quintet].
Alternate title: Refinished antique.
Alternate title: Marche.
Originally for 4 unspecified instruments, possibly a combination of strings and winds; arranged for oboe, English horn, horn, and 2 bassoons. "Livingston Gearhart 1996"--Copyright stamp on every page. Manuscript (Ink).
9 162 Fischer, Johann, 1646-1716 or 17.
Uniform title: Tafel-Musik. No. 14; arr.
March : an antique refinished
[1978]

1 ms. score ([8] p.) + 4 ms. parts ; 32 cm.
Alternate title: Antiques refinished for brass quartet.
Alternate title: Antique refinished.
Alternate title: Caption subtitle on parts: Refinished antique.
Originally for 4 unspecified instruments, possibly a combination of strings and winds; arranged for two trumpets, horn, and trombone. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Date in caption on trumpet parts: 1978. Holograph (Pencil). Accompanied by: [4] p. of manuscript sketches (27 cm.).
9 163 Fischer, Johann, 1646-1716 or 17.
Uniform title: Tafel-Musik. No. 14; arr.
March : an antique refinished
1998

1 score (5 p.) + 4 parts ; 27 cm.
Alternate title: Antique refinished.
Originally for 4 unspecified instruments, possibly a combination of strings and winds; arranged for 2 trumpets, horn, and trombone. Duration: ca. 2:00.
Delaware Water Gap, PA : Concert Works Unlimited
9 164 Goodale, Walter S
Uniform title: Alma mater song; arr.
U.B. alma mater
[1964?]

1 ms. score (5 p.) ; 35 cm.
Alternate title: University at Buffalo alma mater.
Arranged for wind ensemble. Cover title. Holograph (Pencil).
9 165 Gounod, Charles, 1818-1893.
Uniform title: Ave Maria (Vocal version); arr.
And a little child shall lead them : Ave maria : for a small pianist, with chorus SATB
[between 1950 and 1970]

1 ms. score (6 leaves) ; 32 cm.
Alternate title: Ave maria.
For solo piano with SATB accompaniment. Caption title. Gounod's work based on J.S. Bach's Prelude no. 1 from the first book of the Well-Tempered Clavier. Holograph (Pencil). Accompanied by 1 typescript note (1 leaf) from Livingston Gearhart about the piece.
Latin words.
9 166 Grean, Charles R
Uniform title: Thing; arr.
The thing
1960

1 score (12 p.) ; 27 cm.
Alternate title: First line of text: While I was walking down the beach.
For SATB chorus with piano accompaniment. Cover title. Includes tone syllables to be used as a choral enunciation aid. Duration: ca. 2:30. Performance note on p. [2] of cover.
Delaware Water Gap, Pennsylvania : Shawnee Press
9 167 Harrison, Annie Fortescue, 1851-1944.
Uniform title: In the gloaming; arr.
In the gloaming
[between 1950 and 1970]

1 ms. score ([2] p.) ; 32 cm.
For TTBB chorus, unaccompanied. Caption title. Words by Meta Orred. Holograph (Pencil).
9 168 Haydn, Joseph, 1732-1809.
Uniform title: Schöpfung. Himmel erzählen die Ehre Gottes. English; arr.
The spacious firmament
1965

1 score (11 p.) ; 27 cm.
For SATB chorus with piano or organ. Caption title. Duration: ca. 4:00.
Delaware Water Gap, Pennsylvania : Shawnee Press
9 169 Holst, Gustav, 1874-1934.
Uniform title: Double concerto. Variations on a ground; arr.
Variations over a ground
[between 1960 and 1970]

1 ms. score (20 leaves) ; 22-35 cm.
Arranged for orchestra. Cover title. "Livingston Gearhart 1996"--Copyright stamp on every page. Reproduced from holograph. Accompanied by 2 notes (1 leaf each) from Livingston Gearhart about the piece ; 1 photocopied newspaper clipping from the Buffalo Evening News dated Dec. 12, 1970 (1 leaf) ; 1 concert program (1 leaf) titled Grounds for diversity dated Dec. 10, 1970.
9 170 Johnson, J. Rosamond (John Rosamond), 1873-1954.
Uniform title: Dry bones; arr.
Dry bones
[between 1940 and 1950?]

2 ms. parts ; 31 cm.
Traditional song with music adapted by J. Rosamond Johnson. Piano parts to accompany the published SATB chorus version. Caption title. Holograph (Pencil). Accompanied by [1] leaf of ms. sketches
9 171 Johnson, J. Rosamond (John Rosamond), 1873-1954.
Uniform title: Dry bones; arr.
Dry bones : 2nd piano : TTBB
[between 1940 and 1950?]

[2] leaves of ms. music ; 31 cm.
Traditional song with music adapted by J. Rosamond Johnson. 2nd piano part arranged to accompany the published TTBB chorus version. Caption title. Holograph (Pencil).
9 172 Johnson, J. Rosamond (John Rosamond), 1873-1954.
Uniform title: Dry bones; arr.
Dry bones : a rhythmic spiritual : for men's glee club
[c1946]

1 score (19 p.) ; 27 cm.
Traditional song with music adapted by J. Rosamond Johnson. For chorus (TTBB), double bass (ad.lib.), percussion and piano. "Based upon the version of the Delta Rhythm Boys." "A Fred Waring arrangement."
New York : Shawnee Press
9 173 Johnson, J. Rosamond (John Rosamond), 1873-1954.
Uniform title: Dry bones; arr.
Dry bones : a rhythmic spiritual : for mixed voices
[l946]

1 score (19 p.) ; 27 cm.
Traditional song with music adapted by J. Rosamond Johnson. Cover title. For chorus (SATB), string bass (ad. lib.), percussion and piano. "Based upon the version of the Delta Rhythm Boys." "A Fred Waring arrangement."
Delaware Water Gap, Pennsylvania : Shawnee Press
9 174 Johnson, J. Rosamond (John Rosamond), 1873-1954.
Uniform title: Dry bones; arr.
Dry bones : SAB with piano accompaniment
1960

1 score (19 p.) ; 27 cm.
Traditional song with music adapted by J. Rosamond Johnson. Caption title. Includes optional percussion parts. Duration: ca. 2:30.
Delaware Water Gap, Pennsylvania : Shawnee Press
9 175 Johnson, J. Rosamond (John Rosamond), 1873-1954.
Uniform title: Dry bones; arr. English and Japanese
Dry bones
1946

1 score (39 p.) ; 26 cm.
Traditional song with music adapted by J. Rosamond Johnson. For chorus (TTBB), double bass (ad.lib.), percussion and piano. Score presented twice : once in F major, once in B♭ major. Performances notes precede score.
Delaware Water Gap, Pennsylvania : Shawnee Press ; Tokyo : Toa Music
English and Japanese words.
9 176 Joplin, Scott, 1868-1917.
Uniform title: Pine apple rag; arr.
½ of Pine apple rag is enough?
[between 1976 and 1996]

1 ms. score ([2] p.) ; 35 cm. + 4 ms. parts ; 32 cm.
Alternate title: One half of Pine apple rag is enough.
Alternate title: Pine apple rag.
For AAT saxophones with optional baritone saxophone part. Caption title. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil) ; Manuscript parts (Pencil).
9 177 Keeney, Wendell, 1903-
Uniform title: Mountain tune; arr.
Mountain tune
[between 1930 and 1936]

2 ms. parts ; 32-35 cm.
Arranged for 2 pianos, 4 hands. Caption title. Holograph (Pencil). Accompanied by 1 photocopy of 1st piano part ([4] p.).
9 178 Keeney, Wendell, 1903-
Uniform title: Mountain tune; arr.
Mountain tune : two pianos, four-hands
1936

2 scores (11 p. each) ; 31 cm.
New York : G. Schirmer
9 179 Lyadov, Anatoly Konstantinovich, 1855-1914.
Uniform title: Russkie narodnye pesni, orchestra. Koliaa-Maleda; arr.
Alleluia : anthem for Christmas or Easter : S.A.T.B. with piano accompaniment : from "Eight Russian folk songs"
1952

1 score (8 p.) ; 27 cm.
Caption title. "Waring choir series".
Delaware Water Gap, Pennsylvania : Shawnee Press
9 180 Lyadov, Anatoly Konstantinovich, 1855-1914.
Uniform title: Russkie narodnye pesni, orchestra. Kolybelnaia; arr.
Lullaby : from eight Russian folk songs for orchestra : for humming chorus, unaccompanied
1949

1 score (4 p.) ; 27 cm.
For SATB chorus. Includes piano accompaniment for rehearsal only.
Delaware Water Gap, Penna. : Shawnee Press
9 181 MacDowell, Edward, 1860-1908.
Uniform title: Woodland sketches. To a wild rose; arr.
To a hothouse rose
[between 1945 and 1965]

1 ms. score (6 p.) ; 32 cm.
Arrangement of Edward MacDowell's piece for solo piano, To a wild rose. Possibly for two pianos, 4 hands, or SATB chorus with piano accompaniment. Optional additional instrumentation includes string bass and snare drum. Holograph (Pencil).
9 182 Marais, Josef, 1905-1978.
Uniform title: Sugarbush; arr.
Sugarbush
[between 1950 and 1970]

1 ms. score (3 leaves) ; 32 cm.
Alternate title: Sugarfoot.
Alternate title: Honey burch.
For women's chorus with piano accompaniment. Caption title. Source of the song is Marais's Songs from the veld : fourteen songs from South Africa. Holograph (Pencil).
9 183 Mendelssohn-Bartholdy, Felix, 1809-1847.
Uniform title: Quartets, strings, no. 1, op. 12, E♭ major. Canzonetta; arr.
Canzonetta
[1973]

1 ms. score ([4] p.) ; 32 cm. + 8 ms. parts ; 13-29 cm.
For string quartet with string orchestra accompaniment. Title from violin 1 part. Holograph score (Pencil) ; Holograph parts (Mimeograph). Accompanied by 1 note from Pamela Gearhart (1 leaf).
9 184 Mendelssohn-Bartholdy, Felix, 1809-1847.
Uniform title: Quartets, strings, no. 1, op. 12, E♭ major. Canzonetta; arr.
Canzonetta
[1975]

1 ms. score ([4] p.) ; 34 cm. + 10 ms. parts ; 2 cm.
For string quartet with string orchestra accompaniment. Caption title from score. "Revised 1975"--Caption. Holograph score (Pencil) ; Holograph parts (Mimeograph). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
9 185 Messiter, Arthur Henry, 1834-1916.
Uniform title: Rejoice ye pure in heart; arr.
Rejoice ye pure in heart
[between 1950 and 1970?]

1 ms. score ([3] leaves) ; 32 cm.
Arranged for SSA chorus with piano accompaniment. Caption title. Music by Arthur H. Messiter ; words by Edward H. Plumptre. Holograph (Pencil).
9 186 Monteverdi, Claudio, 1567-1643.
Uniform title: Madrigals, book 8. Lamento della ninfa
Amor
[between 1950 and 1970]

1 ms. score (7 p.) ; 32 cm.
Transcribed for women's chorus with piano accompaniment. Cover title. Holograph (Pencil). Accompanied by 1 photocopied score ([6] p.) of Monteverdi's original madrigal.
Italian words.
10 187 Mozart, Wolfgang Amadeus, 1756-1791.
Uniform title: Alleluja, K. 553
Alleluia : 4-part round
[between 1950 and 1970]

[1] leaf of ms. music ; 32 cm.
Caption title. Holograph (Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf).
10 188 Mozart, Wolfgang Amadeus, 1756-1791.
Uniform title: Don Giovanni. Madamina, il catalogo è questo; arr.
Leporello
[between 1940 and 1960]

[7] p. of ms. music ; 35 cm.
Orchestral accompaniment arranged for piano. Score does not contain voice part. Caption title. Holograph (Pencil).
10 189 Mussorgsky, Modest Petrovich, 1839-1881.
Uniform title: Boris Godunov. Pesnia Varlaama; arr.
The siege of Kazan [from] Boris [Godunov]
[1938]

1 folder.
The siege of Kazan is arranged for 2 pianos, 4 hands. Title from typescript note from Livingston Gearhart. "Piano version France 1938"--Accompanying note. Folder also includes 1 piano part from a 2 piano arrangement of the Coronation Scene from Act 1 (8 p.) ; 1 piano arrangement of the Change in Siege of Kazan ([1] leaf) ; 1 untitled sketch for 2 pianos ([3] leaves). Holograph (Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf) ; 1 typescript note from Livingston Gearhart (1 leaf).
10 190 Mysels, George, 1912-
Uniform title: American is a very lucky man; arr.
An American is a very lucky man : SATB with piano accompaniment
1958

1 score (7 p.) ; 27 cm.
Alternate title: First line of text: As a citizen of the Forty-eight.
Caption title. Duration: ca. 1:45.
Delaware Water Gap, Pennsylvania : Shawnee Press
10 191 Opera excerpts
[198-]

1 ms. score (19 p.) ; 33-35 cm.
Arranged for string quartet. Excerpts include Der Vogelfänger bin ich ja (from The magic flute) by Mozart, Si mi chiamano mimi (from La bohème) by Puccini, Adagietto from L'Arlesienne suite no. 1 by Bizet, En fermant les yeux (from Manon) by Massenet, Overture to Forza del destino by Verdi, and Overture to The magic flute by Mozart. Title from accompanying note from Livingston Gearhart. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Photocopy). Accompanied by 2 letters (l leaf each) from Livingston Gearhart about the piece ; 1 index card from Pamela Gearhart.
10 192 Pasquini, Bernardo, 1637-1710.
Uniform title: Sonatas, harpsichords (2), H. 109, D minor
Sonata a due cembali
[between 1935 and 1945]

1 ms. score ([7] p.) + 1 ms. part ; 32-34 cm.
For two pianos. Cover title from score. Part for second piano only. Holograph (Ink).
10 193 Porter, Cole, 1891-1964.
Uniform title: Wake up and dream. What is this thing called love?; arr.
Praeludium e fuga super "Was is das ding 'liebe' sogenante"
[between 1976 and 1996]

1 ms. score ([4] leaves) ; 31 x 47 cm.
Alternate title: Was is das ding 'liebe' sogenante.
Arranged for 6 unspecified instruments (2 sets of 3 instruments). Title from left margin of score. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 note from Pamela Gearhart (1 leaf).
10 194 Prokofiev, Sergey, 1891-1953.
Uniform title: Pesy, piano, op. 12. Marsh; arr.
Marche, op. 12, #1
[between 1960 and 1980]

1 ms. score (10 p.) ; 35 cm.
Originally for piano; arranged for orchestra. Cover title. Performance notes precede score. Holograph (Pencil); emendations written in blue pencil. Score contains a conductor's performance markings in red pencil.
10 195 Prokofiev, Sergey, 1891-1953.
Uniform title: Pesy, piano, op. 12. Marsh; arr.
Marche, op. 12, no. 1
1980

