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Finding Aid for the Otto Kinkeldey Papers, 1898-1962

Contains Digital Content

Mus. Arc. 54

State University of New York at Buffalo. Music Library


112 Baird Hall
Buffalo, New York 14260-4750
United States
Phone: 716 645-2924
Fax: 716 645-3906
Email: musique@buffalo.edu
URL: http://library.buffalo.edu/music/

Finding aid prepared by John Bewley.
Finding aid encoded in EAD by John Bewley.
Finding aid written in English.
Finding aid prepared using DACS ( Describing Archives: A Content Standard ).

Please use the following URL when citing this document:
http://purl.org/net/findingaids/view?docId=ead/music/ubmu0054.xml

© 2013. State University of New York at Buffalo. All rights reserved.


Collection Overview

Title: Otto Kinkeldey Papers, 1898-1962
Collection Number: Mus. Arc. 54
Creator: Kinkeldey, Otto, 1878-1966
Extent: 4 boxes (147 folders)
Language of Material: Collection material in English, French, German, and Latin.
Repository: State University of New York at Buffalo. Music Library
Abstract: The collection contains offprints of articles by Otto Kinkeldey and others, correspondence, documents related to the Committee on Graduate Study in Music (1938), Kinkeldey's transcriptions of musical works, and one of his own compositions.

Administrative Information

Preferred Citation

[Specified item], Otto Kinkeldey Papers, 1898-1962, Music Library, The State University of New York at Buffalo.

Acquisition Information

Gift.

Terms of Access

Materials can be examined by qualified researchers in the Music Library during hours of operation during which Music Librarians are present. In order to insure access, researchers are advised to contact the Music Library in advance of visits.

Copyright

Copyright for the materials in the collection does not reside with the Music Library. Therefore, patrons wishing to publish any item, or part of an item from this collection for any purpose, are responsible for securing requisite permissions.

Processing Information

Processed by Timothy Gudlewski and John Bewley.

Accruals and Additions

No further accruals are expected to this collection.


Biographical Note

Otto Kinkeldey (1878-1966) was among the most prominent and influential of the first generation of musicologists and music librarians in the United States. He earned his Master of the Arts degree in English literature and philosophy at New York University in 1900. After continuing studying music with Edward MacDowell at Columbia University for two years Kinkeldey moved to Germany to study at the Akademie Institut für Kirchenmusik and at the University of Berlin where his musicology professors included Johannes Wolf, Oskar Fleischer, Max Friedländer, and Hermann Kretzschmar. He received his Ph.D. from the University of Berlin in 1909.

In addition to receiving his musicological training in Germany, Kinkeldey also gained experience as a librarian while working as a cataloger for the Prussian government. His work involved cataloging music collections in church and town libraries. He was hired in 1909 to be the librarian for the Royal Academic Institute for Church Music in Breslau where he also worked at the University of Breslau as professor of organ and music theory. He taught with such distinction that the Prussian government granted him the honorary title, "Royal Prussian Professor" in 1910.

Kinkeldey returned to the United States in 1914 and was named chief of the Music Division of the New York Public Library in 1915. His work was interrupted while he was enlisted in the United States Army in 1917-1919. Kinkeldey resigned his post at the New York Public Library in 1923. He left to become head of the Music Department at Cornell University but returned to the New York Public Library for the years 1927-1930.

Cornell University created the first faculty position in musicology in 1930 and appointed Kinkeldey to the position. From 1930-1946 he also served as University Librarian at Cornell. After he retired from Cornell University he continued his career in several locations as a visiting faculty member, including Harvard, Princeton, Illinois University, Berkeley, and North Texas University.

Kinkeldey was one of the founding members of the American Musicological Society in 1941 and its first president. He was also among the founders of the Music Library Association in 1931 and served as its first president. He was instrumental in establishing the standards for graduate programs in music in the United States. His research and writings encompass both musicological and bibliographical studies.


Scope and Content Note

The collection contains twenty-one of Kinkeldey's published writings (two of which are only abstracts of presentations), documents from the 1936 meeting of the Committee on Graduate Study in Music chaired by Howard Hanson that established guidelines for music graduate programs, correspondence concerning a publication of the hymnal, Zion's Harfeand seventeen writings by other authors, some with inscriptions to Kinkeldey or accompanied by correspondence to him. The collection also contains eleven items of assorted correspondence, four folders of program materials, and five folders of paleographic examples.

The musical portion of the collection reflects Kinkeldey's research interests. The transcriptions pre-date commercially available transcriptions made later by other musicologists. Many of the transcriptions were used in his doctoral dissertation Orgel und Klavier in der Musik des 16. Jahrhunderts. Some of the musical works in Series IX were separated from original placements within compilations in order to better identify the contents.



Container List

I.A    Published writings, 1909-1954
Folder 1-21
Arranged alphabetically by title.
Box Folder Contents
1 1
“Alfred Einstein's 'The Italian Madrigal': a review”, 1949
1 offprint (20 pages)
Published in: Renaissance News, v. 2 n. 2 (Summer 1949): 25-28.
1 2
“American higher music education compared with that of Europe”, 1934
1 offprint (16 pages)
Published in: Proceedings of the Music Teachers National Association, 29 (1934): 20-28.
1 3
“Artist and the scholar”, 1940
1 offprint (15 pages)
Published in: Proceedings of the Music Teachers National Association, 35 (1940): 67-79.
1 4
“Bach embellecido por sí mismo”, 1954
1 offprint (10 pages)
Published in: Revista de Estudios Musicalesn. 7 (December 1954) : 1-10.
Translated by Francisco Curt Lange.
1 5
“Changing relations within the field of musicology”, 1936
1 offprint (19 pages)
Published in: Proceedings of the Music Teachers National Association31 (1936): 246-261.
1 6
“Exhibition of music”, 1930
1 journal (68 pages)
Published in: Bulletin of the New York Public Libraryv. 34 n. 1 (January 1930): 3-8.
1 7
“Franchino Gafori and Marsilio Ficino”, 1947
1 offprint (4 pages)
Published in: Harvard Library Bulletinv. 1 n. 1 (Autumn 1947): [379]-382.
1 8
“Hopes and wishes”, 1941
1 offprint (8 pages)
Published in: Proceedings of the Music Teachers National Association 36 (1941): 190-197.
1 9
“Influence of folk-music upon artistic progress”, 1915
1 offprint (13 pages)
Published in: Proceedings of the Music Teachers National Association10 (1915): 272-284.
1 10
“Jewish dancing master of the Renaissance (Guglielmo Ebreo)”, 1929
1 illustrated leaf
Published in: Studies in Jewish Bibliography and Related Subjects, in Memory of Abraham Solomon Freidus (1867-1923): 329-372. Only the illustration of the dancing master is contained within, the full text of the article.
1 11
“Music and meaning”: abstract, 1936
1 offprint (16 pages)
Published in: Bulletin of the American Musicological Societyn. 1 (June 1936): 14-15.
1 12
“Music education and public libraries”, 1916
1 journal 15 (pages)
Published in: Music Bulletinv. 3 n. 1 (September 1916): 11-14.
1 13
“Music in the universities of Europe and North America”, 1915
1 offprint (12 pages)
Published in: Proceedings of the Music Teachers National Association10: 79-90.
1 14
“Music of the future: a phantasy”: abstract, 1937
1 journal (32 pages)
Published in: Bulletin of the American Musicological Societyn. 2 (June 1937): 4.
1 15
“Musicology in American colleges and universities”, 1934
1 offprint (8 pages)
Published in: Yearbook of the Music Educators National Conference27: 125-131.
1 16
“Musik in Schlesien”, 1913
1 offprint (9 pages)
Published in: Schlesische Landeskunde Geschichtliche Abteilung (1913): 342-350.
1 17
Orgel und Klavier in der Musik des 16. Jahrhunderts: ein Beitrag zur Geschichte der Instrumentalmusik: Kapitel VII, Anhang I, II: Inaugural Dissertation zur Erlangung der Doktorwürde genehmigt von der philosophischen Fakultat der Friedrich-Wilhelms-Universität zu Berlin, 1909
1 book (40 pages)
1 18
“Preparation of the college music student for graduate study”, 1934
1 offprint (16 pages)
Published in: Proceedings of the Music Teachers National Association29 (1934): 165-170.
1 19
“Thomas Mace and his 'Musick's Monument' (1676)”, 1937
1 journal (32 pages)
Published in: Bulletin of the American Musicological Societyn. 2 (June 1937): 21.
1 20
“Thomas Robinson's 'Schoole of Musicke': a lute book of Shakespeare's time”, 1936
1 journal (16 pages)
Published in: Bulletin of the American Musicological Societyn. 1 (June 1936): 7.
1 21
“Tributes to the memory of Oscar George Sonneck (1873-1928)”, 1928
1 offprint (7 pages)
Published in: Proceedings of the Music Teachers National Association 23 (1928): 257-263.
I.B    Unpublished writings, 1919, 1923, undated
Folder 22-24
Arranged chronologically.
Box Folder Contents
1 22
Comments on Hans Tessmer's article “ Joh. Sebastian Bach im öffentlichen Schriftum seiner Zeit”, published in the journal, Neue-Musik Zeitung, 1919
1 manuscript leaf
1 23
Labels for an untitled exhibit about Beethoven at the New York Public Library, 1923
1 envelope
Presumably curated by Kinkeldey.
1 24
Notes on, and text of Alfred Tennyson's poem, Maud as set by Sir Arthur Somervell, undated
2 folded manuscript leaves
II.    Committee on Graduate Study in Music, 1936-1937
Folder 25-30