2 scores (12 p. each) + 21 parts ; 29 cm.
Originally for piano; arranged for orchestra. Cover title. Duration: ca. 1:50.
Delaware Water Gap, Pennsylvania : Shawnee Press
10 196 Prokofiev, Sergey, 1891-1953.
Uniform title: Pesy, piano, op. 12. Marsh; arr.
Marche, op. 12, no. 1
1980

1 condensed score (7 p.) ; 28 cm.
Cover title. Originally for piano. Duration: ca. 1:50.
Delaware Water Gap, Pennsylvania : Shawnee Press
10 197 Prokofiev, Sergey, 1891-1953.
Uniform title: Pesy, piano, op. 12. Marsh; arr.
Marche, op. 12, no. 1
1930

1 miniature score (7 p.) ; 19 cm.
Cover title. Originally for piano. Duration: ca. 1:50.
Delaware Water Gap, Pennsylvania : Shawnee Press
10 198 Purcell, Henry, 1659-1695.
Uniform title: Under this stone; arr.
Antiques refinished III : Round
[between 1978 and 1996]

1 ms. score (2 leaves) ; 30 x 38 cm.
Alternate title: Antiques refinished 3.
Originally for 3 voices or other treble instruments; arranged for flute, oboe, clarinet, violin, viola and cello. Caption title. Based on the 3-part round Under this stone by Henry Purcell. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Ink). Accompanied by: photocopy of score (22 x 28 cm.).
10 199 Rachmaninoff, Sergei, 1873-1943.
Uniform title: Romansy, op. 34. Vocalise; arr.
Vocalise
[between 1951 and 1971]

1 ms. score (11 p.) ; 36 cm.
Originally for voice and piano ; arranged for orchestra. Caption title. Holograph (Ozalid reproduction). Duration: 5:50 (without repeat); 8:00 (with repeat).
10 200 Rachmaninoff, Sergei, 1873-1943.
Uniform title: Romansy, op. 34. Vocalise; arr.
Vocalise, op. 34
1971

1 score (12 p.) + 54 parts ; 28 cm.
Originally for voice and piano ; arranged for orchestra. Cover title. Duration: ca. 5:00.
Delaware Water Gap, Pennsylvania : Shawnee Press
10 201 Rachmaninoff, Sergei, 1873-1943.
Uniform title: Suites, pianos (2), no. 1, op. 5 Slezy
Tears : from opus 5 for two pianos
1948

2 scores (12 p. each) ; 31 cm.
Caption title.
New York : Shawnee Press
10 202 Ravel, Maurice, 1875-1937.
Uniform title: Ma mère l'oye (Piano duet). Pavane de la belle au bois dormant; arr.
Pavane de la belle au bois dormant
[between 1960 and 1980?]

1 ms. score ([1] leaf) ; 34 cm.
Originally for piano duet ; arranged for orchestra. Arrangement is unfinished. Title supplied by cataloger. Holograph (Pencil). Accompanied by 1 photocopied score ([3] p.) of Ravel's original orchestration.
10 203 Ravel, Maurice, 1875-1937.
Uniform title: Pavane pour une infante défunte; arr.
Pavane
[between 1960 and 1969]

1 ms. score ([12] p.) + 20 ms. parts ; 32-35 cm.
Originally for piano ; arranged for orchestra. Cover title from score. Holograph score (Pencil) ; manuscript parts (Ink and pencil). Emendations marked in blue pencil ; conductor's performance markings in red pencil. Accompanied by 1 note from Pamela Gearhart (1 leaf).
10 204 Ravel, Maurice, 1875-1937.
Uniform title: Pavane pour une infante défunte; arr.
Pavane : cello, string orch
[1978 or 1979]

1 ms. score (4 p.) + 5 ms. parts ; 32-35 cm.
Originally for piano; arranged for solo violoncello and string orchestra. Cover title from score. Holograph score (Pencil) ; Manuscript orchestral parts (Photocopy). Emendations marked in blue pencil. Accompanied by [2] p. of ms. sketches ; 1 note from Pamela Gearhart (1 leaf).
11 205 Ravel, Maurice, 1875-1937.
Uniform title: Tombeau de Couperin. Menuet; arr.
Menuet : [from] T. de Couperin
[between 1960 and 1970]

1 ms. score (17 p.) ; 34 cm. + 18 parts ; 32 cm.
Originally for piano ; arranged for orchestra. Title from score cover. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil) ; Holograph parts (Ink, pencil). Accompanied by [4] p. of performances notes from Livingston Gearhart ; 1 note from Pamela Gearhart (1 leaf).
11 206 Rimsky-Korsakov, Nikolay, 1844-1908.
Uniform title: Skazka o tsare Saltane. Nu, teper, moi shmel; arr.
Flight of the bumblebee
1949

2 scores (10 p. each) ; 31 cm.
Cover title.
East Stroudsburg, Pennsylvania : Shawnee Press
11 207 Romberg, Sigmund, 1887-1951.
Uniform title: Impromptu, piano, E♭ major; arr.
Impromptu in E♭
[between 1930 and 1950]

1 ms. score ([20] p.) ; 35 cm.
Originally for solo piano ; arranged for piano 4 hands. Cover title. Holograph (Pencil).
11 208 Schubert, Franz, 1797-1828.
Uniform title: Quartets, strings, D. 703, C minor. Andante; arr.
Unfinished stg. qt.
1990

1 ms. score (4 leaves) ; 30 x 38 cm.
Caption title. Holograph (Pencil). Accompanied by 1 photocopied score (4 leaves) with changes made by the Oregon String Quartet ; 1 photocopied score of Schubert's original fragment (3 leaves).
11 209 Sgambati, Giovanni, 1841-1914.
Uniform title: Pièces lyriques. Ländler; arr.
Ländler
[between 1976 and 1996]

[2] p. of ms. music ; 32 cm.
For piano. Title from colophon. According to a note from Pamela Gearhart, Livingston Gearhart transcribed this piece from his memory. Holograph (Photocopy). Accompanied by 1 photocopied note from Pamela Gearhart (1 leaf).
11 210 Singer, Louis C., 1912-1966.
Uniform title: What makes a good American; arr.
What makes a good American? : for mixed voices (SATB)
1955

1 score (9 p.) ; 27 cm.
For SATB chorus with piano accompaniment. Cover title. Includes tone syllables to be used as a choral enunciation aid.
Delaware Water Gap, Pennsylvania : Shawnee Press
11 211 Stravinsky, Igor, 1882-1971.
Uniform title: Feu d'artifice; arr.
Feuerwerk
[between 1930 and 1950]

1 ms. score ([12] p.) + 1 ms. part ([2] p.) ; 33 cm.
Originally for orchestra; arranged for 2 pianos, 4 hands. Caption title from score. Part for Piano 2 only. Both score and part are unfinished. Holograph score (Pencil) ; Holograph part (Ink). Accompanied by 1 score (only first page completed) ; 33 cm ; 1 photocopied note from Livingston Gearhart (1 leaf).
11 212 Stravinsky, Igor, 1882-1971.
Uniform title: Pastorale, soprano, piano; arr.
Pastorale
[1936]

2 ms. scores ; 32-35 cm.
Cover title. Holograph (Pencil) (Ink). Accompanied by 1 index card (1 leaf) presumably from Livingston Gearhart.
11 213 Stravinsky, Igor, 1882-1971.
Uniform title: Petrushka. Russkii tanets; arr.
Dance Russe
1935

4 ms. parts ; 35 cm.
Originally for orchestra ; arranged for 2 pianos, 4 hands. Title from Piano 2 cover. Parts include 1 Piano 1 part with corrections ; 2 final Piano 1 parts ; 1 final Piano 2 part. Holograph (Pencil) (Ink). Accompanied by [2] p. of ms. sketches ; 36 cm ; 1 index card from Livingston and Pamela Gearhart.
11 214 Stravinsky, Igor, 1882-1971.
Uniform title: Pulcinella. Overture; arr.
Scherzo à la Russe [i.e. Overture from Pulcinella]
[between 1930 and 1950?]

1 ms. score ([1] leaf) ; 32 cm.
Originally for orchestra ; arranged for 2 pianos, 4 hands. Title from accompanying index card from Pamela Gearhart. Arrangement consists of opening 4 measures only. Holograph (Pencil). Accompanied by 1 index card from Livingston Gearhart (1 leaf).
11 215 Stravinsky, Igor, 1882-1971.
Uniform title: Zhar-ptitsa. Khorovod tsareven; arr.
Khorovode : from Fire bird
[between 1950 and 1970]

1 ms. score ([15] p.) ; 35 cm. + 18 ms. parts ; 31-36 cm.
Cover title from score. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph score (Pencil) ; Holograph parts (Ink). Emendations to score marked in blue pencil ; conductor's performance markings in red pencil. Accompanied by 1 sketch from Livingston Gearhart (1 leaf) ; 1 note from Pamela Gearhart (1 leaf).
11 216 Stravinsky, Igor, 1882-1971.
Uniform title: Zhar-ptitsa. Kolybelnaia; arr.
Berceuse : from Fire bird
1935

2 ms. parts ; 35 cm.
Originally for orchestra ; arranged for 2 pianos, 4 hands. Cover title from Piano 1 part. Holograph parts (Pencil). Accompanied by [2] p. of ms. sketches.
11 217 Stravinsky, Igor, 1882-1971.
Uniform title: Zhar-ptitsa. Poganyi plias Kashcheeva tsarstva; arr.
Infernal dance of Kastchei : from The fire bird
[between 1930 and 1940]

1 folder.
Originally for orchestra ; arranged for 3 pianos, 6 hands. Cover title from Piano 1 part. Parts for Pianos 1 and 2 only. Includes 3 ms. parts of an earlier version of the arrangement. The third piano part is present in this earlier version only. Holograph parts (Pencil). Accompanied by 2 index cards (1 leaf each).
11 218 Templeton, Alec, 1910-1963.
Alleluia, sing nöel!
1971

1 score (7 p.) ; 27 cm.
"For S.A.T.B. voices and piano or organ with optional hand bells." Caption title. Duration: ca. 2:00.
Delaware Water Gap, Pennsylvania : H. Flammer
12 219 Travis, Merle
Uniform title: Sixteen tons; arr.
Sixteen tons : TTBB
[between 1955 and 1965]

1 ms. score ([11] leaves) ; 32 cm.
Alternate title: First line of text: Some people say a man is made out o' mud.
For TTBB chorus with piano accompaniment. Caption title. Holograph (Pencil). Accompanied by 1 index card from Pamela Gearhart (1 leaf).
12 220 Vivaldi, Antonio, 1678-1741.
Uniform title: Concerto ripieno, RV 152. Allegro molto
Allegro molto from Concerto ripieno : RV 152
[between 1935 and 1940]

1 ms. score (p. 31-37) ; 34 cm.
Realized continuo for keyboard instrument by Livingston Gearhart. Caption title. Holograph (Ink) ; completed in pencil.
12 221 Warren, George William, 1828-1902.
Uniform title: National hymn tune; arr.
God of our fathers : band accompaniment for the Fred Waring choral arrangements
1951

1 condensed score (14 p.) + 48 parts ; 31 cm.
Cover title.
East Stroudsburg, Pennsylvania : Shawnee Press
12 222 Warren, George William, 1828-1902.
Uniform title: National hymn tune; arr.
God of our fathers : organ accompaniment for the Fred Waring choral arrangement
1949

[4] p. of music ; 31 cm.
Part for organ only, no song text included. Caption title.
East Stroudsburg, Pennsylvania : Shawnee Press
12 223 Warren, George William, 1828-1902.
Uniform title: National hymn tune; arr.
God of our fathers : (S.A.T.B. with three trumpets, percussion, four-hand piano and organ accompaniment)
1949

1 score (19 p.) ; 27 cm.
Caption title.
Delaware Water Gap, Pennsylvania : Shawnee
12 224 Warren, George William, 1828-1902.
Uniform title: National hymn tune; arr.
God of our fathers : T.T.B.B. with soprano descant, four-hand piano and organ accompaniment
1950

1 score (19 p.) ; 27 cm.
Accompaniment for trumpets, percussion, four-hand piano, and organ. Caption title. Includes tone syllables to be used as a choral enunciation aid.
Delaware Water Gap, Pennsylvania : Shawnee Press
12 225 Weismantel, Fred
Uniform title: Well, anyway; arr.
Well, anyway
1958

1 score (8 p.) ; 27 cm.
Alternate title: First line of text: There were eight young men took a solemn oath one day.
Arranged for chorus (SATB) with piano accompaniment.
No location stated : Republic Music ; Delaware Water Gap, Pennsylvania : Sole selling agent for this arrangement, Shawnee Press
12 226 Whitney, Joan, 1914-1990.
Uniform title: Far away places; arr.
Far away places : SATB with piano accompaniment
1958

1 score (10 p.) ; 28 cm.
Caption title. Includes tone syllables to be used as a choral enunciation aid. Duration: ca. 4:00.
No location stated : Laurel Music ; Delaware Water Gap, Pennsylvania : Sole selling agent, Shawnee Press
12 227 Winner, Septimus, 1827-1902.
Uniform title: Listen to the mockingbird; arr.
Listen to the mockingbird
[between 1940 and 1960]

1 ms. score (5 leaves) ; 32 cm.
Alternate title: First line of text: I'm dreaming now of Hallie.
For SATB chorus with piano accompaniment. Caption title. Original tune by Richard Milburn. Holograph (Pencil).
12 228 Wolf-Ferrari, Ermanno, 1876-1948.
Uniform title: Segreto di Susanna. Ouverture; arr.
Secret of Suzanne
[between 1930 and 1935]

3 ms. parts ; 34 cm.
Alternate title: Caption title on Piano 2 part: Susanna's secret.
Originally for orchestra; arranged for 3 pianos, 6 hands. Caption title from Piano 3 part. Holograph (Pencil). Accompanied by 1 typescript index card from Livingston Gearhart (1 leaf) ; 1 photocopied concert program (1 leaf).
Box Folder Contents
12 229 Gearhart, Livingston
1940's California : sketchbook
[between 1937 and 1945]

1 ms. sketchbook ([59] p.) ; 32 cm.
Title from accompanying leaf. Holograph (Pencil). Accompanied by [1] leaf from Pamela Gearhart with title ; 2 ms. scores presumably with revisions ; [1] leaf from Pamela Gearhart indicating dedication to Alexander Schneider ; 1 ms. revised score ([6] p.) of Prelude which later became Short suite with 1 additional leaf from Pamela Gearhart.

Contents: Lament : woodwind quintet (Gargenville 1937) -- Motet : woodwind quintet ("Revision for woodwinds, Mills College, 1941") -- Mésures sur la France ("for André Maurois, Mills, July 26, 42") -- Dialogue for 2 oboes (Aug. 42) -- Kitsch : 2 flutes (Aug. 42) -- Untitled : 2 oboes (Aug. 42) -- Dance for 2 flutes (Sept. 42) -- Epitaph (I) : flute (Orinda Sept. 42) -- Prelude (1) : cello and piano (Wilsonia Sept.42) -- Revision of Prelude, for string orchestra, is filed loose in the same envelope. Revision titled Short Suite (see note included) -- Grave : viola, accompaniment (Orinda Sept. 42) -- Lament : 3 oboes (Orinda Sept. 42) -- Fanfare : 3 oboes (Sept. 42) -- Invention : 2 oboes (Denver, Nov. 1942) -- Soliloquoy : oboe alone (May 43) -- Song without words II (Now I lay me down to sleep) : for English horn, 2 clarinets, 2 bassoons ("for N.B.") (1941) -- Madrigal : 2 oboes (Mar. 26, 43) -- Forlana : oboe (Apr. 3, 43) -- Sonata : 2 oboes (Orinda Sept. 42) -- Canon al novescio (sp. rovescio?) ("a canonic problem") : 2 unidentified instruments (Denver, Nov. 1942) -- "Reminiscence of Ravel in 2nd phrase and last" : 2 unidentified instruments (So. Orange Dec. 42) -- "A problem in form" : 2 unidentified instruments (N.Y. Apr. 9, 44) -- Fragment : 2 oboes -- Song without words (I) : 2 clarinets, horn or bassoon, bassoon (July 3, 1944) -- Orientale : violin and harpsichord ("for A.S.") ("6/30/44 II; piece for Merce Cunningham 1/6/45 III") (see note about dedication to Alexander Schneider) -- Child's piece : 2 unidentified instruments (1/12/45) -- Russian dance : 4 trumpets ("dedicated to Igor Stravinsky") (½8/45).

12 230 Gearhart, Livingston
2 piano arrangements
[between 1940 and 1954]

1 ms. sketchbook ([65] p.) ; 32 cm.
Alternate title: American sketch.
Alternate title: Baby boogie.
"Waring -- 2 piano days -- [19]40-[19]54. Some of these [arrangements] subsequently published -- all are recorded commercially"--Accompanying leaf. Title from prefatory page. Holograph (Pencil). Accompanied by [1] leaf from Pamela Gearhart.

Contents: [Flight of the bumblebee / Rimsky-Korsakov -- March from The love of three oranges] / Prokofieff -- American sketch : [unfinished] -- [Viennese clock : from Háry János] / Kodaly -- In dir ist Freude / [Johann Sebastian Bach] -- Baby boogie -- Star spangled banner -- [My country 'tis of thee -- La Marseillaise -- Untitled].

12 231 Bass clef sessions : informal music-making for fun, for two, three and four [sign for bass clef] instruments unaccompanied
1954

1 score (55 p.) ; 32 cm.
Includes index.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: For two players. Air for two viols / Francois Couperin. Andante from Sonata (Köchel No. 292) / Mozart. Arkansas traveler. Chinese lullaby. Fugue un A B-A-D E-G-G / Egon Toast. Gavotte / Dumont. Good King Wenceslas. Habanera / Pierre Vivant. Hare and tortoise / Aesop. Hark, the herald angels sing / Mendelssohn. In the cool cellar. Jazz on rye / Chateau. MinueteuniM / Al. Rovescio. "Mixed metre" / Mozart. Passacaglia / Raimondi. Phantasm / Prokofieff. Preludelerp / J.S. Bach. Rondo from Sonata (Köchel No. 292) / Mozart. Sarabande. Sicilienne. Sinfonia / Webbe. Song of the vulgar boatman / Deranged. We three kings of Orient are / Hopkins -- For three players. Andante from Sonata, op. 26 / Beethoven. Fanfare for the hunt / Pierre Vivant. Fanfare for a procession / Claude Debussy. Gagliarda / Kuhnau. Good King Wenceslas. Hark, the herald angels sing / Mendelssohn. Little brown jug / W.H. Madrigal / Palestrina. March / Handel. Marche from "The love for three oranges" / Prokofieff. Marche Funebre / Chopin. Nocturne from "A midsummer night's dream" / Mendelssohn. Northern song / Schumann. Now the day is over / Barnby. Round on the name B-A-C-H / Beethoven. Sweet and low / Barnby. Three rounds for three. Presto / Haydn. Lacrimosa / Schubert. Roundhouse blues / Devinez. Under this stone lies Gabriel John / Purcell. Waltz Glissando. We three kings of Orient are / Hopkins. Wild horsemen / Schumann -- For four players. Auld lang syne. Base, vile blues / Devinez. Elegie / Massenet. Equali No. 1 / Beethoven. Etude / Schumann. Fanfare for a procession / Claude Debussy. Hunting song / Brahms. In memoriam / Schubert. Misspelled music. Now thank we all our God / harm. J.S. Bach. Now the day is over / Barnby. O sacred head, now wounded / harm. J.S. Bach. Prayer / Cesar Franck. Ricercare / Gabriele Fattorini. Riffin' a round. Round for four / Brahms.

12 232 Belles and beaus : 3- or 4-part songs for teen-age choral groups (S.A. & boys)
1957

1 score (96 p.) ; 27 cm.
On cover : The Fred Waring Music Workshop. 33 selections for teenage choruses, including patriotic songs, songs for holidays, fun and folk songs, spirituals, and general songs.
Delaware Water Gap., Pennsylvania : Shawnee Press

Contents: Years of peace -- Erie Canal -- The band played on -- Loch Lomond -- O Peter, go ring them bells -- Summer reverie -- O no, John -- La cucaracha -- Where are y' goin', my pretty miss? -- Sometimes I feel like a motherless child -- Rodeo Joe -- Evensong -- Sing, all creation -- Love may go hang -- Lord of the earth -- The ghost's high noon -- Thanksgiving song -- O holy night -- Deck the hall -- Fum, fum, fum! -- Once on a lonely hill -- When Christmas morn is dawning -- Bring a torch, Jeannette, Isabella -- O Lord of beauty -- Red river valley -- Dry bones -- Who is Sylvia? -- Kentucky babe -- Cape Cod chantey -- I'm a-rollin' -- An American is a very lucky man -- Auld lang syne -- Sing your way home.

13 233 Choral sentences for the worship service : introits and calls to worship, prayer invitations and responses, offertory sentences, benedictions, sentences for special services, for all seasons of the church year
1966

1 v. (unpaged) ; 27 cm.
For all voicings: S.A.T.B., S.A.B., S.S.A., S.A., T.T.B.B., T.B., Unison.
Delaware Water Gap, Pennsylvania : Shawnee Press
Words in English.

Contents: Glory be to God / Shipp -- Draw nigh to God / Hutson -- The Lord is in his holy temple / Hoggard -- The Lord is in his holy temple ; Open now thy gates / Zaninelli -- The hour cometh / Hutson -- Enter we now the holy gate -- The Lord is in his holy temple / Cunkle -- In thy temple, Lord / Zaninelli -- Let all mortal flesh -- This is the day / Hutson -- Christ is risen / Hornibrook -- The Lord is maker of the seasons ; The Lord is risen ; Rejoice! / Gearhart -- Christ is born today ; Christ is ris'n today / Bedford -- Alleluia! ; Repent ye! ; Today on earth / Gearhart -- Our King and Saviour / Hutson -- O praise the word -- Jesus stand among us / Zaninelli -- Unto us a boy is born -- Now glad of heart -- Let Christians all rejoice -- He is risen / Hutson -- Be still and know / McCormick -- Hear our prayer, O Lord : with descant / Hoggard -- Let the words of my mouth / Bright -- Day by day / Powell -- Cleanse the thoughts of our hearts / Van Velsen -- May the words of my mouth / Frackenpohl -- Hear thou, most gracious Lord / Hutson -- To my humble supplication / Sektberg -- Dear Father, hear our prayer ; Be still and know / Cunkle -- Hear our prayer, O Lord / Hutson -- Hear our prayer, O Lord ; Let the words of my mouth / Gearhart -- Almighty Father, hear our prayer / Hutson -- All things come of Thee / Gearhart -- Almighty God, thou giver / Rider -- Honor the Lord / Gearhart -- Bless thou the Gifts ; Almighty Father, bless the word / Hutson -- Let me understand / Roff -- Thy word is a lantern ; Teach me, O Lord / Hutson -- God be in my head / Powell -- Bless us, Lord / Bedford -- May the grace of God go now with us / Bright -- May the star of Bethlehem guide you / Banyard -- Baptism sentences -- Communion sentences.

13 234 A Christmas singing bee : two-part songs for treble voices (S.A.) with descants and optional divisi : a Christmas supplement to A singing bee
[1962]

1 score (48 p.) ; 27 cm.
On cover: The Fred Waring Music Workshop. With piano accompaniment.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: The wise may bring their learning -- We'll dress the house -- The cherry tree carol -- On Christmas Day in the morning -- Born today is the Child Divine -- Carol of the wind -- O come, all ye children -- Dear Santa, have you had the measles -- God rest ye merry gentlemen -- Sleep, holy Babe -- Rise up, shepherds -- A jingle-bell travelogue -- O come, poor folk and lowly -- Some children see Him -- How far is it to Bethlehem? -- It came upon a midnight clear -- The selfish carol -- The three scrooges -- Christmas comes 'round -- O holy night -- O little town of Bethlehem -- Behold a tender newborn babe -- Hark! The herald angels sing.

13 235 Clarinet sessions : informal music-making for fun, for two, three and four clarinets, unaccompanied
1948

1 score (43 p.) ; 32 cm.
"For intermediate and advanced players; a variety of styles from Palestrina to jazz; unusual music, interestingly arranged."
Delaware Water Gap, Penna. : Shawnee Press

Contents: For two players. Adeste fideles ; Allegro / Mozart ; Auld lang syne ; Calisthenic canon / Klengel ; Canon / Alec Wilder ; Contrariwise duet / André ; Dance / Corelli ; Duet / C.P.E. Bach ; Duet / after Mozart ; Duettino / C.P.E. Bach ; God rest ye merry, gentlemen ; Motet / Asola ; Northern song / Schumann ; O, my heart, it is so sore / Henry VIII ; PreludulerP / J.S. Bach ; Procession / Rousseau -- For three. Adagio ; Allegro / Mozart ; Auld lang syne ; Barbara Allen : English folk song ; Canon / Alec Wilder ; Dance / Corelli ; Gearshift canon / Dr. Cooke ; God rest ye merry, gentlemen ; Hash for three / Mr. Zilch ; Iste confessor / anon., 14th century ; Lament (round) / Brahms ; Madrigal / Palestrina ; Northern song / Schumann ; Now is the month of maying / Morley ; O, my heart, it is so sore / Henry VIII ; Round for three / Hilton ; Song / Benjamin Franklin ; Three rounds. Under this stone lies Gabriel John / Purcell ; The greenwood tree / anonymous ; Three blind cats : a jazz round / Suomynona ; Trio / Beethoven ; Tune from "Peter and the wolf" / Prokofieff ; Variations on "London Bridge" in five styles. Sarabande from the "Royal bridge music" / nach Handel ; Allegretto from "Suspension symphony" / nach Haydn ; Mazurka (abridged version) / à la Chopin ; Ce qu'on a vu au dessus le pont / à la Debussy ; High bridge / as per "Stuff" Smith ; Wintertime / Schumann -- For four. Adeste fideles ; Canon / Alec Wilder ; Drink to me only with thine eyes ; EXchange 3456 : jazz study ; Londonderry air ; Minuet / Haydn ; Pastorale / Stravinsky ; Perpetual motion / Tschaikowsky ; Prayer : from "Hansel and Gretel" / Humperdinck ; Quartet / Haydn ; Ricercare / Fattorini ; Sweet and low / Barnby ; Swing! (low, sweet chariot) ; Turkey in the straw ; Wintertime / Schumann -- Solo. Presto / Frederick the Great.

13 236 Gearhart, Livingston
Collected material 1944
1944

1 ms. sketchbook ([93] p.) ; 33 cm.
Chiefly arrangements published in Livingston Gearhart's Sessions series. Some folk songs copied from other sources cited in sketchbook. Cover title. Holograph (Pencil). Accompanied by [Untitled work for 2 horns] / Mozart ([1] leaf) ; Air / Old English and Air / Purcell [for two unspecified treble instruments] ([1] leaf).

Contents: March of the musketeers of the King of France : d'apres Rousseau : hautbois -- Etude for one, or Canon for 2 violins / Mendelssohn -- [Untitled piece] / Josquin -- Welsh morris dance -- [Untitled piece] / Pierre de la Rue -- Lady Nelson's Reel -- Al rovescio : minuet from Violin sonata / Haydn -- St. Patrick's day -- Schöne minke -- Schottische -- Canon cancrizans : a tre / Haydn -- Preluduler P : canon recte e retro [in] G minor for oboes-sax : from The musical offering / J.S. Bach -- Madrigal / Purcell -- [The alphaset?] / Mozart -- Round : Turn amarillis / Hilton -- Fanfare, op. 44, no. 2 / Brahms -- Now is the month of Maying : in C major, written for cl. + trumpet / Morley -- Round / Purcell -- Canon on B-A-C-H- : for 2-piano-fun / Beethoven -- Madrigals / Asola -- Nurse's tale : key for oboe-sax : Staccato study / Tschaikowsky -- March of the tin soldiers : 3 sax arr. ; Hobby horse : picc + 3 fl. : Triple tongue study ; 4 cl. B♭ / Tschaikowsky -- Russian folk song after Tchaikowsky : 3 sax (oboes) -- Canons / Beethoven -- Epitaph / Benjamin Cooke -- [Untitled piece] -- Ancient Roman melody (According to Burney) -- Chant des syrenes -- Ricercare, 4 cl. / Gabriel Fatorini -- Folk songs via Bantock : O willow, willow ; The vicar of Bray ; My ain kind dearie, oh ; O logie O'Buchan ; The minstrel bay ; Hunting the hare ; The ash grove ; Sur le pont d'Avignon ; Troubadors / Chatelain de Coucy ; Troubadors / Count Thibaut of Champagne, King of Navarre ; Minnesingers : Summertime ; In the cool cellar ; Wooing ; Tyrolese are happy ; On the alma ; [Untitled] / Liszt ; O, come to me ; May song ; Bravely sail my bark ; Wermeland ; In the shade of the Garden ; The old pear tree ; Little cottage ; Rune song ; [Untitled] : Serbia ; The sun hangs high ; Jasmin flowe[r] ; Barbara allen -- Round in 3 parts -- Chanteys (from Sharp) : Oh, Johnny come to Hilo ; Haul away, Joe ; Sally Brown ; Magnificat ; Alleluia ; Hymn to Apollo -- [Untitled] discant from the 11th century -- Et in terra pax hominibus bonae voluntatis / Guglielmo Dufay -- Henricus Octavus : motet / (Hawkins) -- The miracle : fragment : choral-prelude / Humperdinck -- Canon : for trumpets / Haydn -- Domine deus : Syncopes / Lassus -- Fragment: Pelleas + Melisande / [Debussy] -- Iste confessor -- [Short fragment : from the] Matthäus Passion -- Canon / Martini -- Fanfare : [Brandenburg concerto no. 1, first movement] / J.S. Bach -- Oh my heart it is so sore / Henry VIII -- Lift thine eyes : [from] Elijah / Mendelssohn -- See, the conquering hero comes : [from] Judas Macccabeus / Handel -- Fuga für das Laufwerk : tn? sax / Haydn -- The peoples [sic] joy + happy dances : from Biblical sonata / Kuhnau -- Sally Gordon : fiddle tune -- Chanson Maçonne par le Frère Americain -- Kind Jenny / Dr. Blow -- A catch / Purcell -- A Yorkshire epitaph on [the tune of?] Abbey Lubbers / Blow -- A catch / Purcell -- A rebus upon Mr. Anthony Hall, who keeps the Maremaid tavern in Oxford + plays his part very well on the violin / set by Purcell -- A catch : Silver swan -- Come follow me : Round for 3 voc / Hilton -- Mr. speaker : catch for 3 voc -- Hunting the hare : Welsh folk song –

13 237 Gearhart, Livingston
Collection 1945
[between 1945 and 1976]

1 ms. sketchbook ([64] p.) ; 32 cm.
Arrangements for multiple types of ensembles. Title from prefatory page. "I find that most of this stuff has served multi-purpose, much of it used in print--largely in Sessions bks."--Note from Livingston Gearhart on inside cover. Holograph (Pencil).