Documents related to the Special Committee on Graduate Study in Music jointly sponsored by the Music Teachers National Association and the National Association of Schools of Music. The committee was first authorized in December 1933. The enclosed contents pertain to the committee's meeting December 30, 1936 at the joint conventions of the Music Teachers National Association, National Association of Schools of Music, American Musicological Society, and Phi Mu Alpha Fraternity in Chicago, Illinois and subsequent documents. The authors of the typescript documents are not stated.

Arranged in rough chronological order.

Box Folder Contents
1 25 Constitution and by-laws, specimen examinations, approved curricula, code of ethics, membership of the National Association of Schools of Music, 1936
1 printed booklet (35 pages)
1 26 Meeting of special committee, December 28, 1936
32 typescript leaves

Transcription of meeting of the Committee on Graduate Study in Music chaired by Howard Hanson.

1 27 Adjourned meeting of special committee, December 30, 1936
53 typescript leaves

Transcription of meeting of the Committee on Graduate Study in Music chaired by Howard Hanson.

1 28 Summary of meetings of Committee on Graduate Study in Chicago 1937
2 typescript leaves

Items of agreement and regulations for the Doctor of Philosophy in Music degree.

1 29 Letter from Hanson, Howard, 1896-1981 to Kinkeldey, 19 January 1937
2 typescript leaves

Letter sent with transcript of second meeting of the Committee on Graduate Study in Music.

1 30 Preliminary report of the Committee on Graduate Study in Music undated (1937?)
1 printed booklet (16 pages)

Annotated with changes.

III.    Correspondence about Zions Harfe, March 18, 1938-June 10, 1938
Folder 31-34

Correspondence related to Kinkeldey's English translations of hymns from the German edition of Zions Harfe, the primary worship hymnal of the Apostolic Christian Church.

Arranged alphabetically by sending correspondent's surname.

Box Folder Contents
2 31 Braun, G. A. to Kinkeldey, 18 March 1938-21 May 1938
14 typescript letters

Includes one item written on behalf of Braun by Albert J. Strohm. Letterhead on one item: "G. A. Braun, Inc., Exclusive Mid-Western distributors, The Prosperity Co., Inc.. Laundry and Dry Cleaning Equipment, 612 N. Michigan Avenue, Chicago".

2 32 Kinkeldey, Otto, 1858-1958 to G. A. Braun, 12 May 1938-10 June 1938
5 typescript letters (5 leaves) and 29 manuscript and typescript leaves of translations
2 33 Spencer, Charles W. to Kinkeldey, 8 June 1938
1 typescript letter

Spencer was librarian of Colgate University Library, Hamilton, New York. He wrote to respond that the choir at the school had not performed a specified hymn from Zions Harfe.

2 34 Stieg, Lewis to Kinkeldey, 4 June 1938
1 typescript letter

Stieg was a librarian at Hamilton College, Clinton, New York. He wrote to respond that the choir at the school had not performed a specified hymn from Zions Harfe.

IV.    Writings by Others, 1905-1960
Folder 35-52

Chiefly published writings by other authors, some accompanied by correspondence.

Arranged alphabetically by author's surname and then by title.

Box Folder Contents
2 35 Akademischen Vereins Organum, July 1898, 28 September 1905
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2 items

Statut des akademischen Vereins Organum zu Berlin, Juli 1898. Printed pamphlet (8 pages)
Organum, Bier-Zeitung, 28. Sept. 1905. Handwritten newsletter (13 pages).

2 36 Barbour, J. Murray (James Murray), 1897-1970
: “Irregular systems of temperament”, 1947

1 offprint (7 pages)
Published in: Journal of the American Musicological Society, v. 1 n. 3 (Autumn 1948): 20-26

Accompanied by two concert programs from Michigan State College Department of Music Collegium Musicum.

2 37 Barbour, J. Murray (James Murray), 1897-1970
: “Music and continued ternary fractions”, 1948

1 offprint (11 pages)
Published in: American Mathematical Monthly, v. 55 n. 9 (November 1948): 545-555.
2 38 Barbour, J. Murray (James Murray), 1897-1970
: “Musical scales and their classification”, 1949

1 offprint (4 pages)
Published in: Journal of the Acoustical Society of America, v. 21 n. 6 (November 1949): 586-589.
2 39 Besseler, Heinrich, 1900-1969
: “Johann Sebastian Bach 1685-1750”, 1935

1 offprint (26 pages)
Published in: Die Grossen Deutschen: Neue deutsche Biographie: 94-111.
2 40 Cornell University: “Honor Dr. Kinkeldey at sixtieth birthday”, 24 November 1938
1 printed booklet(16 pages)
Published in: Cornell Alumni News, v. 41 n. 9 (November 24, 1938): 109.
2 41 Ellinwood, Leonard, 1905-1994
: Francesco Landini and his music, 1936

1 offprint (29 pages)
Published in: Musical Quarterly, v. 22 n. 2 (April 1936): 190-216.

Accompanied by three manuscript transcriptions of Landini works: Amor in uon gentile, Partesi con dolore, and Si dolce non sono (2nd part). The score of the last work is an ozalid reproduction. There is also a copy of the last work as it appears in the Squarcialupi Codex.

2 42 Emmanuel, Maurice, 1862-1938
: Rythme d'Euripide à Debussy, 1928

1 printed article (16 pages)
Published in: Le Monde Musicale, v. 38 n. 9 (September 1928): 277-329.

Annotated and accompanied by three manuscript items. One from Emmanuel to Maurice Brillant, October 11, 1930; two manuscript lists in unidentified hand concerning articles by or about Emmanuel in Revue Musicale

2 43 Guise, Cedric H. (Cedric Hay), b. 1890: Mr. Guise's collection of ragtime, 1951
9 typescript leaves
2 44 Haydon, Glen, 1896-1966
: Lateran Codex 61, 1958

1 offprint (6 pages)
Published in: Bericht über den siebenten internationalen musikwissenschaftlichen Kongress Köln 1958: 126-131.
2 45 Hornbostel, Erich Moritz von, 1877-1935
: Psychologie der Gehörserscheinungen, 1926

1 offprint (30 pages)
Published in: Handbuch der normalen und pathologischen Physiologie v. 11, n. 1: 701-730.
2 46 Johnson, Harold E. (Harold Edgar), 1915-1985
: Sibeliuksen Lemminkäissarja, 1957

1 offprint (5 pages)
Published in: Ylipainos Helsingen Sanomista May 19 1957: 3-7.
2 47 Lach, Robert, 1874-1958
: Schubert und das Volkslied, 1929

1 offprint (9 pages)
Published in: Bericht über den internationalen Kongress für Schubert-Forschung Wien 1928: 59-67.
2 48 Matzke, Hermann Karl Anton, 1890-1976
: Von der Erziehung zur Musik, 1920

1 booklet (32 pages)
Breslau: Richard Hoppe, 1920

Accompanied by manuscript letter from Matzke to Kinkeldey, 15 March 1922.