Contents: Round / Purcell -- Theme from Brandenburg no. 2 / J.S. Bach -- Lift thine eyes : from Elijah / Mendelssohn -- The people's joy and happy dances : from Biblical sonata / Kuhnau -- Rounds / Caldara -- Canon a 7 / J.S. Bach -- Canon 4 in 2 / Sweelinck -- "Follow the leader" / Dr. Hayes -- Composition regeln / Sweelinck -- [Untitled piece] / "in Sweelinck: Autheur Willaert" -- Dance of the ballerina from Petrouchka / [Stravinsky] -- Canon à 8 / Tallis -- Chromatic study or Strange interlude or Frankenstein's Revenge / L.G. -- Blessed morpheus : from Joede / Brahms -- Warning / C. M. v. Weber -- Lacrimosa / Schubert -- Gebt mir zu trinken / Schumann -- [Untitled piece] -- Russian dance / Tschaikovsky-Glinka -- Nocturne / Mendelssohn -- Meistersinger chorale -- Prelude (Close quarters) -- "Lady Nelson's" reel -- Welsh morris dance -- Gigue ; Tenoes ; Minuet / from English Duos -- Presto / Old English -- Fanfare / Old English -- Canon / Gottfried Finger -- Sky blue -- [Silent night -- Good King Wenceslas] -- [Hark the herald angels sing] "Revised for trumpets" -- Round / L.G. Sept. 20 -- Bugle woogie I / Round -- Bugle woogie II -- We, three kings -- God rest ye -- Noel -- Adeste -- Jingle bells -- Christ the Lord -- Bell-tone breakdown -- [Untitled piece] / Brahms -- [Untitled piece] / Purcell -- Wecken -- Gavotte / Georg Muffat -- [Untitled piece] -- [Untitled piece] / Mozart -- Count me out -- A music quiz : Home on the Range, etc. / after Salieri -- Melchior vulpius -- [Untitled piece] -- Fugue für das Laufwerk : violins / Haydn / Jan. 1, 1946 -- Song of the syrens : sp. / Balthazarini (in Fiddle Sessions) -- Symphony / Tomkins -- [Untitled piece -- Untitled piece] -- "For 2 / ? or 4" -- Leopold (Ludwig?) Emperor of Austria" -- Who'll buy me roses -- [Untitled piece] -- Equali no. 2 : orig. trombones / Beethoven -- From Thesaurus musicus / Handel -- Prayer / Franck.

13 238 Gearhart, Livingston
Collection 1949 : mostly material for special duet sessions
1949

1 ms. sketchbook ([64] p.) ; 32 cm.
Arrangements for multiple types of ensembles. Title from prefatory page. "I find that most of this stuff has served multi-purpose, much of it used in print--largely in Sessions bks."--Note from Livingston Gearhart on inside cover. Holograph (Pencil).

Contents: Dirty Work in the Dell -- Pavane -- Sicilienne -- Mazurka -- Scotch hop (based on Old Scotch melody) -- Bolero -- Scherzo -- Gavotte -- Habanera -- Hoppin' mad -- Reversible tune -- Rush-ya (or Rush hour in Russia) (based on Russian folk songs) -- Arabian revenge -- Habanera -- Tarantelle -- Minuet -- Lament -- Sinfonia -- Canon at one note's distance (Mendelssohn) -- Untitled (Beethoven) -- You name it -- Etude (Cherubini) -- Valsette (A. Mendelssohn) -- Dizzy spell -- Variations in styles on 5 master styles: -- Invention : [in the style of] J.S. Bach ; Rondo from the "Revolutionary" Symphony "1773" : [in the style of] J. Haydn ; Epilogue, aus Sonate für zwei Dudelsack, Opus 176 : [in the style of] J. Brahms ; Stop yanking my heart (From Do-Do-Doodle again (1917)) : [in the style of] George Gershwin ; Jankj Dyde, Overture to Act III : [in the style of] Modeste Moussorgsky -- Duettino (C.P.E. Bach) -- Etude (L. Mozart) -- Little fugue on A B-A-D E-G-G - ("Egon Toast") -- Humoreske, or, Dvorâk turning over in his grave - ("Deranged") -- Maladay in F - with apologies to Tony Rubinstein and Dick Wagner -- Ping pong suite: I. Volley for Serve ; II. Trick Shot ; III. Exhibition Match ; Reverse English (Backhand) ; Bonsoir mesdames or G'night, chicks -- Mixed metre (Mozart, adapted from Don Giovanni, Act II) -- Coronation minuet -- "Lady Nelson's" reel -- Jig (17th Century English) -- Prelude (Couperin) -- Gigue (Fanfare?) (Old English: 17th century) -- Trumpet tune (Purcell) -- Reverie (Schumann) -- New Cauliflower Cotillion -- Lest we forget... -- Gavotte (Georg Muffatt) -- Unidentified -- Carols -- Sicilienne (Folk: "Greensleeves," carol: "What child is this") -- Old English duets -- Air de trompettes -- Air grave de Mr. Tenoes (sp.?) -- Sonatas for two alto flutes / Gottfried Finger -- Unidentified -- Gavotte (?) -- Untitled -- Theme: Chopsticks ; Var. I: The classic counter melody ; Var. II: Chicken chatter ; Var. II: Canon ("Chased") ; Var. III: Chorale ("Chaste" or "Church") ; Var. IV: Chimes ; Var. V: Chronometer ; Var. VI: Chromatics ; Var. VII: Chicanery ; Var. VIII: Ochi Chornya ; Var. IX: Chopin! ; Var. X: Chanson ; Var. XI: Caroussel ; Var. XII: Conclusion -- Tyrolean waltz (Ländler) -- In the cool cellar (Old German student song) -- Passacaglia (Duet for 2 Supermen).

13 239 Gearhart, Livingston
Counterpoint exercises
[1937]

8 p. of ms. music ; 36 cm.
Chiefly counterpoint exercises beginning in first species and concluding with fifth species. Title supplied by cataloger. "The handwriting of rules and corrections of the first 2 pp. is that of Nadia Boulanger. The remaining pages appear to be explorations of contrapuntal possibilities (observing THE RULES) by [Livingston Gearhart]"--Accompanying leaf from Livingston Gearhart. Holograph (Pencil).
Text in English.
13 240 Gearhart, Livingston
Counterpoint exercises with Boulanger corrections
[between 1937 and 1940]

1 ms. sketchbook ([46] p.) ; 34 cm.
Chiefly species counterpoint exercises. Title from accompanying typescript note (1 leaf) from Livingston Gearhart. "Obviously, later, some pages were used for original (incomplete) sketches"--Accompanying typescript note. Holograph (Ink) (Pencil) ; Boulanger's corrections (Pencil).
14 241 Duet sessions : music for two in many combinations of [treble clef] instruments
1964

1 score (64 p.) ; 31 cm.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Air for viols / Francois Couperin -- Allegretto, from Symphony No. 1775 / Joseph Haydn -- Andante / John T. Crissey -- Andante and Rondo (K. 292) / W.A. Mozart -- Arabian reverie -- Arkansas traveller (Fiddle tune, U.S.) -- Bonaparte crossing the Rhine (Fiddle tune, U.S.) -- Bon soir, Mesdames / Livingston Gearhart -- Canon / J.S. Bach -- Chaconne (Old style) / Alte Schreiber -- Chinese lullaby -- Chopsticks chacony / Livingston Gearhart -- Cloud seven / Livingston Gearhart -- Close quarters / Livingston Gearhart -- Dizzy spell -- Duettino / C.P.E. Bach -- Duo / George P. Telemann -- Epilogue, from the incidental music for Jaencke der Dudelsackspieler / Johannes Brahms -- Etude / L. Cherubini -- Etude / Leopold Mozart -- Fandango / adapted from E. Chabrier -- Fanfare / Monteverdi -- Fanfare for a celebration / Manuel de Falla -- Fanfare pour Reveiller Le Bon Gros Roi des Singes / Erik Satie -- Folie a Deux -- Gavotte -- Habañera / Pierre Vivant -- Happy blues / Robert Hughes -- Improvisation over a theme of Cesar Franck / Livingston Gearhart -- Intervals: Suite and sour / Livingston Gearhart -- Jankj Dydl, Overture to Act VII, Scene xxvi (Modeste Moussorgsky) -- Jig / Livingston Gearhart -- Jungle jazz -- Kleptomania -- "Lady Nelson's" reel (British Isles) -- Lament / Kuhlau -- Malagueña / Livingston Gearhart -- Melody in F / Tony Rubinstein and Dick Wagner -- Minuet / W.A. Mozart -- Minuet, from the suite in C Minor for Flauto Traverso and Oboe d'amore / J.S. Bach -- Mixed metre for two -- Passacaglia / Raimondi -- Pavane / Pierre Vivant -- Phantasm / Prokofieff -- Ping Pong / Livingston Gearhart -- Real-nervous polka -- Reversible duet / Al Rovescio -- Rock! Rock your boat! (Deranged) -- Rushin' mood (based on Russian motifs) -- Scotch hop (based on a Scotch folk song) -- Scrambled airs -- Sicilienne / Livingston Gearhart -- Sicilienne (Greensleeves - English carol) -- Soliloquy / C. Debussy -- Stop yanking my heart, from Comes the revolution (1919) / George Gershwin -- Study in Fifths / Livingston Gearhart -- Suite Psycho-Pathetique -- Tarantelle -- Third degree larceny / Livingston Gearhart -- Toast to General Washington / Francis Hopkinson -- Tyrolean waltz -- Valse ignoble / Livingston Gearhart -- Variations on an American Air -- Variations on a theme by Paganini -- Waitin'-on-the-Northeast-Corner-of-166th-Street-and-6th-Avenue Blues / Livingston Gearhart.

14 242 Fiddle sessions
1947

1 score (56 p.) ; 31 cm.
For 2-4 violins, unaccompanied. "For intermediate and advanced players." Includes index.
New York : Shawnee Press

Contents: After you, my dear Gaston : a canon in jazz for two / arr. -- Anticipation / Lassus -- Berceuse / Stravinsky -- Canon ; Chorale / Bach -- Chorale / Wagner -- Close quarters / arr. -- The devil's dream / Old Amer. fiddle tune -- Double canon / Sweelinck -- Duet / Mozart -- Etude / L. Mozart -- Follow the leader : canon for three / Hayes -- Fugue / Haydn -- Gavotte / Muffat -- Hopak / Moussorgsky -- Lacrymosa : round for three / Schubert -- Lift thine eyes / Mendelssohn -- Madrigal / Purcell -- Meditation / Tschaikowsky -- Minuet / Haydn -- Minuet / Beethoven -- Mixed metre (for two) ; More mixed metre (for four) / arr. -- Pavane / Ravel -- Polka / Tschaikowsky -- PreluderP / Bach -- Rondo / Pleyel -- Round for three / Purcell -- Round for four / Brahms -- Round in 3 styles / arr. -- Theme / Mendelssohn -- Three rounds for three. Count me in / Caldara. Ariette / von Weber. Sky blue / arr. Prayer / Franck -- To the king's taste. Air for two viols / Couperin. Sarabande / Leopold I. Ballet / Baltazarini. Rigadoon / Quantz. Deep river / arr. -- Volga boatmen / arr. -- Zowie! Goes the weasel / Y. Dobon.

14 243 Flute sessions
1960

1 score (63 p.) ; 32 cm.
"For intermediate to advanced players"--T.p. Original works and arrangements for 2, 3, or 4 flutes.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Adagio / Kuhlau -- Air (from the St. Matthew Passion) / J.S. Bach -- Allegro / Quantz -- Badinerie / J.S. Bach -- Bolero (Canon) / LG -- A calisthenic canon / Klengel -- Canon (At one note) / Mendelssohn -- Canon (from "The musical offering") / J.S. Bach -- Canon over a ground bass (Alto flute) / Purcell -- Dialogues. Minorca ; Improvisation over a theme of Cesar Franck ; Simplicity ; Dance / L. Gearhart -- Dirge (from "Ossian's Fingal") / Brahms -- Ditto ; Dizzy spell / LG -- Duo / Anon. -- Esercizio sopra la scala / Palestrina -- Fluegel woogie (Round) / Devinez -- Gavotte / Georg Muffat -- Gavotte / LG -- The greenwood tree (Round) / Old English -- Hare & tortoise / Aesop -- Intermezzo / L. Gearhart -- Jungle jazz / LG -- Lament (Round) / Brahms -- Le coucou / Daquin -- Madrigal / Palestrina -- March / Handel -- Minuet / Beethoven -- Minuet / Haydn -- MinuetteuniM / Al Rovescio -- Misspelled music / Folk tune -- Pastorale / Igor Stravinsky -- Pavane / Maurice Ravel -- Phantasm / Prokofieff -- Prelude / J.S. Bach -- Rondo / Mozart -- Russian dance / LG -- Sarabande / Claude Debussy -- Scherzetto / J.T. Crissey -- Scherzo / K. Seitz -- Soliloquy / L. Gearhart -- The song of the lark (Piccolo and 2 flutes) / Tschaikowsky -- Sursum corda / Max Rairigh -- Swing! (Low, sweet...) / arr. LG -- Tarantelle (Canon) / LG -- Trio / Mozart -- Valse ignoble / LG -- Wintertime / Schumann.

14 244 Gentlemen songsters : two-, three-, and four-part songs for male voices (T.B., T.B.B., and T.T.B.B.)
1959

1 score (96 p.) ; 27 cm.
Principally with piano accompaniment.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Abalone -- Aura Lee -- Bunker Hill (1775) -- Choral bells -- A choral fanfare -- Cindy -- Contemplation -- Down in Arkansas -- Eternal Father, strong to save (Navy hymn) -- Ev'ry night when the sun goes in -- Four songs of the American revolution -- (I. The girl I left behind me; II. Bunker Hill; III. Toast to General Washington; IV. Yankee Doodle) -- The girl I left behind me -- Good news! -- Hand me down my walking cane -- Home on the range -- How silent is our village -- Hullabaloo belay! -- I've got no use for women -- Koom ba yah -- The lake -- Lo! How a rose e'er blooming -- Lord, I want to be a Christian -- Now the day is over -- O come, all ye faithful -- O come, poor folk and lowly -- O holy child -- Ol' Dan Tucker -- O worship the king -- The peanut song -- Pledge of Allegiance -- Set down, servant -- Slumber song -- A song of free men -- The Spanish guitar -- Toast to General Washington -- To music -- We gather together -- We wish you a Merry Xmas -- What shall we do with the drunken sailor? -- When Christ was born of Mary free -- When I was single -- Who threw the overalls in Mrs. Murphy's Chowder? -- Yankee Doodle.

14 245 Gearhart, Livingston
Harmonic studies
[between 1937 and 1940]

13 p. of ms. music ; 34 cm.
Chiefly examples of harmonic progressions presented in textbook format with assignments. Topics covered include music fundamentals, 6/4 chords, the use of scale degree 7 in V7 chords, and realizing chords from figured bass. Livingston Gearhart presumably took these notes and used these exercises with Nadia Boulanger in Paris between 1937-1940. Title supplied by cataloger. Holograph (Ink).
Text in English.
15 246-264 Gearhart, Livingston
Material for Clarinet sessions II
[between 1976 and 1996]

1 box (19 folders).
Alternate title: Clarinet sessions II.
Alternate title: Clarinet sessions 2.
Material is for a proposed book which was never published. For various combinations of clarinets. Title from accompanying leaf. Most scores include clarinet parts. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil). Accompanied by 1 typescript leaf by Livingston Gearhart containing instrumentations for each piece.

Contents: Minuet : for 2 clarinets and bass clarinet / Bach? -- Sinfonia IX : clarinet trio / J.S. Bach (abbreviated) -- The celebrated minuet (Antiques refinished) -- Andante religioso, op. 48 / G. Fauré -- A wotzit -- D minor string quartet / Mozart -- Etude / C. Rose -- Valse triste, op. 11 / Scriabin -- Tomkins -- Tune of celebration -- From La forza del destino / Verdi -- Antique minuet -- Canon -- Gavotte -- Mazurka -- Tarantelle -- [Untitled piece -- Untitled piece -- Untitled piece].

16 265 Gearhart, Livingston
Musical composition sketchbook including Tango lament
[1939]

1 ms. sketchbook ([24] p.) ; 20 x 26 cm.
Alternate title: Tango lamento.
Includes incomplete Tango lament for wind quintet written in 1939 at Chatillon Coligny; also includes sketches, and exercises in counterpoint and score reading. Title supplied by cataloger. Holograph (Pencil and Ink).
16 266 Gearhart, Livingston
Musical sketchbook
[between 1940 and 1960?]

1 ms. sketchbook (77 p.) ; 32 cm.
Contains unfinished sketches, including a "Two piano ballet" and a prose outline for a murder mystery set as an opera. Title supplied by cataloger. Holograph (Pencil).
16 267 Once upon a song : three and four part songs for treble voices, S.S.A and S.S.A.A.
1961

1 score (96 p.); 27 cm.
Sacred and secular choruses with piano accompaniment and unaccompanied part songs.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Almost like being in love (Brigadoon) -- America, the beautiful (Unaccompanied) -- At the gate of heaven (Mexican folk lullaby) -- Ave Maria / Gabrieli (16th century) -- Beauty around us (Hymn) -- Bluebells (Rhythmic novelty) -- Bombo Lao (Congo Pygmy song) -- The camel (Humorous song) -- Cotton needs pickin' (Southern work song) -- Dirty dishes (Jazz round) -- Down on MacConnachy Square (Brigadoon) -- The eddystone light (American chanty) -- Ev'ry time I feel the spirit (Spiritual) -- Fiesta (South American dance) -- God of our fathers (Hymn) -- Guitar (Hebrew lament) -- The happy wanderer (Hiking song) -- The heather on the hill (Brigadoon) -- The holly and the ivy (Christmas) -- Holy, holy, holy (Hymn, unaccompanied) -- If I had an armadillo (Humorous song) -- Kissin's no sin (Scotch folk song) -- The Lord bless you and keep you (Benediction) / Lutkin -- Lully, lullay (Christmas) -- Night (Art song) / Duparc -- Not one single word (Sound advice) -- Oh, did'n' it rain! (Spiritual) -- Once upon a song (Theme song) -- O sin I so? (Musical curiosity) -- Pepper grinders (Greek folk dance) -- Rise to greet the sun (Chinese hymn) -- Scandalize my name (Southern folk song) -- Silent night (Christmas) -- Sinner, please don't let this harvest pass (Spiritual) -- Softly tread, the child is sleeping (Christmas) -- Songs from Brigadoon (Medley) -- Style stew (Novetly) -- Summer reverie (Art song) / Brahms -- Supplication (Canon) / Schubert -- 'Twas on the way to Bethlehem (Christmas) -- Turn back, o man (Song of brotherhood) -- Waterfall at Bac-Yon (Korean melody) -- We'll go a long, long way together (Gang song)

16 268 Gearhart, Livingston
Quodlibets research
[between 1940 and 1960?]

1 ms. sketchbook ([28] p.) ; 25 x 36 cm.
Contains comparisons of chordal structures used in various musical works, including folk songs, popular music, and classical repertoire. Title from prefatory page. Includes 3 leaves with ink line drawings: Sorcery, Nebula, and Vermin. Holograph (Pencil). Accompanied by 1 ms. sketch of Beautiful Ohio (Just a song at twilight) ([1] leaf) ; 1 ms. sketch of [The last rose of summer] ([1] leaf) ; 1 score (2 p.) of folk and popular songs.
17-18 269-365 Gearhart, Livingston
Rhythm project materials
[between 1976 and 1996]

2 boxes (97 folders).
Materials compiled for a proposed pedagogical book on rhythm. Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).

Contents: Box 1. Memos and written thoughts for the Rhythm project -- SR 1.05.A. Ostinato IV -- 1.9. Volley for serve -- 2.11. Suspensions, op. 11 / Scriabin ; More of the same / de Vieux -- 2.12. A plague of rests ; A sure thing -- 2.16. Something hidden -- 2.17. Plain and fancy -- 2.18. [Untitled piece] ; Oriental ragtime ; Close quarters ; Hare and tortoise -- 2.2. Comparisons are advantageous -- 2.6. Not the way you remember it ; Single-hurdle waltz / Romberg (?) -- 2.62. We gather -- 2.64. Waltz fragment / Brahms -- 2.65. The same, yet different -- 2.72. My ain kind dearie-o -- 2.73. The unconstant lover -- 2.83. Minimal melody / Offalbach -- 3.32. Haydn -- Before 3.4. From simplex to bothersome -- 3.6. Bottom of the ninth -- 3.71. For immediate cross-reference -- 3.81. Finnegan's wake -- 3.84. [Untitled piece] -- 3.85. Think 8 -- 4.1. Interval collisions / ½ Bach ; Sequence -- 4.11. Air (Variation 1) / Purcell -- 4.15. The meaning of "subdivision" is this -- 4.4. [Untitled piece] -- 4.5. Jazz-related figures ; The long wait ; Ties from the litrachure -- 4.51. Sinfonia brevis -- 4.6. Fussy composers make reading more difficult -- 4.63. [Excerpt from Lieutenant Kije / Prokofiev] -- 4.64. Prokofieff -- 4.65. From [Symphony no.] 100 / Haydn -- 4.7. [Untitled piece] -- 4.71. Kastchei's infernal dance (Theme) : [from The firebird / Stravinsky] -- 4.72. Air (Variation II) / Purcell -- 4.73. [Untitled piece] -- 4.8. Music of Athens (Georgia, that is) ; Motet / Giovanni Matteo Asola ; Veni Emmanuel -- 5.51. Barbra Allen -- 5.54. Chaikovsky VI -- 5.8. Variations of gradually increasing agony ; [Untitled piece] -- 5.9. Ragtime explained (Joplin) ; Ragtime rhythms (Debussy) -- 5.93. The entertainer (Joplin) ; Ragtime figures in [sixteenth notes] -- C5.94. Sync or sink -- Near 6.5. No connect -- 6.51. Chicanery -- 6.8. Sudden focus / Haydn -- Near 7.5. 2 v. 3 : another approach -- 7.5. Rosetta stone 1 -- 7.B. The pattern -- 8.2. [Untitled piece] -- 8.3. [Trio] / Ravel -- 8.31. Bartok's "Bulgarian" rhythms -- 8.34. [Untitled piece] -- 8.6. Haydn -- 8.7. Gradual impoverishment ; 2 fingers of wry ; [Untitled piece] / Lassus -- 9.0. Grace notes ; Antique minuet –

19 366 Rhythm sessions for strings : folder of manuscripts
[between 1966 and 1996]

1 folder.
Holographs, chiefly in pencil: some accompanied by computer notated versions prepared by Fritz Gearhart for publication. Scored for string orchestra with optional third violin substitute part for the viola. The agony of rhythm XIX is based on My country 'tis of thee.

Contents: Agony I [published as Rhythmic morphing] -- Agony VV : a canon, accompanied [published as Canon challenge in five] -- Rhythmic antics -- Valse incredeeble -- Noodle zoop agonies [published as Noodle zoop] -- Survival of the fittest -- Mississippi hot dog agony VXIII -- Pfui -- The agony of rhythm XIX : Terra cognita [published as Suite land of liberty] -- Sospirando : Agony IV -- Silver swan : Platinum pigeon [published as Madrigal madness] / [Orlando Gibbons] -- Cross rhythms -- Agony VX : Malagueña -- Scale stuff.

19 367 Rhythm sessions for strings
2004

1 score (47 p.) + 6 parts ; 28 cm.
Scored for string orchestra with optional third violin substitute part for the viola. Includes "rhythm glossary" in score (p. 44-46) and at the back of each part. Preface precedes score.
Grafton, Ohio : Ludwig Music Publishing Co.

Contents: Rhythmic morphing -- Canon challenge in five -- Rhythmic antics -- Valse incredeeble -- Noodle zoop -- Survival of the fittest -- Mississippi hot dog agony -- Pfui -- Suite land of liberty -- Sospirando -- Madrigal madness -- Cross rhythms -- Malagueña -- Scale stuff -- Rhythm glossary -- Appendix.

20 368-419 Gearhart, Livingston
Sax sessions
[between 1984 and 1988]

1 box (52 folders).
Materials are for Sax Sessions, a proposed addition to the Sessions series published by Shawnee Press which was never published. For various combinations of saxophones. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil)

Contents: Sax session correspondence and documents -- 1. A bad egg -- 6. Canon ("Hindemith") -- 6. Dziekuje / Brubeck -- 7. From the Strenuous life / Joplin -- 8. Allegro bellicoso / Scriabin -- 9. Calcutta blues / Brubeck -- 10. Danke Schön / Brubeck -- 11. Golden horn / Brubeck -- 12. Greeting to "G" / Schumann -- 13. Madrigal / Palestrina -- 14. Ostinato (?) / Brubeck -- 15. Santa lucia -- 16. La Verginella / Andrea Gabrieli -- 17. [We wish you a merry Christmas : for chorus and orchestra] -- 18. Alle Menschen Müssen Sterben / J.S. Bach -- 19. Auld lang syne -- 20. Base, vile blues -- 21. (From) Come, Holy Ghost / Thomas Attwood -- 22 Count me out / J. Lunceford -- 23. David's lamentation / William Billings -- 24. Equali 1 / Ludwig van Beethoven -- 25. Fire-bird themes / Stravinsky -- 27. Fugue / Haydn -- 28. Gagliarda del Principe di Venosa / Carlo Gesualdo -- 29. Habanera -- 30. Les langueurs tendres / C.P.E. Bach -- 31. Antiques refinished : Marche / Johann Fischer -- 32. Prayer / César Franck -- 33. Russian dance -- 34. Sinfonia IX / J.S. Bach -- 35. Forlane : for 4 saxophones ; Sicilenne : for 4 flutes -- 36. Rondo / Ignaz Pleyel -- 37. Sonate für zwei Querflöten oder zwei Violinen, D-dur / Georg Philipp Telemann -- 38. Andante from Sonata, op. 26 / Ludwig van Beethoven -- 39. Fanfare / Traditional -- 41. Hopak / Modest Mussorgsky -- 42. Petit(?)e fanfare : for 4 flutes -- 43. Andante religioso, op. 65 / Felix Mendelssohn -- 44. March and hornpipe -- 45. Marble arch / Brubeck -- 46. [Untitled piece] / F. Nietzsche -- 47. Procession of the nobles / Rimsky-Korsakov -- 49. Colloquoy -- 50. [Untitled piece] / C.P.E. Bach -- 51. Art of fugue (Fragment) / J.S. Bach -- 52. Air / J.S. Bach -- 53. Hunting song / Johannes Brahms -- 54. Kloster Fraülein : op. 69 / Schumann -- 55. [Untitled piece] / Haydn -- 56. [Untitled canon] / Giovanni Matteo Asola -- 57. Duo / Leopold Mozart.