2 49 New York Public Library: Bibliography of works by and on C. P. E. Bach in the New York Public Library, circa 1932
2 typescript leaves
2 50 Schrade, Leo, 1903-1964
: Ästhetik Albert Schweitzers: eine Interpretation Bachs, January 1960

1 offprint (18 pages)
Published in: Universitas: Zeitschrift für Wissenschaft, Kunst und Literatur 15. Jahrgang Heft 1 (January 1960): 61-78.
2 51 Sleeper, Helen Joy
: Preliminary draft of a check-list of thematic catalogues, prepared for the Music Library Association by the Committee on indexes (1942-1946), 1946

22 typescript leaves
Written with co-authors Leonard Burkat and Scott Goldthwaite.

Accompanied by 1 typescript letter from Sleeper to Kinkeldey 18 March 1942 and 1 typescript addition, Brief description of the proposed format of the Check-list of thematic catalogues.

2 52 Sleeper, Helen Joy
: String fantasias of John Jenkins, 14 August 1936

11 typescript leaves
"Seminar report for Music S20".
V.    Correspondence, 1904-1960
Folder 53-62

Arranged alphabetically by correspondent's surname, including one from Kinkeldey.

Box Folder Contents
2 53 Bailey, Parker: 15 July 1934
1 typescript leaf
2 53a Calmus, Georgy: 13 January 1913
1 manuscript leaf
In German.
2 54 Ehrenzweig, Erica: 1 September 1943
1 typescript leaf
In German.

Written on behalf of musicologist Otto Erich Deutsch concerning a publication of Parthenia.

2 55 Hourlier, Jacques: 7 January 1960, 25 January 1960, and undated
3 manuscript items (3 leaves)
In English and French. The letters are addressed to "Monsieur le Professor". The undated letter bears an inscription suggesting that the addressee was Carl Parrish, not Kinkeldey.
2 56 Joseffy, Carl: 25 January 1941
1 typescript leaf
In English.
2 57 Kinkeldey, Otto, 1878-1966: circa 1959
2 manuscript leaves
In English.

Letter to Sydney Beck concerning the 1959 publication of the volume edited by Beck, Thomas Morley's First Book of Consort Lessons.

2 58 Schneider, Marius, 1903-1982: undated
1 manuscript leaf
In German.
2 59 Van Loan, Philip : circa 1924
1 manuscript leaf
In English.
2 60 Wolf, Johannes, 1869-1947: 1 March 1904
1 manuscript leaf
In German.
2 61 Unidentified: 31 March 1911
1 manuscript leaf
In German.
2 62 Unidentified: undated
1 manuscript leaf
In French.
VI.    Programs, 1911-1938
Folder 63-66

Arranged in chronological order.

Box Folder Contents
2 63 Fourth Congress of the International Musical Society: 1911
3 items

3 May 1911, Reception by the Worshipful Company of Grocers, at Grocers' Hall, with program for events 29 May - 3 June
2 June 1911 Banquet at Savoy Hotel program with alphabetical list of guests
2 June 1911 Concert program for performance by The Band of the Royal Regiment of Artillery at the Savoy Hotel

2 64 Dô^me des Invalides (Paris, France): 9 June 1914
1 program (4 pages)
Can not confirm if item was associated with Kinkeldey or not.

Concert de musique religieuse in the Chapelle des Invalides. with performers including organist Joseph Bonnet, conductor Felix Raugel, violoncellist Françoise Gervais, and violinist Eugène. Borrel.

2 65 Member's ticket for International Society for Musical Research, now known as the International Musicological Society Congress at Cambridge, England, 1933
1 card
2 66 Cornell University celebration in commemoration of Otto Kinkeldey's sixtieth birthday, 1938
6 items

Contains a musical canon, text to the Alma Mater for the Western New York Branch of the American Musicological Society, a handwritten card signed by attendees, and placemarks for Mr. and Mrs. Kinkeldey.

VII.    Paleographic examples, undated
Folder 67-71

Fragments of paleographical examples originally in envelope marked "Vellum leaves, some with neumes".

Box Folder Contents
2 67 Paleography example number 1, undated
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1 manuscript leaf (15 x 22 cm.)
2 68 Paleography example number 2, undated
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1 manuscript leaf (21 x 15 cm.)
Text is "Audite celi que loquar" from the Old Testament of the Bible, Deuteronomy XXXII, 1-43. It is also known as the "Song of Moses".
2 69 Paleography example number 3, undated
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1 manuscript leaf (18 x 10 cm.) with musical neumes
The antiphon text is "Isti sunt duae olivae et duo candelabra lucentia". It is from the New Testament of the Bible, Revelations XI, 4.
2 70 Paleography example number 4, undated
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1 manuscript leaf (4 x 28 cm.)
2 71 Paleography example number 5, undated
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1 manuscript leaf (46 x 11 cm.)
The verso is too badly stained to read.
Box Folder Contents
3 72 I'll sing you the song of a flivver, 29 April 1923
1 manuscript score (3 pages) ; 35 cm.
"For the N.Y.P.L."--Title page. Words by unknown author; text inserted on separate sheet.
IX.    Transcriptions by Kinkeldey, circa 1900-1940
Folder 73-146

Arranged alphabetically by composer, compiler, and collection titles. Works by unidentified composers have been placed last in the series.

Box Folder Contents
3 73 Ambrose, Saint, Bishop of Milan, d. 397
Uniform title: Veni redemptor gentium. Selections
Veni redemptor gentium
, undated

1 leaf of manuscript music ; 34 cm.
Pencil manuscript.
Two lines of Gregorian chant hymn.
3 74 Attaingnant, Pierre, fl. 1528-1549
Uniform title: Tres breve et familiere introduction. Prelude, no. 1
Tres breve et familiere introduction pour entendre et apprendre par foy mesmes a jouer toutes chansons reduictes en la tablature du Lutz
, undated

3 pages of manuscript music ; 35 cm.
Ink manuscript.
3 75 Attaingnant, Pierre, fl. 1528-1549
Selections from five publications by Pierre Attaingnant
, undated

26 pages of manuscript music ; 36 cm.
Ink manuscript.
Transcribed for keyboard format.

Tabulature pour le jeu dorgues, espinettes et manichordions sur le plain chant de cunctipotens et Kyrie Fons. Avec leurs et in terra. Patrem. Sanctus et Agnus dei. [Paris, 1531]. (Königliche Hof u Staatsbibliothek München Mus. fr. 232). Kyrie ; Christe ; Kyrie [through Fol. BIII] -- Magnificat sur les huit tons avec Te Deum laudamus et deux Preludes, le tout mys en tabulature des Orgues Espinettes et Manicordions, et telz semblables instrumentz... 1530. Preludium Fol L1(v) ; Prelude sur le chacun ton Fol LIV(v) ; Magnificat primi toni Fol NI ; Secundus versus Fol NIV -- Treze Motetz musicaulx avec ung Prelude, le tout reduict en la Tabulature des Orgues Espinettes et Manicordions et telz semblables instrumentz... Kal. Aprilis 1531. Fortuna desperata Fol 83 AaIII (v) ; Sicut malus Fol 89 ; Prelude Fol 119 (v) -- Dixneuf chansons musicales reduictes en la tabulature des Orgues Espinettes Manichordions, et telz semblables instrumentz musicaulx... Idibus Januraii 1530. Fors seulement Fol 18 (v) -- Vingt et cinq chansons musicales reduictes en la tabulature des Orgues Espinettes Manichordions, et telz semblables instrumentz musicaulx... Kal. 1530. [Contents listed but no musical examples transcribed] -- Vingt et six chansons musicales reduictes en la tabulature des Orgues Espinettes Manichordions, et telz semblables instrumentz musicaulx... Non. Februaii 1530. Ma bouche rit Fol 110 (v) -- Quatorze gaillardes neuf paven nes sept branles et deux basses dances le tout reduict de musique en la tabudu jeu dorgues espinettes manichordions a telz semblables instrumentz musicaulx ... [1531]. Pavane Fol 1 (v) ; Gaillarde sur la pavane -- Vingt et six chansons musicales reduictes en la tabulature des Orgues Espinettes Manichordions, et telz semblables instrumentz musicaulx... Non. Februaii 1530. Le content est riche Fol XCII (v) (includes text).