21 420 A singing bee : two-part songs for treble voices, S.A., with descants and optional divisi
1956

1 score (96 p.) ; 27 cm.
Edited by Lara Hoggard. On cover: The Fred Waring Music Workshop. Forty-nine familiar and new songs, with piano accompaniment for intermediate and junior high grades.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: America-our heritage -- Michael Finnigin -- This is my Father's world -- Some folks -- Sometimes I feel like a motherless child -- Grandfather's clock -- Little Joe, the wrangler -- Katie the kangaroo -- My shadow -- Christ the Lord is risen today -- Prayer -- Cindy -- The Marine's hymn -- The crazy song -- Good news! -- The tempo song -- I love school -- A futile serenade (Pancho's plight) -- I got shoes -- Stars of the summer night -- Goober peas -- This is my country -- Limerick parade (The enunciator's nightmare) -- Come, ye thankful people, come -- Musical clocks -- Dr. Eisenbart -- Musical mirror -- Wandering -- Vive l'amour -- Big Rock Candy Mountain -- Git along, little dogies -- When Johnny comes marching home -- Vesper hymn -- Big Chief Wotapotami -- Polly Wolly Doodle -- Who did? -- Onward Christian soldiers -- O how lovely is the evening -- Brahms' lullaby -- Don't slip -- The caissons song -- Joy to the world! -- The Christ Child -- Away in a manger -- I heard the bells on Christmas day -- We three kings -- What child is this? -- Morning prayer -- Evening prayer.

21 421 String mix
1976

1 score (32 p.) + 7 parts ; 28 cm.
For youth orchestra. Cover title. Biographical note about Livingston Gearhart precedes score. Publisher's no. stamped on cover. LC lacks score. DLC
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Carol of the bells / Leontovich -- In dulci jubilo / J. S. Bach -- Pavane / Schreiber -- Sand mountain blues -- Echo / Notsgnivil -- Il est ne? --Andante religioso / Mendelssohn -- Chorale -- Sinfonica economica / after Haydn -- Hark! the herald angels sing / Mendelssohn -- Canon over a ground bass / Purcell.

21 422 String mix.
1976

1 miniature score (32 p.) ; 18 cm.
Cover title. For youth orchestra. Note about the music precedes score ; postscript biographical note about Livingston Gearhart.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Carol of the bells / Leontovich -- In dulci jubilo / J. S. Bach -- Pavane / Schreiber -- Sand mountain blues -- Echo / Notsgnivil -- Il est ne? --Andante religioso / Mendelssohn -- Chorale -- Sinfonica economica / after Haydn -- Hark! the herald angels sing / Mendelssohn -- Canon over a ground bass / Purcell.

21 423 Gearhart, Livingston
Treble clef sessions
[between 1990 and 1996]

1 ms. score ([25] leaves) ; 30 x 38 cm.
Alternate title: Rhythm book.
Contains complete ms. for Treble clef sessions published by Shawnee Press in 2000. Title supplied by cataloger. "Livingston Gearhart 1996"--Copyright stamp on every page. Holograph (Pencil).

Contents: 2.0. Utter simplicity -- 3.0. Beethoven themes I and II -- 3.1. As fast as you can -- 3.3. Suspensions I -- 3.4. Suspensions II -- Variations on a theme from Petrouchka -- The significance of [quarter rest] -- 4.0LR. Inward counting (Two duos) -- 4.1 La campanella / Paganini -- 4.2. Bulgarian melody -- 4.0LR. Inward counting -- 4.3. Mixed metre -- 4.4. Vulgarian music -- 4.5. Andante doloroso -- 4.6. Canon in two speeds -- 4.7 Jazz (Sort of) -- 4.8. Count two (Think four) -- 5.0. Like, Ping pong : Three canons. Volley for serve ; 5.1. Backhand ; 5.2. Trick shot -- 5.3LR. Interiorization -- V4. Scherzo theme / Beethoven -- Three different ways of writing the same music -- Interiorization -- V5. Any kind of note can get one beat -- V6. Step-by-step progression -- 5.5. We gather -- 5.6. Valse triste -- 5.7. Broadway hit of 1910 / Romberg -- 5.8. Melody / Schubert -- 5.9. Waltz / Brahms -- 6.0. Il botcho / Arditi -- 6.1. From Artist's life -- 6.11 O Logie O'Buchan / Scotch -- 6.12 The unconstant lover (...Is worse than any thief) / Appalachia -- 6.2. Syncopation explication in two movements -- 6.21 Bethena : Ragtime waltz / Joplin -- 6.3. Familiar? -- 6.4. More syncopation in 3 steps -- 6.41. Jazz-related figures -- 7.0. Not a waltz / Grieg -- 7.1. An teicead so heisipt : Flight into Egypt / Irish -- 7.2. Air / Purcell -- 7.3. Unfinished business / Schubert -- 7.4. Kastchei's infernal dance (Theme) / Stravinsky -- 7.5. Rosetta stone I -- 7.6. Rosetta stone II -- Careful! : in three movements -- 8.1. Lament canon at one bar -- 8.2. A displaced rhythm -- 8.3. Sinfonia Brevis -- 8.31. Something hidden -- 9.0. Pavane theme / Ravel -- 9.1. In the garden / Russian -- 9.2. Slightly distorted (Achtung!) : [two versions] --

21 424 Treble clef sessions : a collection of duets for [treble clef] instruments guaranteed to sharpen and enhance rhythm skills and sight reading
2000

1 score (71 p.) ; 31 cm.
Biographical note about Livingston Gearhart precedes score.
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Legend -- Utter simplicity -- Beethoven themes I and II -- Suspensions I and II -- Variations on a theme from Petrouchka -- Inward counting (Two duos) -- The significance of [quarter rest] -- La campanella -- Inward counting (Two duos) -- Bulgarian melody -- Mixed metre -- Vulgarian music -- Andante doloroso -- Canon in two speeds -- Jazz (Sort of) -- Count two (Think four) -- Like, Ping pong : Three canons. Volley for serve ; Backhand ; Trick shot -- Interiorization -- Scherzo theme -- Three different ways of writing the same music -- Interiorization -- Any kind of note can get one beat -- Step-by-step progression -- We gather -- Valse triste -- Broadway hit of 1910 -- Melody -- Waltz -- Il botcho (Bacio) -- O Logie O'Buchan -- From Artist's life -- The unconstant lover (...Is worse than any thief) -- Syncopation explication in two steps -- Bethena Ragtime waltz -- Familiar? -- More syncopation in three steps -- Jazz-related figures -- Not a waltz -- An teicead so heisipt : Flight into Egypt -- Air -- Unfinished business -- Katschei's infernal dance (Theme) -- Careful! : in three movements -- Lament canon at one bar -- Rosetta stone I -- Rosetta stone II -- Sinfonia Brevis -- A displaced rhythm -- Something hidden -- Pavane theme -- In the garden -- Slightly distorted (Achtung!) : two versions -- Bottom of the ninth -- Double-play at (the) third (from an early book on How to compose) -- Not the way they sing it -- Challenge I (How many steps can you skip?) -- Two-note tango -- Challenge II -- Two-note tango -- Okay, three notes -- Important comparison (Metronome markings) -- Okay, three notes -- Comin' through the rye -- Comin' through the rye -- Erie canal excavated -- Suez canal -- Melody -- Increasingly hazardous -- Increasingly hazardous -- Finnegan's wake (He awoke at his wake) -- Putative Amerindian tune -- Finnegan's wake -- Hornpipe -- Hopak -- Concerto theme -- Etude -- Eternal vigilance -- Rough stuff I -- Rough stuff II -- Chaik II -- Gotcha I -- Symphony fragment -- Fanfare figure -- If you have it--reinforce it -- Sudden action -- The interpolator -- Sudden action -- Conversazione -- Interjacence -- Calm after the storm -- The world's longest wait -- How come the double dot (It saves energy and ink) -- Fussy composers clutter the page. A framework ; Embellished ; How Haydn wrote it -- Easing into Ragtime -- Exercise no. 5 (from School of ragtime, Joplin, 1908) -- The entertainer -- Golliwog theme -- The "occasional triplet" -- What's the difference? -- Polka rhythm -- Tune from a march -- 6/8 : a pair of threes -- A most minimal melody (With increasingly vexatious accompaniment patterns) -- Tema Espagnole -- Llwyn on -- Think six -- Think two -- Collision -- Challenge III (Visualize the dot) -- "Skelsss" (Scales with a Russian Accent) -- The basic model -- Scheherazade -- "Spanish" -- Name this tune -- Half-Bach -- Mixed metre -- Gotcha II -- Take turns -- Prep for Brahms -- Slow is hard. Wintertime ; Also (Niemals) Sprach Zarathustra ; Late Brahms ; Late Bach ; Polonaise ; Polonaise -- Motet (Music of the church) -- Music of Athens (Georgia, that is!) -- Veni Emmanuel -- Brobdingnagian jig -- Fragment : Le sacre du printemps (Final dance).

21 425 Gearhart, Livingston
Trick pieces : rounds and canons
[between 1970 and 1996?]

1 folder.
For various unspecified instrumentations. Title from accompanying leaf. Holograph (Pencil and ink). Accompanied by 2 typescript notes ; 10 typewritten and handwritten index cards by Livingston Gearhart.

Contents: Democracy : four-part round -- Table music -- Scherzo -- Season's greetings -- Gavotte in the Dorian mode -- [Untitled piece -- Ho capito : from] Don Giovanni / Mozart -- Sinfonia economica -- On one note -- [Untitled piece] -- Round for three players / Beethoven -- Tick-tock caper (?) : 3 part round.

21 426 Trumpet sessions
1950

1 score (56 p.) ; 31 cm.
"For two, three and four trumpets unaccompanied. For intermediate and advanced players. A variety of styles from Palestrina to jazz ... All the music in this collection is playable on both clarinets and violins."
Delaware Water Gap, Pennsylvania : Shawnee Press

Contents: Allegro / Mozart -- Aria / Weber -- The bells of St. Vitus (Canon) / Arranged -- Bonnie's bounce / Lessac -- Boogie in canon / Arranged -- Bugle woogie (Round) / Devinez -- Canon / Drissecoeur -- Chili con corni / Castiglioni -- Chinese lullaby (Canon) / Based on a Chinese folk song -- Chorale / Wagner -- Chromatic study / Neinstein -- Count me in (Round) / Caldara -- Count me out / Lunceford -- Ditto / Arranged -- Duettino / C.P.E. Bach -- Equali no. 2 / Beethoven -- Esercizio sopra la scala / Palestrina -- Fanfare for a ballerina / Stravinsky -- Fanfare for a celebration / de Falla -- Fanfare for a king / des Pres -- Fanfare for a pompous circumstance / Bax -- Fanfare for a procession / Debussy -- Fanfare for twenty trumpets / Weber -- Fanfare for a victory / Verdi -- Fanfare for a wolf / Prokofieff -- Fanfare from hunger / Traditional -- Fanfare "Pour le roi des singes" / Satie -- Five by five (Canon) / Quintus V -- Flourish for trumpets / Leopold Mozart -- Frankenstein's revenge / Neinstein -- Gloria / J.S. Bach -- Hare and tortoise / Joe Aesop -- Hark the herald angels sing / Mendelssohn -- Hunting song / Brahms -- Inside the atom bomb / Neinstein -- Jazz on rye / Chateau -- Jericho (Canon) / Gerard -- Jingle bells / Santa Claus -- Lacrimosa / Schubert -- Lament / Brahms -- March for trumpets / Handel -- March funebre (Canon) / Steibelt -- Minuet / J.S. Bach -- MinueTeuniM / Al Rovescio -- Nocturne / Mendelssohn -- Pavane (Theme) / Ravel -- Polka (Canon) / Malácek -- Presto (Round) / Haydn -- Prima gagliarda / Zozzi -- Round / Purcell -- Riffn' around / Arranged -- Russian dance / Updownsky -- Sarabande / Anon. 17th century -- Strange interlude / Neinstein -- Trepak / After Tschaikovsky, etc. -- Trio / C.P.E. Bach -- Trumpet bells / Arranged -- Variations on a theme of Paganini / Stolen from Brahms -- Volga boatmen / Untraditional.

21 427 Mozart, Wolfgang Amadeus, 1756-1791.
Uniform title: Quintets, violins, violas, violoncello, K. 614, E♭ major; arr.
Quintett : 2 pianos
[between 1935 and 1950]

1 ms. sketchbook ([46] p.) ; 35 cm.
Includes "two pages of what seem to be 'exercises,' probably while studying with Scalero at Curtis"--Accompanying leaf. According to Gearhart's note, the Mozart Quintet arranged for 2 pianos was arranged by Robert Casadesus, written in the hand of Virginia Morley [Waring]. Cover title. Holograph (Pencil and ink). Includes 1 photocopied letter from Livingston Gearhart to Carol Bradley (1 leaf) with Gearhart's description of the contents.
IV    Annotated scores, 1930-1960
Folder 428-507

The range of dates for the series indicates the likely period during which the scores were annotated, not the publication dates.

Arranged alphabetically by composer and then by uniform title.

Box Folder Contents
22 428 Arensky, Anton Stepanovich, 1861-1906
Uniform title: Suites, pianos (2), no. 1, op. 15.
Suite for Two Pianos, Op. 15

1 part
Publisher: A. Gutheil
Title page missing
Piano II part only.
Score contains few performance annotations in pencil.
22 429 Arensky, Anton Stepanovich, 1861-1906
Uniform title: Suites, pianos (2), no. 1, op. 15
Suite for Two Pianos, Op. 15. Edited and fingered by Louis Oesterle

2 parts
Publisher: G. Schirmer
Piano 1 part contains moderate performance annotations in pencil and blue pencil (fingerings and phrase markings). Piano 2 part contains few performance annotations in pencil.
22 430 Arensky, Anton Stepanovich, 1861-1906
Uniform title: Suites, pianos (2), no. 1, op. 15. Valse
Suite for Two Pianos, Op. 15, no. 2. Valse. Edited and fingered by Louis Oesterle

1 part
Publisher: [G. Schirmer]
Incomplete: Includes only p.3-9.
Piano II part only (incomplete).
Score contains few annotations for performance in pencil and blue pencil (fingerings only).
22 431 Bach, Johann Sebastian, 1685-1750
Uniform title: Brandenburgische Konzerte. Nr. 5; arr.
Tripel-Konzert Nr. 2. Für Klavier, Violine und Flöte mit Begleitung, D. Bearbeitung von C. Krug

2 parts
Publisher: Breitkopf and Härtel
Originally for chamber orchestra; arranged for 2 pianos, 4 hands.
The piece is Brandenburg concerto no. 5 by J.S. Bach.
Parts heavily annotated for performance (with fingerings, dynamics, and phrasing markings).
22 432 Bach, Johann Sebastian, 1685-1750
Uniform title: Concertos, harpsichord, string orchestra, BWV 1052, D minor; arr.
Concert in D Moll für Klavier und Streichorchester. Die Orchesterbegleitung für ein zweites Klavier bearbeitet von Julius Röntgen

1 two-piano score
Publisher: Universal
Arranged for 2 pianos, 4 hands.
Contains few annotations (rehearsal letters and phrase markings).
22 433 Bach, Johann Sebastian, 1685-1750
Uniform title: Concertos, harpsichords (2), string orchestra, BWV 1061, C major; arr.
Konzert C dur für Zwei Klaviere. Herausgegeben von F. C. Griepenkerl

2 two-piano scores
Publisher: C. F. Peters
Arranged for 2 pianos, 4 hands.
Piano 1 part contains annotations for performance (fingerings and phrase markings). Piano 2 part contains no annotations.
22 434 Bach, Johann Sebastian, 1685-1750
Uniform title: Concertos, harpsichords (3), string orchestra, BWV 1063, D minor
Concerto for 3 Pianos in D Minor (B. W. 22)

3 parts
Publisher: Reprint of Breitkopf and Härtel by Associated Music Publishers
For 3 pianos and string orchestra.
Piano 1 (2 copies), Piano 2 (1 copy)
Parts annotated for performance in pencil and red pencil.
22 435 Bach, Johann Sebastian, 1685-1750
Uniform title: Concertos, harpsichords (3), string orchestra, BWV 1064, C major
Concerto for 3 Pianos in C Major (B. W. 23)

3 parts
Publisher: Reprint of Breitkopf and Härtel by Associated Music Publishers
For 3 pianos and string orchestra.
All covers of parts signed by Livingston Gearhart.
Parts heavily annotated for performance (fingerings and phrase markings) in pencil and red pencil.

Accompanied by [2] leaves of ms. Music copied in the hand of Livingston Gearhart.

22 436 Bach, Johann Sebastian, 1685-1750
Uniform title: Herz und Mund und Tat und Leben, BWV 147. Jesus bleibet meine Freude; arr.
Jesu, Joy of Man's Desiring. (Chorale from Cantata No. 147) / J.S. Bach. Arranged...by Myra Hess

1 two-piano score
Publisher: Oxford
Arranged for 2 pianos, 4 hands.
Score contains few annotations for performance in pencil.
22 437 Bach, Johann Sebastian, 1685-1750
Uniform title: Herz und Mund und Tat und Leben, BWV 147. Jesus bleibet meine Freude; arr.
Chorale from Bach Cantata no. 147. Arranged for two pianos by Elsie Horne

1 two-piano score
Publisher: Murdoch
Score contains no annotations.
22 438 Bach, Johann Sebastian, 1685-1750
Uniform title: Jagdkantate. Schafe können sicher weiden; arr.
Schafe Können sicher Weiden (Sheep May Safely Graze). Transcribed for two pianos by Mary Howe

2 two-piano scores
Publisher: Oxford
1st piano score contains few performance annotations in pencil; 2nd score contains no annotations.
22 439-444 Bach, Johann Sebastian, 1685-1750
Uniform title: Organ music. Selections
Johann Sebastian Bach's Kompositionen für die Orgel. Kritisch-korrekte Ausgabe von Friedrich Conrad Griepenkerl und Ferdinand Roitzsch

1 score each
Publisher: C. F. Peters
For organ.
Includes Bands I, III, IV, VI, VII, and IX; some are incomplete.
Scores contain few performance annotations in pencil. Band I contains rehearsal letters and organ registrations; Band III contains phrase markings; Band IV contains one organ registration and few annotations; Band VI contains few phrase markings and organ registrations; Band VII contains moderate performance annotations (rehearsal letters, phrase markings, and organ registrations); Band IX contains few markings.
23 445 Bach, Johann Sebastian, 1685-1750
Uniform title: Präludium und Fuge, organ, BWV 532, D major; arr.
Präludium und Fuge in D Dur. Übertragen von Otto Singer

1 two-piano score
Publisher: Steingraber
Arranged for 2 pianos, 4 hands.
Score contains few performance annotations in pencil.
23 446 Bach, Johann Sebastian, 1685-1750
Uniform title: Präludium und Fuge, organ, BWV 546, C minor; arr.
Prelude and Fugue in C Minor. Arranged for two pianos by Harold Bauer

1 two-piano score
Publisher: Ditson
Score contains moderate annotations for performance in pencil (fingerings, phrase markings, and dynamics).
23 447 Bach, Johann Sebastian, 1685-1750
Uniform title: Sonatas, flute, harpsichord, BWV 1031, E♭ major. Siciliano; arr.
Sicilienne. Transcribed by Guy Maier

1 two-piano score
Publisher: J. Fischer
Arranged for 2 pianos, 4 hands.
Score contains few annotations for performance in pencil (fingerings and phrase markings).
23 448 Bach, Johann Sebastian, 1685-1750
Uniform title: Toccatas, organ, BWV 565, D minor; arr.
Toccata and Fugue in D Minor. Transcribed by Silvio Scionti

1 two-piano score
Publisher: G. Ricordi
Arranged for 2 pianos, 4 hands.
Score contains few annotations for performance in pencil on p. 3 and 5 only.
23 449 Beethoven, Ludwig van, 1770-1827
Uniform title: Variationen über ein Thema des Grafen v. Waldstein; arr.
Variations on a Theme by Count von Waldstein. Arranged for Two Pianos Four Hands by Victor Babin

2 two-piano scores
Publisher: Elkan-Vogel
Arranged for 2 pianos, 4 hands.
Piano 1 score contains few annotations in pencil (fingerings); Piano 2 score contains no annotations.
23 450 Benjamin, Arthur, 1893-1960
Uniform title: Jamaican pieces. Jamaican rumba
Jamaican Rhumba for Two Pianos-Four Hands

1 two-piano score
Publisher: Boosey and Hawkes
Score contains few annotations in pencil on pp. 4-5 (fingerings).
23 451 Brahms, Johannes, 1833-1897
Uniform title: Sonatas, pianos (2), op. 34b, F minor
Sonate für zwei Pianoforte nach dem Quintett Op. 34

1 two-piano score
Publisher: Breitkopf and Härtel
Arranged for 2 pianos, 4 hands. Part of title page missing
Score contains moderate performance annotations in pencil (mainly fingerings and phrase markings).
23 452 Brahms, Johannes, 1833-1897
Uniform title: Variationen über ein Thema von Haydn; arr.
Variations on a Theme by Haydn (Op. 56b). Edited by Edwin Hughes

1 two-piano score
Publisher: G. Schirmer
Arranged for 2 pianos, 4 hands.
Score contains moderate performance annotations in pencil (mainly fingerings).

Accompanied by 1 ½ p. of Gearhart's typewritten notes.

23 453 Brahms, Johannes, 1833-1897
Uniform title: Variationen über ein Thema von Robert Schumann, piano, 4 hands
Variationen über ein Thema von Robert Schumann für Pianoforte zu Vier Händen (Op. 23)

1 score
Publisher: Breitkopf and Härtel
For 1 piano, 4 hands.
Score contains few markings in pencil.
23 454 Brahms, Johannes, 1833-1897
Uniform title: Waltzes, piano, 4 hands, op. 39. Selections
Waltzes, Op. 39, Two Pianos, Four Hands. Arranged by the composer. Edited by Edwin Hughes

1 two-piano score
Publisher: G. Schirmer
Score contains nos. 1, 2, 3 [i.e. 11], 4. [i.e. 14], and 5 [i.e. 15].
Score contains no markings for performance. The marking "Charles" appears in pencil at the beginning of nos. 1, 2, 3, and 4 only.
23 455 Casella, Alfredo, 1883-1947
Uniform title: Pupazetti
Pupazzetti per pianoforte a quattro mani

2 scores
Publisher: G. Ricordi
For 1 piano, 4 hands.
Handwritten on cover of 1st score: "Helen R. Font." Handwritten on cover of 2nd score: "Gearhart." Scores contain few annotations for performance in pencil (mainly fingerings).
23 456 Couperin, François, 1668-1733
Uniform title: Pièces de clavecin, 2e livre. No 9. Allemande
Allemande pour 2 Clavecins. Révision par Louis Diémer

2 two-piano scores
Publisher: A. Durand
1st score is signed "Gearhart" on cover and contains no annotations. 2nd score contains moderate fingering markings in pencil.
23 457 Debussy, Claude, 1862-1918
Uniform title: En blanc et noir
En Blanc et Noir (In Black and White), Three Pieces for Two Pianos, Four Hands

2 two-piano scores
Publisher: International Music
Scores contain few annotations in pencil (fingering markings).
23 458 Debussy, Claude, 1862-1918
Uniform title: En blanc et noir
En Blanc et Noir: Trois Morceaux pour 2 Pianos à 4 Mains

1 two-piano score
Publisher: A. Durand
For two pianos, 4 hands.
Last page of original is partially cut off. Page 1 signed "Gearhart" in pencil.
Score contains moderate performance markings in pencil (mainly fingerings).
23 459 Debussy, Claude, 1862-1918
Uniform title: Mandoline
Twelve Songs. The Mandolin (Mandoline). Edited...by Charles Fonteyn Manney

1 score
Publisher: Ditson
For high voice and piano.
Cover signed "Dorothy Frohm"?
Score contains few performance annotations in pencil (mainly fingerings).
23 460 Debussy, Claude, 1862-1918
Uniform title: Nocturnes, orchestra. Fêtes; arr.
Nocturnes. II. Fêtes. Transcription pour 2 pianos 4 mains par Maurice Ravel

2 two-piano scores
Publisher: Jobert
Arranged for two pianos, 4 hands.
Handwritten on cover: "Clotfelter"
Scores contain moderate performance markings in pencil (mainly fingerings).
23 461 Debussy, Claude, 1862-1918
Uniform title: Nocturnes, orchestra. Sirènes; arr.
Nocturnes. III. Sirènes. Transcription pour 2 pianos 4 mains par Maurice Ravel

2 two-piano scores
Publisher: E. Fromont
Arranged for 2 pianos, 4 hands.
Cover signed in ink: "Clotfelter" Scores contain moderate performance annotations in pencil (some fingerings).
23 462 Debussy, Claude, 1862-1918
Uniform title: Preludes, piano, book 2. "Général Lavine"--eccentric
Préludes (12), 2me livre. [General Lavine]

1 score
Publisher: A. Durand
For solo piano.
Score heavily annotated for performance in pencil (fingerings and pedal markings).
24 463 Dello Joio, Norman, 1913-2008
Uniform title: Aria and toccata, pianos (2)
Aria and Toccata for Two Pianos

2 two-piano scores
Publisher: C. Fischer
For 2 pianos, 4 hands.
Both scores contain few performance annotations in pencil (fingerings and phrase markings).
24 464 Dello Joio, Norman, 1913-2008
Uniform title: Concertos, pianos (2), orchestra
Concerto for Two Pianos and Orchestra

2 two-piano scores
For 2 pianos and orchestra. Holograph (Ozalid reproduction).
Both scores contain few performance annotations in pencil and red pencil (primarily fingerings).
24 465 Dello Joio, Norman, 1913-2008
Uniform title: Duke of Sacramento. Rhumba; arr.
Duke of Sacramento. Rhumba

2 two-piano scores
Publisher: Independent
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
First page of each score signed "To Livingston & Virginia--the best there is, as friends & musicians" by the composer. Each score signed at end by the composer. First score contains no performance annotations. Second score contains few performance annotations in pencil (chiefly rewritten passages).
24 466 Diamond, David, 1915-2005
Uniform title: Concertos, pianos (2)
Concerto for Two Solo Pianos (1942)

2 two-piano scores
Holograph (Ozalid reproduction).
Inscribed by composer "For Livingston Gearhart and Virginia Morley"--Caption. Caption of first piano score signed by Livingston Gearhart. At end of score: Hollywood, Saratoga, June 1942. Scores contain very few performance markings in pencil and blue pencil (dynamic markings, tempo indications, and fingerings).
24 467 Fauré, Gabriel, 1845-1924
Uniform title: Pelléas et Mélisande. Selections; arr.
Pelleas et Mélisande

2 two-piano scores
Publisher: J. Hamelle
Originally for orchestra; arranged for 2 pianos, 4 hands.
First piano score contains few markings for performance in pencil (added notes in no. 2 only). Second piano score contains moderate markings for performance (mainly fingerings, rehearsal letters, and rewritten parts in no. 2 only).
24 468 Franck, César, 1822-1890
Uniform title: Pièces, organ (1862). Prélude, fugue et variation; arr.
Prélude Fugue et Variation : op. 18.

1 score and 1 part
Publisher: A. Durand
Score for organ and piano; part for organ.
Handwritten on cover: "Clotfelter." Handwritten on cover: "Gearhart." Durations of movements written in pencil on p. 2 of score. Score contains moderate performance annotations in pencil (fingerings, rewritten parts, and phrase markings). Part contains few performance annotations in pencil (tempo indications and phrase markings only).
24 469 Gershwin, George, 1898-1937
Uniform title: Rhapsody in blue
Rhapsody in Blue

1 two-piano score
Publisher: Harms, Inc.
Arranged for 2 pianos and orchestra.
Score contains moderate performance annotations in pencil (primarily fingerings and metronome markings).
24 470 Green, Harold Bellman, 1921-2007
Uniform title: Fruminous bandersnatch
Fruminous Bandersnatch for Two Pianos

2 two-piano scores
Holograph (Ink).
Caption of Piano 1 score: "1941." Piano 1 score contains no performance annotations. Piano 2 score contains moderate performance annotations in pencil and red pencil (tempo indications, phrase markings, and fingerings).
24 471 Hindemith, Paul, 1895-1963
Uniform title: Sonatas, piano, 4 hands
Sonata, Piano Duet (1938)

1 two-piano score
Publisher: Schott
For 1 piano, 4 hands.
Cover of score signed in ink: "Gearhart." Score contains moderate performance annotations in pencil (fingerings and expressive markings in movements 1 and 2 only).
24 472 Infante, Manuel, 1883-1958
Uniform title: Danses andalouses. Gracia
Danses Andalouses. III. Gracia (El Vito)

2 two-piano scores
Publisher: Editions Salabert
For 2 pianos.
First score contains no performance annotations. Second score contains few performance annotations in pencil.
24 473 Infante, Manuel, 1883-1958
Uniform title: Danses andalouses. Ritmo
Danses Andalouses. I. Ritmo

3 two-piano scores
Publisher: A.Z. Mathot
For 2 pianos, 4 hands.
Cover of first score signed "Morley + Gearhart." First and second scores contain moderate performance annotations in pencil and red pencil (fingerings, dynamic markings, and pedal markings). Third score contains few performance annotations in pencil (primarily fingerings).
24 474 Keeney, Wendell, 1903-1989
Uniform title: Spanish capriccio
Spanish Capriccio