3 76 Auszug aus dem Katalog der Hamburger Stadtbibliothek: Lauten Tabulaturen Abschriften
undated

6 manuscript pages
Ink manuscript.
Notes about holdings in the Staats- und Universita¨tsbibliothek Hamburg pertaining to lute tablature. No musical transcriptions are included.
3 77 Bach, Johann Sebastian, 1685-1750
Uniform title: Brandenburgische Konzert. Nr. 2. Andante; arr.
Brandenburg Concert II: Andante
undated

3 pages of manuscript music ; 35 cm.
Manuscript in ink.
Arranged for piano; incomplete.
3 78 Bataille, Gabriel, 1575-1630
Uniform title: Airs de diffe´rents autheurs mis en tablature de luth. Selections
Airs de diffe´rents autheurs mis en tablature de luth
undated

[4] pages of manuscript music on 2 sheets ; 34 cm.
Manuscript transcriptions in pencil and ink, including markings in red ink.
The original published 1612 in Paris by Pierre Ballard.

Sheet 1. Transcription of melodic line and accompanying texts. Airs Espagnole. 1. A ver mil damas hermosas (p. 61) -- 2. El baxel esta en la playa (p. 63) -- 3. Vuestros ojos tienen d'Amor (p. 63) -- Sheet 2. Transcription of melodic line, text, and accompanying lute tablature. Ballet de la Royne: [C]Es Ninses pleines de mespris (second livre p. 6, 1809) -- Pour la chaisne du mesme ballet: [N]os esprits libres (p. 7) -- La Renommee au Roy: [P]Leine de langues (p. 8).

3 79 Bergkreyen
undated

1 page of manuscript music ; 34 cm.
Manuscript transcription in ink with melody line and text.

Bergkreyen 1536. Jungfraulein, soll ich mit euch gehn in euren Rosengarden -- 68 Lieder 1542. Es ist ein Schnee gefallen -- Forster II: 1540. Der Gutzgauch auf dem zaune sass -- Forster II. : 1540. Ach Jungfrau, wollt ihr mit mir gahn -- Forster III: 1549. Mir ist ein schönesbraun meydelein

3 80 Bermudo, Juan
Uniform title: Declaracio´n de instrumentos musicales. Selections
Declaracio´n de instrumentos musicales, 1555
, undated

24 pages of manuscript music ; 35 cm.
Manuscript in ink. Transcriptions from the part format of the original into keyboard format on double staves and full score.
Title on wrapper: Beilage I Bermudo.
Partially contained on pages 227-235 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.

Fol. 61v -- Fol 78: Primero modo por [natural sign] mi (Der erste Modus auf) -- Fol. 77: Primero por Elami -- Fol. 78v: Octavo por Elami (Der achte Modus auf E.) -- Fol. 114v: Modo primero con resabios de quarto (Der erste Modus) -- Fol. 115: Modo quarto (Der vierte Modus) -- Fol. 116: Modo sexto verdadero (Der wahre sechste Modus) -- Fol. 117v: Modo octavo -- Fol. 118v: Conditur alme siderum -- Fol. 119: Vexilla regis prodeunt -- Fol. 119v: Veni creator spiritus -- Pange lingua.

3 81 Bermudo, Juan
Uniform title: Declaracio´n de instrumentos musicales. Selections
Declaracio´n de instrumentos musicales, Ossuna, 1555
, undated

24 pages of manuscript music ; 34 cm.
Manuscript in ink. Transcriptions from the part format of the original into keyboard format on double staves and full score. Includes lute tablature.
Partially contained on pages 227-235 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.

Fol. Lxxxiii (Cap. xlii). Preceded by text "El que quisiere estra facilitado ..." -- Fol. cxiii(v): Text of "Para el lector" -- Fol. Cxiii: Ave maris stella -- Fol. Cxiiii: Cantus del modo primero con resabios de quarto -- Fol. Fol. Cxv(v): Cantus del modo quarto -- Fol. Cxvi(v): Cantus del modo sexto verdadero -- Fol. Cxvii(v): Cantus del modo octavo Fol. Cxviii(v): Cantus de conditor alme siderum -- Fol. Cxix: Vexilla regis prodeunt -- Fol. Cxix(v): Veni creator spiritus -- Pange lingua -- Fol. lxi(v): Illustration of scale passages -- Fol. lxxviii: Primero modo por [natural sign] mi (The accidental modes, after Chapter 35) -- Fol. lxxvii(v): Cantus del primero por Elami -- Fol. lxxviii(v): Cantus del octavo por Elami.

3 82 Borjon de Scellery, Pierre, 1633-1691
Uniform title: Traite de la musette. Selections
Traite de la musette (Borjon) 1672. Bibl. Dresden. Musica A 46
, undated

2 pages of manuscript music ; 34 cm.
Ink manuscript.
Verso contains content from two books of tablature.

Traite de la musette (Borjon). Seconde parte, fol. 7, Les tons du chalumeau simple ; Prelude ; Branle de Bresse avec le double ; Branle de Lugny -- Tabulatur Buch auff dem Instrument (Bibl. Dresden Mscr. J 307m). Danket dem Herrn / Christianus Herzogk zu Sachssen -- Tabulatur Buch auff der Cythar. Danket dem Herrn / Johannes Georgius Hertzog zu Sachssen.

3 83 Brahms, Johannes, 1833-1897
Uniform title: Symphonies, no. 3, op. 90, F major. Allegro; arr.
Dritte Symphonie, F dur, op. 90, Letzte Satz
undated

2 pages of manuscript music ; 35 cm.
Manuscript (Pencil)
First seventeen measures arranged for piano four hands.
3 84 Brolo, Bartolomeo, fl. 1400-1440
Uniform title: Entrepis
Berliner Liederbuch (Ms. Mus Z98)
undated

1 page of manuscript music ; 34 cm.
Manuscript transcription of the first twenty measures in ink.
Berliner Liederbuch is the former name for what is currently known as the Glogauer Liederbuch.
3 85 Brunetti, Domenico, ca. 1580-1646
Uniform title: Euterpe. Sospir che del bel petto
L'Euterpe di Domenico Brunetti, Bolognese. Opera musicali di madrigali, canzonette, arie, stanze, e scherzi diversi in dialoghi, & echo, a una, due, tre, et quattro voci, da cantarsi in theorba, arpicordo, & altri stromenti, ..., 1606
undated

2 pages of manuscript music ; 33 cm.
Ink manuscript.
Melodic line, with words, and bass only.

Sospir che del bel petto.

3 86 Buus, Giacques, d. 1565
Uniform title: Intabolatura d'organo
Intabolatura d'organo di ricercari di M. Giacques Buus ... Libro primo
, September 24, 1904

34 pages of manuscript music ; 35 cm.
Ink manuscript.
Copied from the British Library K.1.f16, 1549 printing by Antonio Gardane.
"London, Sept. 24, 1904"--At end of score.

Recercar primo (Fol. Aii) -- Recercar secondo (Fol. D) -- Recercar terzo (Fol. F(v)) -- [Recercar quarto] (Fol. GII(v)).

3 87 Buus, Giacques, d. 1565
Uniform title: Intabolatura d'organo. No. 1
Ricercar no. 1 aus Intabolatura d'organo do ricercari di M. Giaches Buus, Lib. 1, Venetia 1549
, undated

20 pages of manuscript music ; 33 cm.
Ink manuscript.
This work is the first ricercar in Intabolatura d'organo and the first ricercar in the Ricercars, book 2 (1549). The transcription includes the first 38 measures of the full score on four staves from the latter source and the entire work from the Intabolatura on two staves. There is also a note indicating that a source for the full score version was Raymund Schlecht's Geschichte der Kirchenmusik (1879).
Title on wrapper: Beilage III Buus.
Contained on pages 245-259 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.
3 88 Buus, Giacques, d. 1565
Uniform title: Ricercars, book 1. No. 1
Recercari di M. Iacques Buus ... Libro primo
, undated

6 pages of manuscript music ; 36 cm.
Ink manuscript.
Transcription on four staves of the first 79 measures.
Information about Adriano Willaert's Fantasie Ricercari contrapunti a 3 voci (1559) is on the back cover.
3 89 Uniform title: Buxheimer Orgelbuch
Aus Buxheimer Orgelbuch. München Stadtbibliothek Ms. Mus 3725.
, undated

3 pages of manuscript music ; 36 cm.
Ink manuscript.
Additional note in caption: Lute auch Attaignant Tabulature 26 chanson, 1530.
Also identified as Bayerische Staatsbibliothek. Manuscript. Cim. 352b.

No. 61: Pysque mammor -- No. 194: Praeambulum super C (fol. 109 ®)) -- No. 112: Praeambulum super d (fol. 61 (v)) -- [No. 236]: Sequitur fundamentum magistri Conradi paumann contrapuncti (Fol. 142 (v)).

3 90 Campion, Thomas, 1567-1620
Uniform title: Come let us sound with melodie the praises
Come, let us sound with melody: songs from Rosseter's Book of Airs, 1601
, undated

1 page of manuscript music ; 32 cm.
Ink manuscript.
Transcription for keyboard and voice, with text beneath vocal line.
3 91 Campion, Thomas, 1567-1620
Uniform title: Songs, lute, viol acc. Selections
Booke of ayres, set foorth to be song to the lute, orpherian, and base violl ... 1601
, undated

13 pages of manuscript music ; 33 cm.
Ink manuscript.
The original collection contains 21 songs by Campion and 21 songs by Philip Rosseter.
Transcription for keyboard and voice, with text beneath vocal line.

My sweetest Lesbia ; Though you are yoong and I am olde ; I care not for these ladies ; Follow thy faire sunne / Thomas Campion -- If she forsakes me ; Sweete come againe ; And would you see my Mistris face ; No grave for woe ; If I urge my kinde desires ; What harts content can he finde ; / Philip Rosseter.

3 92 Cavazzoni, Marco Antonio, ca. 1490-ca. 1560
Uniform title: Recerchari, motetti, canzoni. Selections
Ricercari, motetti, canzoni composti per Marco Antonio da Bologna. Venetiis: Apud Bernardinum Vercelensem, 1523
, undated

30 pages of manuscript music ; 26-31 cm.
Ink manuscript.
"Transcripts from copy in British Museum by Otto Kinkeldey"--Title page.

Recercar primo -- Salve virgo -- Recercar secondo -- O stella maris -- Perdone, Moi sie folie -- Madame vous, aves, mon, cuor -- Plus, ne regres (incomplete).

3 93 Cornelius, Peter, 1824-1874
Uniform title: Lieder, op. 5. Zum Ossa sprach der Pelion
Zum Ossa sprach der Pelion, op. 5, no. 5
, undated

3 pages of manuscript music ; 26 x 32 cm.
Ink manuscript.
Text by Annette von Droste-Hülshoff.
3 94 Flecha, Matheo, ca. 1530-1604
Uniform title: Harmonia a 5
Harmonia a 5, composto e dedicata alla Maesta dell'Imperatore Massimiliano II l'anno 1568 dal Fra. Matheo Fleccia Carmelita, Capelano della Imperatrice Maria*
, undated

4 pages of manuscript music ; 26 x 32 cm.
Ink manuscript.
Transcription of Flecha's only known instrumental work from the Bibliothek der Gesellschaft der Musikfreunde, Wien Reg. 23573.
Page 4 contains the beginning of a lute tablature, "Les doubles follies d'Espagne" from Ms. 17706 in the Ö¨sterreichische Nationalbibliothek and first eight measures of a keyboard transcription of "Prélude en de la ré sol. Suitte. Folies d'espagne" from Ms. 19455 in the Ö¨sterreichische Nationalbibliothek.
3 95 Folies d'Espagne, undated
8 pages of manuscript music ; 26 x 33 cm.
Ink manuscript.
"See Niecks in Musical Times, 1888"--Caption. Refers to, and includes examples from the article, “Folies d'Espagne: A Study” by Fr. Niecks ( Niecks, Frederick, 1845-1924)in Musical Times, Dec. 1, 1888 (vol. 29, no. 550: 717-721).
Muiscal transcriptions accompanied by textual notes.

Toccate e partite d'intavolatura di cimbalo (1615). Partite sopra Folia / [Girolamo] Frescobaldi -- Arie per il Balletto à Cavallo (1667). Follia per nuovo ingresso ... / Johann Heinrich Schmelzer -- Farinell's Ground / [Jean-Baptiste Farinel, or Giovanni Battista Farinelli] -- [Suonata a violino e violone o cembalo]. No. 12 / [Arcangelo] Corelli -- Pieces de clavecin (1689). Variations sur les folies d'Espagne / Jean Henri d'Anglebert -- Bauern-Cantate (1742). [Unser lieber Kammerherr] / J. S. Bach -- Sonate da camera a tre, op. 1. Follia XII / Antonio Vivaldi.

3 96 Franck, Melchior, d. 1639
Uniform title: Fasciculus quodlibeticus. Ein Mägdlein stund
Fasciculus quodlibeticus: Ein Mägdlein stund
, undated

12 manuscript music parts (2 pages each) ; 18 x 27 cm.
Three parts each for Soprano, Alto, Tenor, and Bass.
First line of text: Wo stund sie denn.
Originally issued Coburg, 1611.
3 97 Fugger, Octavianus, II, 1549-1600
Uniform title: Passameggio del gropo e sua galiarda
Hof. Wien Ms. 18821. Lautenbuch. O.S.F. 1562. Passameggio del gropo
, undated

4 pages of manuscript music ; 35 cm.
Ink manuscript.
The three works from Ms. 18821 are transcribed as lute tablature with transcription for keyboard. The Recercar (anonymous composer) from Ms. 18827 is only in lute tablature.

Lautenbach des Octavian Secundus, 1562. (Mus. Hs. 18821). Passameggio del gropo y sua galiarda ; Del gropo minuita (fol. 5 b.) ; Opus non inscriptum (fol. 6b.) -- [Lautenbuch]. [italienische Lautentabulatur]. XVI. Jh. 39 Bl. Mus. Hs. 18827. Recercar.

3 98 Gabrieli, Giovanni, ca. 1554-1612
Uniform title: Canzoni et sonate. Canzon, voices (7) (No. 7)
Canzone VII aus Canzoni et Sonate, 1615
, undated

4 pages of manuscript music ; 35 cm.
Ink manuscript.
Incomplete.
3 99 Gabrieli, Giovanni, ca. 1554-1612
Uniform title: Canzoni et sonate. Canzon, voices (12) (No. 17)
Canzoni XVII aus Canzoni et Sonate, 1615
, undated

15 pages of manuscript music ; 35 cm.
Manuscript (Pencil, copied over with ink).
"Ed. P. F. Thaddeo da Venetia Agostiniano"--Caption.
3 100 Gabrieli, Giovanni, ca. 1554-1612
Uniform title: Sacrae symphoniae. Sonata pian e forte
Sonata piano e forte alla quarta bassa, Venedig 1597, Bearbeitung von Otto Kinkeldey
, undated

1 manuscript score (11 pages) ; 24 x 33 cm. and 8 manuscript parts ; 35 cm.
Ink manuscript.
3 101 Gabrieli, Giovanni, ca. 1554-1612
Uniform title: Sacrae symphoniae. Sonata pian e forte
Sonata piano e forte
, undated

3 pages of manuscript music ; 35 cm.
Ink manuscript.
Incomplete; first 38 measures only.
3 102 Gabrieli, Giovanni, ca. 1554-1612
Uniform title: Sacrae symphoniae. Surrexit Christus
Motetto 16 aus Symph. Sacrae, 1615. Surrexit Christus ...
, undated

1 leaf of manuscript music ; 34 cm.
Ink manuscript.
Measures 59-64 of Motet 14 from the second book of Symphoniae Sacrae, starting with the text, Annunciate populus.
3 103 Galilei, Vincenzo, d. 1591
Uniform title: Fronimo. Selections
Fronimo. Dialogo di Vincenzo Galilei. Venezia 1584 (Erste Ausgabe 1596)
, undated

3 pages of manuscript music ; 33 cm.
Ink manuscript.
Contained on pages 283-285 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.
Transcription in keyboard format.
Pages numbered 25-27.
Accompanied by leaf marked Beilage V.

Ricercare del primo tuono per [natural sign] p. 80 -- Ricercare del sesto tuono per [natural sign] p. 81 -- Ricercare del settimo tuono per [natural sign] p. 82.