2 two-piano scores
Publisher: J. Fischer
Printed above caption title: "To Lillian and Livingston Gearhart"
First score inscribed and signed by the composer in ink: "For Livingston, wishing him the rich reward his many talents deserve and in appreciation of the first performance this piece ever had." Inscription dated Mar. 17, 1935. First score contains few performance annotations in pencil (rehearsal letters and fingerings only). Second score only contains 2 markings on p. 8 in pencil.
24 475 Kellogg, Kay
Uniform title: Sea moods. Daybreak
Two Sea Moods. Daybreak

2 parts
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
Piano 1 part contains moderate performance annotations in pencil. Piano 2 part contains no annotations.
24 476 Kellogg, Kay
Uniform title: Sea moods. White caps
Two Sea Moods. White Caps

2 parts
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
Piano 1 part contains moderate performance annotations in pencil (fingerings only). Piano 2 part contains moderate performance annotations in pencil and blue ink (rehearsal letters and fingerings).
25 477 Milhaud, Darius, 1892-1974
Uniform title: Scaramouche
Scaramouche, pour Deux Pianos

2 two-piano scores
Publisher: Salabert
For 2 pianos, 4 hands.
First score contains fingerings in pencil on p. 25 only. Second score contains fingerings in pencil on p. 25 and 27 only.
25 478 Milhaud, Darius, 1892-1974
Uniform title: Scaramouche
Scaramouche (Suite pour Deux Pianos)

1 two-piano score
Publisher: R. Deiss
For 2 pianos, 4 hands.
Score contains few performance annotations in pencil (fingerings and dynamic markings).
25 479 Milhaud, Darius, 1892-1974
Uniform title: Songes (2-piano work)
Songes, Suite for Two Pianos

1 two-piano score
Publisher: R. Deiss
For 2 pianos, 4 hands. Printed above caption title: "à Virginia Livingstone" (probably refers to Virginia and Livingston; should read "à Virginia et Livingston").
Score contains few performance annotations (fingerings and articulations).
25 480 Moscheles, Ignaz, 1794-1870
Uniform title: Hommage à Händel
Homage à Haendel, Grand Duo pour deux Pianofortes. Revue et doigtée par C. Beving

2 parts
Publisher: F. Kistner
For 2 pianos, 4 hands.
Both parts contain few performance annotations in pencil (articulations and tempo indications).
25 481 Mozart, Wolfgang Amadeus, 1756-1791
Uniform title: Concertos, pianos (2), orchestra, K. 365, E♭ major
Concert für 2 Pianoforte zu 4 Händen. Herausgegeben von Gust. F. Kogel

1 part
Publisher: C. F. Peters
For 2 pianos and orchestra. Piano 1 part only.
Score contains moderate performance annotations in pencil and blue pencil (rehearsal letters, fingerings, and dynamic markings).
25 482 Mozart, Wolfgang Amadeus, 1756-1791
Uniform title: Nozze di Figaro. Ouverture; arr.
Figaro's Hochzeit. Ouverture

1 score
Publisher: Breitkopf and Härtel
Originally for orchestra ; arranged for 1 piano, 4 hands.
Score contains few annotations in pencil (secondo part only).
25 483 Mozart, Wolfgang Amadeus, 1756-1791
Uniform title: Sonatas, pianos (2), K. 448, D major
Sonate und Fuge für 2 Klaviere zu 4 Händen [K 448 and K 426]. C. F. Peters. Revidierte Ausgabe von Adolf Ruthardt.

2 two-piano scores
Publisher: C. F. Peters
First score signed "April 1939" on p. 3. Second score signed "Gearhart" on cover. Second score dated "Dec. [19]48" on p. 14. First score contains moderate performance annotations in pencil (fingerings and rehearsal letters). Second score contains few performance annotations in pencil.

Bound with Mozart's Konzert für Zwei Klaviere. Herausgegeben von Adolf Ruthardt ©. F. Peters)

25 484 Mozart, Wolfgang Amadeus, 1756-1791
Uniform title: Stücke, musical clock, K. 608, F minor; arr.
Fantasia for Musical Clock Work, K. 608

2 two-piano scores
Publisher: International Music Co.
Arranged for 2 pianos, 4 hands by Ferruccio Busoni.
First score contains moderate performance annotations in pencil (fingerings only). Second score contains few performance annotations in pencil.
25 485 Oesterle, Louis
Uniform title: Four-hand collection for the piano
Oesterle's four-hand collection for the piano: 42 Melodious and instructive duets for elementary and first grade by popular composers

1 score
Publisher: G. Schirmer
For 1 piano, 4 hands. Cover and title page missing.
Score heavily annotated for performance in pencil (primo part only, primarily fingerings).
25 486 Rachmaninoff, Sergei, 1873-1943
Uniform title: Rapsodie sur un thème de Paganini; arr.
Rapsodie sur un Thème de Paganini, Op. 43, pour Piano et Orchestre. Réduction pour 2 Pianos à 4 mains par l'auteur

1 two-piano score
Publisher: C. Foley
Signed in pencil on cover: "Gearhart." Score contains moderate performance annotations in pencil.
25 487 Rachmaninoff, Sergei, 1873-1943
Uniform title: Suites, pianos (2), no. 1, op. 5
Fantasie (Tableaux) pour Deux Pianos, Op. 5

2 two-piano scores
Publisher: A. Gutheil
For 2 pianos, 4 hands. Second score missing p. 1-19.
Cover of first score signed in ink: "Clotfetter." First score contains no performance annotations. Second score contains few performance annotations (dynamic markings and fingerings in movement 3).

Accompanied by 1 photocopy of second score.

25 488 Ravel, Maurice, 1875-1937
Uniform title: Ma mère l'oye (Ballet). Danse du rouet; arr.
Ma Mère L'Oye. Prélude et danse du Rouet. Transcription pour piano à 4 mains par Lucien Garban

1 two-piano score
Publisher: Durand
Score contains few performance annotations in pencil.
25 489 Russell, Henry, 1812-1900
Uniform title: Witches flight
Witches Flight. Galop Caprice

1 score
Publisher: White-Smith
For 1 piano, 4 hands. Upper corner of p.11 torn off
Score contains few performance annotations in pencil (p. 4 and 8 only).

Accompanied by [1] p. of ms. music in Gearhart's hand: "Sketch of last 17 meas for Secondo" ; 1 photocopied score.

25 490 Saint-Saëns, Camille, 1835-1921
Uniform title: Carnaval des animaux
Le Carnaval des Animaux

2 parts
Publisher: Durand
For 2 pianos and chamber orchestra.
Parts for 2 pianos only.
Both parts heavily annotated for performance in pencil (tempo indications, rewritten passages, and cuts).
25 491 Saint-Saëns, Camille, 1835-1921
Uniform title: Danse macabre (Symphonic poem); arr.
Danse Macabre (op. 40). À 2 Pianos par l'Auteur

2 parts
Publisher: A. Durand
Arranged for 2 pianos, 4 hands.
Piano 1 part heavily annotated for performance in pencil and blue pencil (primarily phrasing markings, dynamics, and fingerings). Piano 2 part contains moderate performance annotations in pencil (phrase and articulation markings).
25 492 Saint-Saëns, Camille, 1835-1921
Uniform title: Points d'orgue
Points D'Orgue pour le Concerto en Mi b à 2 Pianos de Mozart

2 two-piano scores
Publisher: A. Durand
Cadenzas by Saint-Saens for Mozart's Concerto for 2 pianos in E-flat major, K. 365.
Cover of first score signed "Gearhart." Both scores contain moderate annotations for performance in pencil (fingerings and dynamic markings). First score contains a rewritten passage in blue ink (p. 3).
26 493 Schubert, Franz, 1797-1828
Uniform title: Fantasien, piano, D. 760, C major; arr.
Fantasia, Op. 15. Arrangement for two pianos [by] Franz Liszt. Edited and revised by Rafael Joseffy.

2 two-piano scores
Publisher: G. Schirmer
For 2 pianos, 4 hands.
First score contains no annotations. Second score contains few performance annotations in blue pencil (dynamic markings on p. 48 -63 only).
26 494 Schubert, Franz, 1797-1828
Uniform title: Symphonies, D. 759, B minor; arr.
H-moll Symphonie für Pianoforte zu vier Händen. Bearbeitet von Hugo Ulrich

1 score
Publisher: C. F. Peters
For 1 piano, 4 hands.
Score contains few performance annotations in pencil (fingerings).

Accompanied by 1 photocopied score.

26 495 Schumann, Robert, 1810-1856
Uniform title: Andante und Variationen, pianos (2), horn, violoncellos (2), B♭ major; arr.
Andante et Variations pour deux Pianos, Op. 46

2 two-piano scores
Publisher: A. Durand
Caption of first score signed "Gearhart." Both scores contain moderate annotations for performance in pencil (primarily fingerings).
26 496 Schumann, Robert, 1810-1856
Uniform title: Andante und Variationen, pianos (2), horn, violoncellos (2), B♭ major; arr.
Andante and Variations for Two Pianos, Op. 46. Edited by Edwin Hughes

2 two-piano scores
Publisher: G. Schirmer
For 2 pianos, 4 hands.
Cover of second score signed "Webb." Both scores contain few performance annotations in pencil and red pencil (primarily durations).
26 497 Strauss, Johann, 1825-1899
Uniform title: An der schönen, blauen Donau; arr.
Blue Danube Waltzes. Freely adapted and arranged for two pianos by Abram Chasins

2 two-piano scores
Publisher: J. Fischer
For 2 pianos, 4 hands. "Based on the Schultz-Evler transcription"--Cover of second score.
First score missing p. 7-8. First score contains few performance annotations in red pencil and pencil (primarily dynamic markings). Second score contains no annotations.
26 498 Strauss, Johann, 1825-1899
Uniform title: Künstlerleben; arr.
Artist's Life (Künsterleben) Waltz. Transcribed for two pianos, four hands, by Abram Chasins

2 two-piano scores
Publisher: J. Fischer
Both scores contain few performance annotations in pencil (rewritten passages and cuts).
26 499 Stravinsky, Igor, 1882-1971
Uniform title: Concertos, orchestra, E♭; arr.
Dumbarton Oaks, 8-V-38, Concerto en mi b pour Orchestre de Chambre. Réduction pour 2 pianos à 4 mains par l'auteur

1 two-piano score
Publisher: Schott
Arranged for 2 pianos, 4 hands.
Cover of score signed "Gearhart." Score contains few annotations for performance in pencil (fingerings on p. 1-8 only).
26 500 Stravinsky, Igor, 1882-1971
Uniform title: Concertos, pianos (2)
Concerto per due Pianoforti Soli

1 two-piano score
Publisher: Schott
For 2 pianos, 4 hands, unaccompanied.
Score contains moderate performance annotations in pencil (primarily phrase markings).
26 501 Stravinsky, Igor, 1882-1971
Uniform title: Scherzo à la russe; arr.
Scherzo à la Russe for Orchestra. Transcribed for two pianos by the composer

2 two-piano scores
Publisher: Associated Music
Title page of second score signed "L. Gearhart" in pencil. First score contains fingerings in pencil on p. 3 and 14 only. Second score contains two annotations in pencil on p. 14 only.
26 502 Stravinsky, Igor, 1882-1971
Uniform title: Sonatas, pianos (2)
Sonata for Two Pianos

1 two-piano score
Publisher: Associated Music
Score contains few annotations for performance in pencil (fingerings only).

Errata slip enclosed ([1] p.).

26 503 Stravinsky, Igor, 1882-1971
Uniform title: Vesna sviashchennaia; arr.
Sacre du Printemps. Réduction pour piano à quatre mains par l'auteur.

1 score
Publisher: Édition Russe de Musique
Arranged for 1 piano, 4 hands.
Signed by Gearhart on cover and dated "Paris 1937"; also signed in cyrillic alphabet by Nicolas Roerich. Score contains few annotations for performance (primarily phrase markings).
26 504 Talma, Louise, 1906-1996
Uniform title: Four-handed fun
Four-Handed Fun

2 two-piano scores
For 2 pianos, 4 hands. Holograph (Ozalid reproduction).
Caption of first score signed "For Livingston and Virginia, with much affection, Louise, 11/14/47" in ink. First score contains few performance annotations in pencil. Second score contains no performance annotations.
26 505 Tansman, Alexandre, 1897-1986
Uniform title: Sonatas, pianos (2)
Sonate pour 2 Pianos

2 two-piano scores
Publisher: Associated Music
For 2 pianos, 4 hands. Holograph (Ozalid reproduction). At end of score: "Alexandre Tansman…1940."
Both scores contain markings in pencil on p. 7 and 17 only.
26 506 Tchaikovsky, Peter Ilich, 1840-1893
Uniform title: Shchelkunchik. Marsh; arr.
Casse-noisette. Marche. Réduction par Léon Conus

2 two-piano scores
Publisher: P. Jurgenson
Arranged for 2 pianos, 4 hands.
Annotations on covers of scores only.
26 507 Wier, Albert E. (Albert Ernest), 1879-1945
Uniform title: Pieces for two pianos
Pieces for Two Pianos. Selected and edited by Albert E. Wier

1 part
Publisher: Harcourt, Brace and Company
Piano II part only.
Score contains moderate performance annotations in pencil, blue pencil, and red pencil (tempo indications, durations, and fingerings).

Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog.

Contributors

Gearhart, Fritz
Gearhart, Pamela

Subjects

Music--Manuscripts

Genres

Scores

Associated Material

Additional Guides

All scores in the collection are cataloged in WorldCat and are available in the online catalog for the University at Buffalo Libraries by performing a "Title begins with" search under "Livingston Gearhart Collection of Scores".


Related Resources

Related Resources in the Music Library

Collection contains prose writings, vitae, correspondence, teaching materials, programs, and clippings.

Collection of 26 images, including photographs of Nadia Boulanger and her summer class of 1938, Gearhart and his first wife, Virginia Morley (Waring) at Mills College in California, with composer Darius Milhaud and his family, and the Budapest String Quartet. The collection also includes four photographs of composer Johannes Brahms in 1896. Also available as a digital collection in University Libraries Digital Collections .

Collection of 23 recordings, including compositions and arrangements by Livingston Gearhart, his memorial service, and the recordings of duo-pianists, Morley and Gearhart.

Related Resources at Other Institutions

Pennsylvania State University's collection of items related to the Fred Waring shows, including some of Livingston Gearhart's arrangements.

This collection in the Eda Kuhn Loeb Music Library at Harvard University contains five manuscript scores for Livingston Gearhart original compositions.
Piece for Aaron Copland for flute, clarinet, English horn, bassoon, violin, and viola
Prière for "voix d'enfant" and string quartet
Danse russe. Hommage à Igor Stravinsky for 4 trumpets
O Emmanuel for chorus and piano
Rorate coeli for chorus and piano