3 104 Galli, Giuseppe, fl. 1598
Uniform title: Totius primi libri sacri operis musici. Mantegazza
La mantegazza: Totius libri primi sacri operis musici alterius modulis concinendi partitio seu quam praestantiss. Auctore Josepho Gallo. Studio et labore Aurelii Ribrochi edita. Mediolani 1598.
, undated

6 pages of manuscript music ; 24 x 33 cm.
Ink manuscript.
Transcribed in keyboard format.
Pages numbered 9-14.
3 105 Gerle, Hans, ca. 1500-1570
Uniform title: Musica teutsch. Selections
Abschriften aus Hans Gerle Musica teutsch, Nuremberg, 1532
, undated

19 pages of manuscript music ; 34 cm.
Ink manuscript.
"Nach S. W. Dehn's [ Dehn, S. W. (Siegfried Wilhelm), 1799-1858] Uebertragung, Berlin, 1861 [i.e. 1851]"--Title page. This is Ms. 7370 in the Staatsbibliothek zu Berlin.
Transcriptions of tablature and keyboard realizations.
3 106 Hassler, Hans Leo, 1564-1612
Uniform title: Lustgarten neuer teutscher Gesäng. Mein G'müt ist mir verwirret
Lustgarten. Eine Sammlung deutsche Lieder zu vier fünf sechs und achte Stimmen ... (1601). XXIV. Mein G'müt ist mir verwirret
, undated

1 leaf of manuscript music ; 33 cm.
Ink manuscript.
3 107 Henry VIII, King of England, 1491-1547
Uniform title: Pastyme with good companye
Pastyme with good companye
, undated

1 leaf of manuscript music ; 34 cm.
Ink manuscript.
Title from first line of text.
"See Archaeologia 41 (1867)"--Caption. It is a reference to William Chappell's article, with transcriptions, “Some account of an unpublished collection of songs and ballads by Henry VIII and his contemporaries”.
"From the Lamb Ms."--Caption. The manuscript is currently in the British Library as Add. 31922.
4 108 Josquin, des Prez, d. 1521
Uniform title: Stabat Mater dolorosa/Comme femme desconforte´e
Stabat mater dolorosa. Vocum Josquin de Pres. Aus Sebastian Ochsenkuhn's Tabulaturbuch auff die Lauten, Heidelberg, 1558
, undated

4 pages of manuscript music ; 35 cm.
Ink manuscript.
Incomplete; transcription of five-voice setting accompanied by Ochsenkuhn's version transcribed on two staves.
Includes notes about other sources.
4 109 Judenku¨nig, Hans, ca. 1450-1526
Uniform title: Lute music. Selections
Twelve selections in lute tablature from two works (1523) by Hans Judenkünig
, undated

12 pages of manuscript music; 26 x 33 cm.
Manuscript transcription in ink of lute tablature.

Utilis et compendiaria introductio. Ode prima Mecoenas atavis -- Madonna katerina, oder hast du mich genummen -- Christ ist erstanden -- Hast du mich genumen.

Schone kunstliche Underweisung. Pavana alla Veneciana -- Das erst Priamell -- Ayn niderlendisch runden dantz -- Das ander Priamell -- Das drit Priamel -- Das fierd Priamel -- Ain Spaniyelischer hoff dantz -- Tropolus secret.

4 110 Kern, Jerome, 1885-1945
How'd you like to spoon with me
, undated

1 leaf of manuscript music ; 16 x 25 cm.
Ink manuscript marked "Violin".

On verso: Pencil manuscript piano reduction of opening measures of Richard Wagner's opera, Tristan und Isolde.

4 111 Kleber, Leonhard, ca. 1495-1556
Uniform title: Tabulatur fu¨r die Orgel. Selections
Tabulatur fu¨r die Orgel: scriptum et finitum per Leonardum Kleber de Geppingen ultimaDecembrius 1524: Phorze in aedibus meio
, undated

24 pages of manuscript music ; 35 cm.
Ink manuscript transcriptions.
From the manuscript 40026 in the Staatsbibliothek Preussischer Kulturbesitz Berlin, Musikabteilung.

Abrecht die zyt -- Preambulum in re -- Philephos aves in fa, quatuor vocum, manualiter -- Preambulum in sol [natural] durum -- Preambulum in sol [flat] molle -- In fide recta -- Carmen italicum: Lemit le jor -- Si sumpsero: in ut manualiter -- Menter tota: in sol -- Illetadum bonum -- Lalahe : in ut manualiter -- Fantasy in fa -- La Spania in re / [Hans Buchner] -- Preambulum in ut manualiter -- Fors seulement in la [natural].

4 112 Kotter, Hans, ca. 1485-1541
Kotter Tabulatur: Basel (Bibl. Publ. Basiliensis) F IX 22: Sum Bonifacii Amerbachii Basiliensis : Nec muto dominum MDXIII
, undated

33 pages of manuscript music ; 35 cm.
Ink manuscript transcriptions.
Selections from tablature compiled by Hans Kotter in 1518, held in Universita¨tsbibliothek Basel.
Two manuscript leaves inserted with additional source material for Tanzmass Benzenauer.

Fundamentum totius artis musice artificialiter compositum et primo notandum cognoscere claves clavicordii -- Harmonia in sol / Kotter -- Fortuna d'un gran tempo / Josquin -- Fantasia in ut / Kotter -- Spanieler / Kotter -- Prooemium in re / Kotter -- Preludium in la / Kotter -- Avaßo?? in fa / Kotter -- Praeambulum in fa / [Kotter] -- Prooemium in re / Kotter -- Preludium in fa / Kotter -- Praeambulum in sol / Kotter -- Dantz moss. Benczenavher [Tanzmass Benzenauer and Nachtanz] / M.H.V. Constatz [Hans Buchner] -- Expecta ung pauco / Anonymous -- Ach hülf mich leid und semlich klag : 1.b / zu Constantz [Hans Buchner] --

4 113 Lasso, Orlando di, 1532-1594
Uniform title: Chansons, voices (4-6), book 3. Susanne ung jour
Susanne ung jour. 1. 5 Stimmung Satz von Lassus, 2. Orgelbearbeitung von Andrea Gabrieli, 3. Anfang der Orgelbearbeitung von Ammerbach
, undated

12 pages of manuscript music ; 33 cm.
Ink manuscript.
Two scores vertically aligned. The top score is in five staves for the five-voice setting of Lasso's work. The bottom score is the keyboard arrangement of Lasso's work on two staves. It is from the publication, Canzoni alla francese et ricercari ariosi tabulate per sonar sopra istromenti da tasti dall Andrea Gabrieli. Libro V. Venetia, 1605. There is a separate five-stave transcription ([3] pages) of the first fourteen measures of the Ammerbach tablature (1571). The first fourteen measure numbers of the Gabrieli score are marked with red pencil to indicate where the Ammerbach would align.
Contained on pages 264-274 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.
4 114 Lasso, Orlando di, 1532-1594
Uniform title: Princeps Marte potens, Guilelmus. Selections
Princeps Marte potens
, undated

5 pages of manuscript music ; 27 x 34 cm. and 42 parts ; 16-34 cm.
Ink manuscript.
Parts for soprano 1, 2, Alto 1,2, Tenor 1,2, and Bass 1, 2.

1st part: Princeps Marte potens -- 9th part: Vive pater patriae.

4 115 Legrenzi, Giovanni, 1626-1690
Uniform title: Sonatas, op. 8. Fugazza. Selections
Sonata von Gio. Legrenzi aus Sonate a 3-5 & sei stromenti (1663). La Fugazza
, undated

1 leaf of manuscript music ; 34 cm.
Ink manuscript music of first twelve measures.
For Viol I and II, Viol alto, Viol tenore, and Viol da brazzo.
4 116 Lemlin, Lorenz, b. ca. 1495
Uniform title: Gutzgauch auf dem Zaune sass
Der Gutzgauch
, undated

12 manuscript parts ; 12 x 27 cm.
For Soprano I and II, Alto, Tenor, and Bass I and II.
4 117 Lorenzo, da Firenze, d. 1372 or 3
Uniform title: A poste messe
A poste messe, Florenz Med Laur. Am 87, Magister Laurentius da Florentia
, undated

4 pages of manuscript music ; 34 cm.
Ink manuscript.
Transcription from Biblioteca Medicea-Laurenziana, Med. Palatino 87, Squarcialupi Codex, fol. 49v.
Transcription of the top voice only and no text.
4 118 Lorenzo, da Firenze, d. 1372 or 3
Uniform title: Ita se n'er'a star
Magister Laurentius de Florentia: Flor. Med. Laur. Pal 87: Wolf III No. 49 p. 119
, undated

5 pages of manuscript music ; 34 cm.
Ink manuscript.
Transcription from Biblioteca Medicea-Laurenziana, Med. Palatino 87, Squarcialupi Codex, fol. 46v.
First phrase of text: Ita se n'er'a star.
4 119 Luzzaschi, Luzzasco, d. 1607
Beilage VI: Luzzaschi
, undated

3 pages of manuscript music ; 33 cm.
Ink manuscript music. Pages numbered 17-19.
For six unspecified instruments.
The piece may be lacking its opening measures and it cannot be identified as a work by Luzzaschi. The title information is taken from a fragment of a wrapper.
4 120 Luzzaschi, Luzzasco, d. 1607
Uniform title: Madrigali per cantare et sonare. Selections
Madrigali per cantare et sonare, Roma 1601
, undated

32 pages of manuscript music ; 33 cm.
Ink manuscript.
For one, two, or three sopranos and keyboard accompaniment.
Contained on pages 286-295 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.

Aura soave -- O primavera -- Ch'io non t'ami -- Stral pungente d'amore -- Deh vieni ormai -- I' mi son giovinetta -- T'amo mia vita.

4 121 Malvezzi, Cristofano, 1547-1599
Uniform title: Intermedii et concerti, fatti per la commedia rappresentata in Firenze. Selections I
Two works from the intermedi for the marriage of Ferdinando Medici and Christine of Lorraine in 1589, undated

6 pages of manuscript music ; 24 x 33 cm.
Ink manuscript.
Originally published in Venice by G. Vicenti, 1591. The edition was edited by Malvezzi, who also contributed music.

Secondo intermedio. Sinfonia [for five instruments] / Luca Marenzio -- Primo intermedio. Dalle più alte sfere [transcribed as voice and accompaniment in keyboard reduction] / Antonio Archilei [possibly by Emilio de Cavalieri]

Contained on pages 306-312 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.

4 122 Mazzone, Marc'Antonio, fl. 1569-1593
Uniform title: Primo libro delle Magnificat. Selections
Primo libro delle Magnificat composto da Don Marc'Antoniio Mazzone di Miglionico. In nouvo stile corrente, et commodo non solo ...
, undated

4 pages of manuscript music ; 33 cm.
Ink manuscript.
Originally published Venice: A. Gardane, 1593.
Transcription on four staves with text.

Ave maris stella -- Magnificat primo toni (Anima dea).

4 123 Melli, Domenico Maria, b. 1572
Uniform title: Musiche. Selections
Le primo musiche el Signor Domenico Maria Melli ... Veneta ... 1609. 18 Stücke für 1 Stimme mit unbezifferten Bass
, undated

8 pages of manuscript music ; 33 cm.
Ink manuscript.
Title of Le Seconde Musiche transcribed on page 7.

Primo Musiche. No. 1. Arde il cor e non chiede a l'ardor suo ; No. 2. S'a la gelata mia timida lingua ; No. 15. Fu cosi grave il duolo mio -- Seconde Musiche. No. 1. Languisco e moro, ahi cruda

4 124 Milán, Luis, 16th cent.
Uniform title: Maestro. Selections
Libro de musica de vihuela de mano. Intitulado. El Maestro ... Compuesto por don Luys Milan
, undated

22 pages of manuscript text and music ; 35 cm.
Ink manuscript.
Transcription of portions of the text, a drawing of the instrument, and four of the fantasias in the original tablature.
Originally issued 1536.
4 125 Newsidler, Hans, 1508-1563
Uniform title: Newgeordent kunstlich Lautenbuch. Selections
Miscellanea aus Ein newgeordent künstlich Lautenbuch, Hans Neusidler, Luturisten und Bürger zur Nürnberg, 1536
, undated

19 pages of manuscript music ; 34 cm.
Ink manuscript.
Transcriptions on two-stave keyboard format.

Theil II. No. IX (fol. D II) : Tus Biens / Ghiselin -- Theil II. No. X (Fol. D III v): Ein gut triu mit schönen fugen -- Theil I (Fol. s III): Preambel [1] -- [Theil I.] (Fol. s III v): Preambel [2] -- [Theil I.] (Fol. s IIII): Preambel [3] -- Preambel (fol. IIII v.) -- Ein gut Preambel (fol. X III) -- Theil II. [No.] I (fol. A III): Ein sehr guter organistischer preambel-- Theil II. No. XIX (Fol. H I v): Juli amors / Ghiselin -- [Theil II. No.] XX (fol. H IIII) : Si sumpsero / Obrecht.

4 126 Nivers, Guillaume-Gabriel, 1632-1714
Uniform title: Livre d'orgue, no. 1. Selections
Livre d'orgue conten. 100 pièces de tous les tons de l'eglise, Paris 1665 chez Ballard, Paris Bibl. Nat. Vm 1416
, undated

1 page of manuscript music ; 35 cm.
Ink manuscript.

Prelude du 1 ton (page 1) -- Fugue (page 2) -- Diminution de la basse (page 3).

4 127 Piero, Maestro, fl. 1340-1350
Uniform title: Selections
Two works by Magister Piero , undated

7 pages of manuscript music ; 34 cm.
Ink manuscript.
Transcribed from the manuscript Biblioteca Nazionale in Florence Pan. 26.

Con dolce brama [for three voices] -- Ogni dilletto [for two voices].

4 128 Praetorius, Michael, 1571-1621
Uniform title: Musae Sioniae, 5. T. In dulci jubilo (No. 81)
In dulci jubilo: Mus. Sion V, Nr. 81 (1607) , undated

4 pages of manuscript music ; 34 cm.
Pencil manuscript.
Transcribed without text.
4 129 Ripa, Alberto da, d. 1551
Uniform title: Fantasies, lute, no. 1
Fantasie : Albert de Rippe de Mantoue (1553) : Liv. I, Fantas I (f. 1): F 2897
, undated

3 pages of manuscript music ; 34 cm.
Ink manuscript.
Incomplete transcription in keyboard format.
From Ripa's Premier livre de tabulature da leut, contenant plusieurs chansons et fantasies (1553).
At head of caption title: Abschriften aus Fleischer's Französ Abschriften (possible reference to Oskar Fleischer?).
4 130 Rognoni Taeggio, Francesco
Uniform title: Canzonas. Rigamonta
Partito delle canzoni à 4 & 8 voci di Gio. Domenico Rognoni Taeggio, Milano 1605 : La Rigamonta, Canzon 13
, undated

2 pages of manuscript music ; 24 x 33 cm.
Ink manuscript.
Transcribed in keyboard format.
4 131 Schmid, Bernhard, 1535-1592
Uniform title: Neue kunstliche Tabulatur. Alemando novelle
Alemando novello : Ein guter neuer Dantz (Strassburg 1577)
, undated

1 leaf of manuscript music ; 34 cm.
Ink manuscript.
4 132 Schmid, Bernhard, 1567-1625
Uniform title: Tabulatur Buch. No. 68. Selections
Tabulaturbuch 1607 (Strassburg). No. 68: Fuga à 4 And. Gabr. (Fol NIIIv)
, undated

1 leaf of manuscript music ; 33 cm.
Ink manuscript.
Incomplete: consists of first ten measures.
Transcription in keyboard format from tablature of Number 68, Fuga quarta, by Andrea Gabrieli.
4 133 Schumann, Robert, 1810-1856
Uniform title: Gedichte, op. 30. Hidalgo. English
Der Hidalgo, op. 30, no. 3 : comp 1840 : orig. D major / R. Schumann ; [text by] E. Geibel ; Engl. by Lewis Novra
, undated

4 pages of manuscript music ; 31 cm.
Ink manuscript.
Vocal line only, with English text. It is incomplete.
4 134 Sermisy, Claudin de, ca. 1490-1562
Uniform title: Content est riche en ce monde
I Libro de le canzoni francese --- per Andrea Antigo intagliate. Venedig (O. Scotto) 1535
, undated

3 pages of manuscript music ; 33 cm.
Ink manuscript.
Two double-staved scores vertically aligned. The top score contains only the altus and bass voice parts of Sermisy's chanson with the text written beneath the top voice. This matches the copy in the Bayerische Staatsbibliothek, Munich. The bottom score is the keyboard arrangement contained in Pierre Attaingnant's 1530 Paris publication, Vingt et six chansons musicales.
Note in caption: Aus Beilage IV.
Contained on pages 260-263 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.
4 135 Sperontes, 1705-1750
Uniform title: Singende Muse an der Pleisse. Selections
Singende Muse an der Pleisse. Theil 1 No. 8
, undated

5 pages of manuscript music ; 35 cm.
Ink manuscript with pencil emendations.
The first two transcriptions include the first verse of related texts.

[No. 8 Bourée] Ihr Grillen weicht, ihr Sorgen flieht -- [No. 9 Murki] Unter hunderttausend Schönen -- [No. 1 Air] [Ein edles Herz ist stets vernügt (two copies) -- [No. 6 Air allegro] [Alles, alles, hör' ich an].

4 136 Susato, Tielman, fl. 1529-1561
Uniform title: Danserye. Selections
Three dances by Tielman Susato
, undated

4 pages of manuscript music ; 35 cm.
Ink manuscript.

Bergerette : Antwerpen 1551 -- Danse du Roy : Antwerpen 1551 -- Saltarelle : Antwerpen 1551.

4 137 Thomas de Sancta Maria, fray, d. 1570
Uniform title: Arte de tan~er fantasi´a. Selections
Arte de tan~er fantasi´a (1565)
, undated

26 pages of manuscript music ; 33-35 cm.
Ink manuscript.
Transcribed in keyboard format.
Contained on pages 236-244 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.

Der erste modus (Fol 67v) -- Der zwierte modus (Fol 68) -- Der dritte modus (Ebenda) -- El quarto tono ... (Fol 68v) [crossed out version] -- Der vierte modus (Fol 68v) -- Der erste modus auf C (Fol 72v) -- Primero por gesolreut ([Fol 72v]) -- Die Harmoniesierung einer Melodie (Th. II Fol 32v) -- Vollstandige Harmonie-Wechsel (Fol 33) Oktavschritte im Bass (Ebenda) -- Wie man beim Fantasieren vorgeht (Th. II, Fol 120v) -- [Fantasie concierto] ([Th. II],Fol 121) -- Exemplo de unisonar a quatro semibreves por las compuestas ([Th. II], Fol 42) -- Exemplo de quando entra primero el contrabaxo (Th. II, Fol 73v) -- Quando el passo se haze en quarta ... (Th. II, Fol 74) -- [Quando el passo se haze quinta ...] ([Th. II], Fol 75) -- Exemplo de quando la voz del un duo ... ([Th. II], Fol 77) -- Exemplo de quando en lugar del segundo duo, se tañen a tres vozes con diversas consonancias ... ([Th. II], Fol 78) -- Exemplo de quando las mismas vozes que han concluydo el passo ... ([Th. II], Fol 79) -- Del modo de tañer los passos sueltos Cap. XXXV ([Th. II], Fol 79v) -- Arte de tañer (([Th. II], Fol 80) -- Del modo de asir un duo con otro sin clausula Cap. XXXVIII ([Th. II], Fol 82v) -- [Exemplo de todo lo sobre dicho] ([Th. II], Fol 83v) -- Del entrar las vozes medio copas antes dela clausula ([Th. II], Fol 90) -- Del entrar las vozes enel segundo lugar dela clausula ([Th. II], Fol 106) -- Primero del cesolfaut ([Th. I], Fol 72v) [two copies].

4 138 Trostlicher Liebe
in seven versions, undated

4 pages of manuscript music ; 35 cm.
Ink manuscript.
Sources include compilations by Hans Gerle and Hans Newslider.
4 139 Venetianische Opera Sinfonien. Abschriften von Kretzschmar, undated
3 manuscript scores (16, [1], [5] pages) ; 35 cm.
Ink manuscript.
Title from 16 page score.
Possibly related to Hermann Kretzschmar's article, Die venetianische Oper und die Werke Cavallis und Cestis’ in Vierteljahrsschrift für Musikwissenschaft : viii (1892), 1–76.

Score 1. Sinfonie zu Doriclea, 1645 ; Sinfonie zu Eligobalo, 1659 ; Ercole, 1662 / Fr. Cavalli ( Cavalli, Pier Francesco, 1602-1676) -- Il Tito, 1666 ; Argia, 1669. Prologue and Act I, scene 1 opening / M. A. Cesti ( Cesti, Antonio, 1623-1669) -- Marcello, 1670 / G. Ant. Boretti ( Boretti, Giovanni Antonio, ca. 1640-1672) -- Seleuco, 1666. Sinfonia and Act III, scene 15 ; Adelaide (Trompetenouverture), 1672 / M. A. Sartorio ( Sartorio, Antonio, 1630?-1681) -- Candaule, 1679 / PoA. Ziani ( Ziani, Pietro Andrea, 1616-1684).

Score 2. Sinfonie avant opera Griselda (1721, Text Rusponi) [incomplete Presto movement] / A. Scarlatti ( Scarlatti, Alessandro, 1660-1725).

Score 3. Sinfonie [complete three movement Sinfonia from the opera L'Amor volubile, e tiranno] / Scarlatti ( Scarlatti, Alessandro, 1660-1725).

4 140 Verovio, Simone, fl. 1575-1608
Uniform title: Diletto spirituale. Selections
Diletto spirituale, Canzonette a tre a quattro voci composte de diversi eccmi. musici, Racolta da Simone Verovio ... Roma, 1586
, undated

4 pages of manuscript music ; 33 cm.
Ink manuscript.
Pages numbered 21-24.
Contained on pages 280-282 of Kinkeldey's Orgel und Klavier in der Musik des 16. Jahrhunderts.
Accompanied by earlier draft (4 page ink manuscript).
Accompanied by leaf marked Beilage V.

Jesu decus angelicum / Felice Anerio -- Jesu mi dulcissime / Felix Anerius.

4 141 Vicentino, Nicola, 1511-ca. 1576
Uniform title: Antica musica ridotta alla moderna prattica. Dolce mio ben
Essempio della prima parte di uno madrigale a quattro voci ...
, undated

2 pages of manuscript music ; 35 cm.
Ink manuscript.
From Vicentino's Antica musica ridotta alla moderna prattica, Rome, A. Barre, 1555, Book III, Chapter 52, fol. 67v.
Transcribed without accompanying words.
4 142 Virdung, Sebastian, b. 1465?
Uniform title: Musica getutscht. Sancta et immaculata virginita
Aus Virdungs Musica getutscht, 1511. Sancta et immaculata virginitas ...
, undated

1 page of manuscript music ; 34 cm.
Ink manuscript.
Transcription in keyboard format.
4 143 Warren, Samuel P. (Samuel Prowse), 1841-1915
Uniform title: Solomon's prayer
Solomon's prayer (I Kings VIII): choir responses
, undated

4 manuscript music parts ; 33 cm.
Ink manuscript.
Parts (2 pages each) for soprano, alto, tenor, and bass.
Slightly different from the same responses published in Selected readings for the church service, with choir responses (1909), with readings selected by James M. Ludlow and music by Samuel P. Warren.
4 144 Unidentified Fanfares for brass and timpani, undated
1 manuscript score (2 pages) and 8 manuscript instrumental parts ; 35 cm.
Ink manuscript.
Parts for Tromba in C I, II, and II, Corno in F I and II (on one page), Trombone I and II (on one page), and Timpani.

Seven short works for which only the trumpet parts contain all of the music.

4 145 Unidentified Tanz, undated
1 page of manuscript music ; 35 cm.
Scored for four unspecified instruments.
Ink manuscript.
4 146 Unidentified
Tho I speak with the tongues of men and of angels, and have not love
, undated

1 leaf of manuscript music ; 27 x 25 cm.
Pencil manuscript.
Fragment consisting chiefly of a single melody line in bass clef with text beneath it.
Text from the Bible, Corinthians I:13.

Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog.

Contributors

Committee on Graduate Study in Music
Hanson, Howard, 1896-1981

Subjects

Kinkeldey, Otto, 1878-1966--Archives
Music in universities and colleges--United States
Music--Instruction and study--United States
Musical notation
Musicologists

Genres

Correspondence
Offprints
Scores

Associated Material

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